"Why Does Love Got To Be So Sad?" - rarely have two guitars blended so sublimely. Probably the best Clapton ever in an undefinable album, definitely the most genuine, passionate, desperate. R.I.P. Duane, now and forever. more
psychedelia in abundance. legendary. more
post-Apocalyptic hearts more
Essentially perfect album, except for one small insignificant detail that I just can't accept: the fade-out ending of a few too many songs! Because it's fine to convey the sense of cosmic inconclusiveness of a post-society trying to rise from its own ruins, and it’s okay that the tracks are always quite lengthy... but ending songs with a fade-out is a trick that I can tolerate once or twice at most, not more! more
unfortunately reprint pop-import :-( more
+ than + archaeological more
I don't know... I think I've listened to it 1750 times or so. And when I listen to it for the 1751st time, I realize once again how "Methods Of Dance," and it's certainly not the only title one could mention, is simply one of the SUM expressions of Art-Music. more
the Duke, what else? more
There are records that are said to be PERFECT. These records do not represent a very high number. The record in question falls into that category. more
Those who share their thoughts give it 5 stars, those who don’t give it 1 star, and perhaps both are wrong. The truth is that it has created an immense online database for consultation for rock enthusiasts and beyond, and like all music critics, it will say things that are right for some and nonsense for others. And Twin Infinitives is a crazy piece of crap! more
but what about the cars? more
Bought in the mid-'90s in the Fonit Cetra edition, it was a very pleasant surprise for me as I wasn't familiar with this period of the group. Halfway through (De Scalzi is practically missing), the album is still full of nice moments, even if it's not a masterpiece. As usual, there's a lot going on: Prog, Hard Rock, Pop. more
Hard blues tough, here you don’t sleep, rather, true sonic eroticism, listen to believe. more
Unlike Brian May, the solo works of the drummer bear much less resemblance to the sounds of the mother group; this is logical considering how much of Queen's essence can be found in the sounds and arrangements of the guitarist. Therefore, anyone approaching Taylor's works inevitably encounters something different. A decent effort; perhaps with a producer it could have become a good one. more
Nothing from a psychiatric hospital. Discone. Only Satan knows how much I loved this woman... more
Not up to the level of their earlier works, however, it is a very dignified closure to their musical arc. I would like to return later to review their first works. Rating 3.5 more
The lowest rating I can give is 1, so... No, but seriously, I mean, isn't it already obvious to everyone how useless / annoying / pretentious / sold-out / horrible / grating it is without having to say it? more
Not overly inspired, however, it confirms the group's willingness to adapt to the new musical climate of the '80s. Unlike "Suonare Suonare," this time there aren't any truly successful tracks; perhaps "Weekend" and "Quartiere 8." Mussida's guitar shines, demonstrating his ability to effortlessly adjust to a more pop and commercial sound. more
One cannot give them a 5 for obvious reasons, nor a 4 because they do still blend third-wave emo rock with a bit of pop, but a 3 is deserved because what they do, they do well and without being pretentious; on the contrary. And anyone who says their voice is unpleasant either only listens to Queen or prefers "Lieber Honig" by Neu! because they're a Scaruffian parrot who we’ve had just about enough of. more
Pure crap 100% Made in Germany! more