If you turn the device upside down, it looks like a penis. And after this middle school joke, I’ll tell you that I don’t know a single one of their songs. more
A face that could be slapped, yet has managed to make a great contribution in the Pooh. As a solo artist, he practically doesn’t exist. more
I don't dislike him, but I just can't stand him. Neither his voice nor the melodies, his way of singing, nothing. So he gets a nice 1. VASCO is a whole other story! But honestly, who even remembers this loser? Just 4 nostalgic long-haired fans!

@[lector]
@[asterisco]

You like him, I bet, huh?

In the comments: FINARDI GREAT ROCKEEERRR... go fuck yourself! more
Shy yet eclectic. Dancer, singer, actor. An exceptional voice. Born artist, at 3 years old he won an amateur singing competition and won 10 dollars. more
To be listened to with headphones on a good sound system. Great melodic sense. more
He's a year younger than me, and between music and imagery, I can only sense an unbearable smell of mold. Someone should explain to him that you can reach high notes without shouting. more
Great for the beer festival in Castione della Presolana more
Nice discovery * more
Wonderfully abrasive. more
The guru of Italian fantasy. more
Power Pop before Brit Pop more
Another beautiful album, it doesn't have much to envy from its three predecessors; I place it half a step below because, although good, two of the three instrumentals, "Aliante" and "Notturno," don't make me tear my hair out. However, it's an album with nothing to throw away, featuring at least three songs among my favorites from the band ("Maggio," the folk-pop ballad "Frutto acerbo" that once again reminds us how Le Orme were also connected to simple songwriting and not just prog, and "La fabbricante d'angeli," another pitch-dark gem to add to their repertoire of sunny and reassuring lyrics...). The excellent title track is instrumental and contrapuntal (well, otherwise they would have titled the album "Quel mona di Adalbertopiero" or whatever), and "India" is another great song with an interesting text. Beautiful, inspired as always in ideas and melodies, with the almost constant alternation of "instrumental-sung" and "rhythmic piece-quiet piece" making the listening experience varied. A stellar album, indeed. more
Norwegian Director more
Those of "Nowhere To Run" more
THE GREATEST ROCK BAND OF ALL TIME!
Yesterday I watched a documentary on Bill Wyman and I "understood" why... before I only "felt" it was that way. more
"Layla" and "Key To The Highway" would be more than enough to earn top marks... more
This year champions (scudetto), next year idiots (lega pro)
Anala!!! more
Beautiful cover by Chicago more
Certo, inviami il testo che desideri tradurre! more
It was a distant 1995 when "Carved in Stone," Vince Neil's second solo album, was released, the historic frontman of Motley Crue (one of the most important bands of the 80s Los Angeles Glam Metal scene). Vince Neil was distanced from his buddies Nikki Sixx, Tommy Lee, and Mick Mars a few years earlier and replaced by John Corabi, with whom they experimented with Grunge sounds... Needless to say, the album with Corabi released in 1994 titled "Motley Crue" was not a success and was heavily criticized by the public for the absence of the original singer, Vince Neil.
Meanwhile, Vince was working on a solo album, the well-known "Exposed" from 1993, featuring classic Hard Rock and Heavy Metal sounds very similar to the old works with Motley Crue (powerful riffs under the sign of Black Sabbath or Iron Maiden, sharp guitar and drums, fast tempos). In 1995, the second work, "Carved in Stone," was released, an album rich in experimentation and sampling, in my opinion very particular and interesting... Sounds that would inspire future generations of Rockers (Limp Bizkit, Kid Rock). It's a shame that it has always been greatly underrated as an album; it deserves a rediscovery for the beautiful tracks like The Rift, the melancholic Ballad Skylar's Song, and the first song of the album, "Breakin' the Gun." more