In 1980, after concluding the "Darkness" tour, Springsteen released "The River", a double album that solidified his international stardom.
Among the 20 tracks that characterize the album, many are perfect rock pieces to ignite his shows (Hungry Hearts, Two Hearts Crush On You, Cadillac Ranch, Out In The Streets...), three-minute rides with engaging melodies and driving rhythms.
However, The River is a very reflective album, indeed the first disc starts with The Ties That Blind, a beautiful track that was originally supposed to give the album its title and that energetically anticipates the dominant themes: the love between man and woman, family and marriage during the harsh years of recession, when unemployment reached terrible levels and the working class faced a severe period of crisis, the very workers who toiled from morning to night to support the country and make the American dream a reality.
But it is probably the title track that is the album's highest point, if not in the entire Boss's production, a song with country echoes that tells of a passionate love, culminating in a shotgun marriage due to an unexpected pregnancy.
The album received much positive feedback from both the public and critics, and by then, Bruce could count on an enviable fan base that had already hailed him as a rock icon and working-class hero.
Ultimately, The River is probably the Boss's best work ever, the sum of his abilities and the genres he traversed.
To this day, it remains my favorite Springsteen album.
An album that, arriving at the right moment, becomes the soundtrack of one’s existence.
The Boss, 5 years after his first masterpiece Born To Run, has created his definitive masterpiece and one of the most beautiful CDs in rock history.
This is probably Bruce’s album that is closest to his live performances.
"The River is the bitter tale of millions of American lives, and not only."
"The album perfectly combines the clean rock sound of Darkness with the wild street epic of Born To Run."