Throw them in more
Black or brown... more
But when you step on them barefoot, they hurt like hell! more
Much better are the toy cars from Bburago. more
Felnet. more
I would gladly kill you, but then I wouldn't regret it, and then I would go to hell. more
OrgRax. But only with the beloved. more
I hit play, but I'm left cold. more
Leave that sinful position and they will stop calling you that. more
One can never say until the last breath. more
I prefer the Young Turks. more
The softness of the drums. He left the Straits after "Love Over Gold" because "I was becoming a rock drummer." He gave up the money from "Brothers in Pop" but did not betray blues and jazz. Heroic. more
Well Said. more
They bring tears to my eyes. more
Abbb.... more
If 90% of the singer-songwriters from her country had had a fraction of her resources and visibility, nobody would be talking about them today. Don't be fooled, Japan is not like this. In fact, to be precise: talent is not like this. more
The very essence of the Underground - a word that should never be uttered by anyone who has never experienced the listening of such stuff. more
The most underestimated album of a discography that is too often overrated for reasons that are not purely musical. But myth or no myth, Lennon or no Lennon, it's impossible not to be moved by "#9 Dream" or "Old Dirt Road," and not to acknowledge the dizzying heights of "Steel & Glass," "Bless You," "Nobody Loves You." Unfortunately, not the entire duration of the album flows at the same levels. more
The album that introduced me to Rammstein (yes, I'm late, considering I'm over forty). The title track is epic, heavy, and very industrial (not in the genre sense, but in the atmospheric sense. Those who said that R's music makes you feel like you're in a steel mill, dirty and sweaty, hammering something are right). Also nice is the rock-pop sounding Moskau. more
is all, Love is you. (Lennon in "Because") more