Sophisticated and simple, mechanical and spiritual, explosive and calm, icy and burning: this is the controversial work of Christopher Nolan, now firmly established in legend. Tenet. Pure, crystalline cinematic art, propped up by the post-postmodern zeitgeist of hypertechnological revolution. At the cinema, after what was for me a cathartic and wild multisensory experience, I exclaimed: “This film is ferociously insane.”
P.S. “Controversial,” to say the least. I foresee storms over such a definition. more
First milestone of the electric trilogy of the '60s, yet another great album. It is often judged as inferior to the subsequent ones, a notion I completely disagree with. While it may be rougher and more raw, it perhaps loses some musicality but gains in immediacy. Moreover, it was a seminal record; I believe that Bennato of the '70s owes much more to this album than to the others. more
The metaphysical dissolution of the shoegaze algorithm. more
This is the best LPD album ever/This is the most beautiful album ever by LPD.
Most beautiful albums/Most beautiful albums: "Any Day Now", "The Maria Dimension", "Hallway of the Gods".
More beautiful songs/More beautiful songs: "Tanz Der China Dolls", "Princess Coldheart", "Waiting for the Cloud". more
According to a highly inspired folk chapter, sparse and rough, with streams of apocalyptic and violent words. Ten epoch-making tracks, ten punches to the gut, leaving an enormous legacy for subsequent generations. I have always imagined that the ghost of this album is the same that hovers in "Nebraska," of which it acts as a kind of older brother. more
The first great masterpiece of the purist folk Dylan. “Blowin’ in The Wind,” “Girl from the North Country,” “Masters of War,” and “A Hard Rain’s A-gonna fall” are milestones. And then there is, standing above all, “Don’t Think Twice, It’s All Right,” which is disarmingly beautiful and is one of the songs of my life.
10 for everything: value and historical significance. more
Am I more noticeable if I come and stay aside, or if I don’t come at all? more
Always rebranded as the Italian Allen since his memorable debut in super8 with “Io sono un autarchico” and “Ecce Bombo” (films packed with cult scenes), he has managed over time to achieve a certain personal and emotional maturity that led him to at least two masterpieces in the '80s, namely “Bianca” and “La messa è finita.” The '90s were also beautiful with “Caro Diario” and “Aprile,” culminating in the well-deserved Palme d'Or at Cannes for “La stanza del figlio.” A bit subdued in the last twenty years. more
A memorable album, from start to finish. One of the greatest masterpieces of the Minstrel from Duluth. As a kid, I leaned more towards Dylan's electric sound from the '60s (which I continue to adore, to be clear), but now perhaps this is my favorite Zimmermann. 5 stars is even too few. more
A madman more
A record that I really like a lot. more
Magnificently incomplete! more
Not particularly original but pleasant and fresh in style. Quite a nice stamp! more
A guy who has understood everything there is to know about life. more
Good Joe, in a state of grace, goes around doing concerts with an amazing band led by Leon Russell. more
aka the disco disco track more
Styles and types of text change depending on the training. more
Korn are the quintessential nu metal, everything that comes after (except Deftones❤️) is heavily influenced by them (Slipknot included, even if they don't do nu metal lol). more