Steve Hackett
Give him a guitar neck, whether electric or classical, and he will bring out Music. more
Fëdor Michajlovic Dostoevskij
Excavator of the human soul.
Unreachable. Period. more
Marco Mengoni
Unbearable like cucumbers in a hamburger more
Against All Logic
Against All Logic aka Nicolas Jaar, Nicolas Jaar aka Against All Logic. more
The Beatles
They admitted to having copied Carole King and Gerry Goffin. more
Daniele Silvestri
I have always liked it, great writing ability and several pieces that hit the mark. more
PLUHM
PLUHM is the oblivion of feelings, it is the dark and suffocating atmosphere inside the self of each of us, it is darkness, but also light. it is redemption. more
Jason Molina
Jason knew how to enter, dig deep, like almost no one else, into the thoughts, feelings, and soul of those who understood him. All it took was a piano, an acoustic guitar, and his voice. And he could make you cry. more
Abecedarians
rough and mysterious more
Billy Idol
"Eyes without a face" is one of the most beautiful songs of the 80s... more
Pet Shop Boys
It's the 80s!!! He has a great voice. more
Prefab Sprout
Refined, unfortunately not very well known. more
Zack Snyder -Batman v Superman: Dawn of Justice
I usually enjoy watching superhero movies, but this film is not only bad, it's also boring and tedious (Ben Affleck really gets on my nerves). more
CapaRezza
Unique in its kind more
Brad Bird, Jan Pinkava -Ratatouille
Another testimony to Pixar's talent, in addition to having created one of the most beautiful monologues ever heard. Ratatouille - un grande artista può celarsi in chiunque
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Iron Maiden
In truth, I don't think I've listened to a note from the last 4-5 albums, but the period from '80 to '88 is more than enough to give a 5 for a lifetime. more
Wishbone Ash
Live albums are definitely the best. more
For Love Not Lisa
“Slip Slide Melting” is awesome! more
Fleetwood Mac
Their "mainstream" pop, lacking much soul, has nonetheless produced a few small treasures. Certainly a bit overrated, but at the same time capable of maintaining a remarkable balancing act between banality and soft-rock insight. It must be acknowledged that the self-titled LP from 1975, along with the famous "Tusk" and "Rumours," are small classics in their genre. The rating refers to their post-1974 period. I don’t consider or care for the earlier Fleetwood, even though I’ve listened to them; the rock-blues of the late sixties and early seventies has never excited me. more