And so, we've reached the end of the '80s.
"Rattle and Hum" is U2's eighth effort, considering live and studio albums, and to date, it has sold a total of 13 million copies. With it, U2 decided to document their journey in the States during the triumphant Joshua Tree Tour through live tracks of songs from previous albums and new pieces with clearly American tones; at first glance a self-celebratory work without particular sonic innovations that seems almost to want to churn out a record just to satisfy fans simply with a remnant of the mythical tree.
In reality, the album at the end of the decade reveals once again the absolute greatness of the band in a moment of exceptional grace, both creatively and passionately. The album decides not to cut corners from the start: the kick-off live of the Beatles cover "Helter Skelter" is disarming; Bono is in amazing form and is driven by a voice that allows him to do whatever he wants and enchant the audience with thrilling performances. It continues with the romantic ballad sung by Edge, "Van Diemen's Land", a song as simple as it is beautiful, loaded with the melancholic spirit of someone, condemned, who must leave for a distant land never to return home. The atmosphere suddenly reignites with the frantic "Desire" with Bono once again on fire, talking about love, sex, and sweet temptations, bringing freshness and power, never falling into vulgarity. The sounds are, as can be noticed later, subtly country.
It continues with "Hawkmoon 259", which more or less follows the tempo of the previous one. At this point, U2 deploy another live cover managing once again not to banalize but to enhance its beauty: the Dylan-esque "All Along the Watchtower" is another explosion of pure rock 'n roll energy and pleases everyone. Then we move to another live track, where U2 revive "I Still Haven't Found What I'm Looking For" giving it an unusual gospel style together with the black vocalists from Harlem. A well-received performance that will also triumph at the Grammy Awards as the best duet, although it perhaps lingers a bit too much in a non-typical U2 style. After the 35-second break of "Freedom for My People" recorded on the street with a black busker, we hear "Silver and Gold" live again; a protest song against the violence in South Africa towards the black community. A good piece, but not exceptional, which nevertheless prepares us for live "Pride", where Bono & Co. once again demonstrate their power with an epic performance to which the audience responds with great attachment, and to which the 4 Irishmen give all their passion and energy without too many quarrels. With it, the first strictly "live" part of the album closes to move on to new repertoire pieces. It's the turn of "Angel of Harlem", another excellent piece, with typically jazzy traits and the accurately inserted brass that give the song almost the characteristics of a wedding march for this "angel" Bono talks about.
At this point, the beautiful "Love Rescue Me" smoothly enters the scene, written together with Bob Dylan: a sweet dialogue between oneself and oneself where the joys and sorrows of love are addressed, called to rescue us in difficult times of life. The piece is strongly blues, with a delicate guitar riff that repeats continuously, beginning very subduedly, almost self-effacingly, to then explode with all its power with Bono's voice screaming "Yeah I'm here without a name in the palace of my shame I said love rescue me!". This is followed by another blues, this time much more energetic: "When Love Comes to Town", where Bono indulges in a delightful duet with B.B. King: a little song without too many pretensions, perhaps with a text too "peace and love", certainly not the best track, but still appreciable. After the glory and joyful joy of love arriving in town, U2 brings back to everyone the memory of the boundless landscapes of "The Joshua Tree", and its magical rhythms, with an exotic and enveloping piece that I definitely rank among the best on the album.
We are then brought back to reality by the great "God Part II" with a slightly more decided lyrical and musical style, which detaches slightly from the sounds of "Rattle and Hum" to perhaps connect to what will be the band's next, and completely startling, project: "Achtung Baby". Bono once again proves to be in the best period of his musical career and continues not to hold back, reaching exceptional vocal peaks. Lastly, after the live of the famous "Bullet the Blue Sky", the album reaches its fitting conclusion with a beautiful love song destined to become a U2 classic: "All I Want Is You" characterized by Edge's captivating notes, a sensuous Bono, and Larry who follows everyone with a great drum loop. The piece concludes with the addition of strings.
With "All I Want is You", U2 bid farewell to a part of themselves, to welcome, a few years later, a total upheaval of their musical and scenic conception.
"Rattle and Hum" closes at its best an exceptional decade for this band that, from absolute obscurity, has managed, step by step, to carve out a leading role in the history of music, dominating the music scene throughout the '80s, and probably being the only band of this decade (maybe with Depeche Mode) to have reached the level of those of the '70s.
And yet, despite all that is said about the U2 of the new millennium (in part, I admit, rightly so), one cannot deny the multitude of gems that from 1980, at least until 1993, this band has been continuously stringing together.
