One of the best albums by Death that competes for the top spot with "Symbolic" and "The Sound Of Perseverance." more
Masterpiece Death, just like all the albums by Chuck & Co. more
Musically, I like them; it’s not that they’ve innovated anything, but still, Enrico and Daniele are good musicians, and Max writes beautiful lyrics. I couldn't care less if they're left-wing. I’m not radical chic with an eskimo and a pipe, and I've never shouted "things were better with Berlinguer." You haven’t really understood what the lyrics of Offlaga are about. They talk about youth, playing on nostalgia. And here in Emilia, especially in the 70s, the words "youth" and "communism" are impossible to separate. more
Spectacular, fun, and post-swing more
Very sick and too strong. Computers pretending to be human to win us all over, in my opinion. more
His songs are frescoes of the twentieth century painted with wine. more
The debut of Helmet, released in 1990. A short-lived album, just over thirty minutes, that offers no escape: a blast of violence in Music capable of erecting a terrifying and insurmountable sound wall. It starts with "Repetition" and reaches, without taking a breath, "Murder": heavily laden noise-rock, with metallic hardcore remnants led by the two guitars of the duo Hamilton/Mengede: cybernetic drills that penetrate your auditory system and cause irreparable damage... RUDE... more
I'm sorry, but the text you provided does not appear to be in Italian or any discernible language. If you have another text in Italian that you'd like me to translate, please share it. more
Heavy, liquid wave of acid riffs and slowed-down cadences that at times brush against certain doom ('One And Old')... when Dead Meadow were a band with real balls. The last one made me cry, in a bad way... but that's another story. more
Hey guys, as big as you want and I totally agree (CCCP and CSI are not exactly small groups) but damn, how ugly it is... more
The best live album by Lemmy and company that showcases the full live power of this immortal band! more
Sitar, pop temptations, skeletons of half-formed songs, tapes reworked to create strange cross-rhythms, ragas treated with electronic effects. A classic of the '90s. For some, simply the album of "Brimful Of Asha," for me, and above all, the Album of a great cover of "Norwegian Wood." more
One of the greatest albums (with one of the two most beautiful covers) of the Seattle '90s, superior, often by a considerable margin, to other titles that are far more celebrated and fortunate (like Ten by Pearl Jam, for example). more
At 15, I was introduced to the most exciting and intense side of hardcore, emo, and screamo, the real deal. I should light a candle for them every day. more
GENIUS!!! more
First voice agitator in CCCP, then "declamer of words" in C.S.I. and PGR... Then there's also a later but honestly "Mimporta ' nasega"... Leave me here, leave me be, leave me like this, don’t say a word that isn’t about love... more
Stupefying; that's how I want to define the debut album of the band hailing from the town of Davis, California. An album that includes all the characteristics of a solid, acid sound, which will find continuity and value in the course of their unfortunately short career. Psychedelic rock to the umpteenth degree, with precious country references; I only need to mention the ending of "Soundtrack," where the two leading guitars construct a stunning wall of sound... MAGNIFICENT... more
John Michael Stipe, once the extraordinary singer of the even greater R.E.M. One thing that has always struck me positively is his humility, his never-too-ostentatious presence that combines with his excellent songwriting...How I miss you!!! THE ONE I LOVE FOREVER. more
Spring of 1985, Slayer devastates the music market with their second monumental album that has nothing spring-like about it. And I have no doubt when I say it’s one of their best works, a sonic assault that leaves no survivors right from the hellish cover; the luciferian intro of the title track opens the macabre ritual, leading to an explosion of unprecedented ferocity driven by Dave's terrifying drumming and the killer, hyper-fast riffs of Jeff and Kerry. And we’re at the first track...SATANICI... more
Songwriter more