Yes
Magnification

Gradually since 1996 with the two "Keys To Ascension" and "The Ladder", Yes seem to be reaccustoming the public to their much-appreciated classic-style atmospheres. And they are succeeding, putting aside any potential desire for a widely successful radio hit single. The lineup has long since welcomed back Steve Howe, the official minstrel, and for a short time on Keys... sadly, Rick Wakeman. The unforgettable and almost irreplaceable keyboardist.

Here in 2001 comes this "Magnification," released with massive orchestral arrangements. It's also the result of a survey with fans on whether it was indeed appropriate to produce a full work with classical sounds. A sort of concept album with typically Andersonian themes, somewhat cosmic and spiritual. What a perfect opportunity for this lineup, in a moment of creative grace. The following tour will be simply splendid, allowing live enjoyment of some of their masterpieces precisely with the orchestra in tow. Perhaps it's the only band that manages to offer with the same quality, a repertoire ranging from cultured and primal prog-rock to 80s-90s hard rock. Unique.
 
There are no covers from the past on the album, all new tracks.
The album opens with the beautiful "Magnification", with positive tones and, as always, a rather complex score. There's a bit of everything inside, stylistically speaking. Chorus with unmistakable harmonies. It is an easy listen and very well sets the stage for what will come next.
"Spirit of Survival" seems a bit confused with a rather rhythmical rock beat. There are some standout moments. A bit like a thriller theme. Not very engaging and serious.
"Don't Go" is the typical catchy Yes song that serves as a precursor to "Give Love Each Day".
Here we finally have Yes that remind us of "Close To The Edge." A wonderful intro like a soundtrack full of strings, a beautiful melody with nice openings and changes with some inserts reminiscent of "City Of Love". The more demanding listeners will be quite satisfied.
"Can You Imagine" was the single from the CD. Sung by Chris Squire, it seems like a track pulled from the fortunes of "Drama." Very short and also a bit innovative. Anderson is "relegated" to backing vocals. Alan White drums properly. Howe is replaced entirely by the orchestra. Very beautiful and captivating. Listen to the chorus parts with headphones; they are meticulously crafted. 100% wholesome prog-rock.
"We Agree," is the poor cousin of "Give Love.." with a short classical guitar and oboe intro. Things already heard from the Yes archive. Nice but nothing more.
Follows "Soft as a Dove". An excellent lullaby after the Carosello, but beware, with a medieval and fairy-tale flavor. We are in the court of Sir Steve Howe. It brings back to "Madrigal" from "Tormato."
"Dreamtime" is the result of 34 years of Yes career in a blender. A 10-minute summary of all or almost all the styles proposed by the group. Interesting. From minute "4.00" to "5.00" there is even some exploration. Anthological and confusing. For refined tastes, as always.
"In the presence Of" easily brings back the engaging romance of "And You And I".
It must be listened to seated and attentive. It evokes everything, very beautiful and emotional. Perhaps the best track. Twelve well-spent minutes.
The light-hearted "Time Is Time" serves as the final theme for the beautiful film "Magnification."
An excellent four-star Yes production that gives a kick to the 90125-Talk period, reviving the career from where many hoped it would restart.
Another demonstration that their music perfectly pairs with classical. An example of the highest professionalism without coming across as self-celebratory. Four well-deserved stars. What else could they have in their infinite drawer?

Joe Cavalli