A mongoloid with delusions of grandeur. more
Who are the Sex Pistols (alright, I have to give you that one)? Who are the Clash? Who are the Dead Boys? Who are the Ramones? Who are all these bands compared to the Damned?? Nothing and no one! PS: By the way, I've been listening to them for three months, you know. more
Reaching their third album, Carcass leave behind the grind element that had characterized part of their early works; this is high-quality Death Metal, finally featuring an effective production that highlights the inhuman wall created by the band. A complex, feral sound, with the characteristic dual growl still prominent in songs that leave no escape. "Corporal Jigsore Quandary"..... Their pinnacle. more
Top-notch slow-core... Sweet, intense, emotional... The voice of the Ghetto has that certain something... more
…hmmm …something should be written… more
My judgment on Steven Patrick is guided by the sublime emotions that arise within me with every listen of his work: an unconditional love....."Please, Please, Please Let Me Get What I Want".....true poetry. more
Music performed by fools for other fools. more
The mutant dinosaur, capable of blending various genres. Melodies and noise follow one another continuously. Psychedelic components reworked and diluted in the sound that will become characteristic of the band: Hardcore and Jangle Pop melodies, unleashed riffs, frenetic rhythms or calm and thoughtful ones. Nevertheless, influences from people like Jimi Hendrix, Tony Iommi, Ritchie Blackmore, or even Motorhead are definitely felt!! In the end, it's all a mixture (as I said before) of microgenres. more
Pure ecstasy more
Remarkable and, at times, underrated album. Worth listening to and re-listening to. more
The arduous rebirth after the tragedy and the end of the God Machine; and Robin starts again with Music where the Machine of God had concluded its brief journey. Simple, intense, profound songs.....sublime. more
I have my old vinyl in my hands, with Alain Delon portrayed on the cover in a fleeting green... two printed lines in pink: THE SMITHS The Queen Is Dead. And the usual, ever-present shivers take possession of my body, as the stylus of the stereo announces the new beginning of the emotional journey that will accompany me for the next forty minutes. A fundamental record, the best of The Smiths. more
Of the three great albums by Yes, this one is the most gifted with the 5, yet I still take it, even if I find it less spontaneous than "The Yes Album" and less cohesive compared to "Close to the Edge." With Wakeman joining on keyboards, something changes and it shows—in the sounds, in the style, in the attitude. However, the tracks are magnificent, there's little to argue about; they were still Yes at the peak of their inspiration. I just have never understood the purpose of unnecessary fragments like We Have Heaven and the others... more
What once was lost will never be found, keep spinning in circles until you break new ground. more
Genius. more
yet another poor imitation cover band of Led Zeppelin... a fucking cover band, I’d add. more
fuck Nirvana and their fake-metal-Communist teenagers pissed off at dad because he didn't give them a hundred bucks to go out and smoke joints on the sidewalks, who really didn't understand a damn thing about "nirvana." Rating: SHIT FUSED more
Thanks to them, I still listen to metal. more
In my opinion, none of you have ever listened to "trout mask replica" in its entirety. You're just a bunch of babies. more
I really like the first two albums with the Bad Seeds, especially for certain references to the Birthday Party. Unfortunately, the rest of the production has never resonated with me. more