Perhaps U2 didn't change music like Pink Floyd or The Who did, but they certainly were a more than worthy part of it for a long period. They managed to stand out from a musical world that was increasingly in crisis and brought Rock back to the high peaks it deserves. It is something that must be recognized, listening to them without foolish prejudices and without paying attention to the somewhat overly political action that their leader has been imposing on us every day for some years now.
The U2 of once were something else, and it's good for people to remember that.
Goodbye, all!
Tracklist Lyrics Samples and Videos
02 Van Diemen's Land (03:05)
Hold me now, oh hold me now
Till this hour has gone around
And I gone, on the rising tide
For to face Van Diemen's land.
It's a bitter pill I swallow here
To be rent from one so dear.
We fought for justice and not for gain
But the magistrate sent me away.
Now kings will rule and the poor will toil
And tear their hands as they tear the soil
But a day will come in this dawning age
When an honest man sees an honest wage.
Hold me now, oh hold me now
Till this hour has gone around
And I'm gone on the rising tide
For to face Van Diemen's Land.
03 Desire (02:59)
Yeah
Lover, I'm on the street
Gonna go where the bright lights
And the big city meet
With a red guitar...on fire
Desire
She's a candle burning in my room
Yeah I'm like the needle, needle and spoon
Over the counter with a shotgun
Pretty soon everybody got one
And the fever when I'm beside her
Desire, desire...
And the fever...getting higher
Desire, desire...burning, burning
She's the dollars
She's my protection
Yeah she's a promise
In the year of election
Oh sister, I can't let you go
Like a preacher stealing hearts
At a traveling show
For love or money money money
money money money money money
money money money
And the fever, getting higher
Desire, desire, desire, desire
Desire, desire
04 Hawkmoon 269 (06:23)
Like a desert needs rain
Like a town needs a name
I need your love
Like a drifter needs a room
Hawkmoon
I need your love
I need your love
Like a rhythm unbroken
Like drums in the night
Like sweet soul music
Like sunlight
I need your love
Like coming home
And you don't know where you've been
Like black coffee
Like nicotine
I need your love (I need your love)
I need your love (I need your love)
I need your love (I need your love)
When the night has no end
And the day yet to begin
As the room spins around
I need your love
I need your love
Like a Phoenix rising needs a holy tree
Like the sweet revenge of a bitter enemy
I need your love
Like the hot needs the sun
Like honey on her tongue
Like the muzzle of a gun
Like oxygen
I need your love (I need your love)
I need your love (I need your love)
I need your love (I need your love)
When the night has no end
And the day yet to begin
As the room spins around
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
Like thunder needs rain
Like a preacher needs pain
Like tongues of flame
Like a sheet stained
I need your love
I need your love
Like a needle in a vein
Like someone to blame
Like a thought unchained
Like a runaway train
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
Like faith needs a doubt
Like a freeway out
I need your love
Like powder needs a spark
Like lies need the dark
I need your love
In the heart of the heat of the love
In the heart of the heat of the love...
10 Angel of Harlem (03:49)
It was a cold and wet December day
When we touched the ground at JFK
Snow was melting on the ground
On BLS I heard the sound
Of an angel
New York, like a Christmas tree
Tonight this city belongs to me
Angel
Soul love...this love won't let me go
So long...angel of Harlem
Birdland on fifty-three
The street sounds like a symphony
We got John Coltrane and a love supreme
Miles, and she's got to be an angel
Lady Day got diamond eyes
She sees the truth behind the lies
Angel
Soul love...this love won't let me go
So long...angel of Harlem
Angel of Harlem
She says it's heart...heart and soul...
Yeah yeah...(yeah)
Yeah yeah...(right now)
Blue light on the avenue
God knows they got to you
An empty glass, the lady sings
Eyes swollen like a bee sting
Blinded you lost your way
Through the side streets and the alleyway
Like a star exploding in the night
Falling to the city in broad daylight
An angel in Devil's shoes
Salvation in the blues
You never looked like an angel
Yeah yeah...angel of Harlem
Angel...angel of Harlem...
13 Heartland (05:03)
See the sun rise over her skin
Don't change it
See the sun rise over her skin
Dawn changes everything
Everything
And the delta sun
Burns bright and violet
Mississippi and the cotton wool heat
Sixty-six a highway speaks
Of deserts dry
Of cool green valleys
Gold and silver veins
Of the shining cities
In this heartland
In this heartland soil
In this heartland
Heaven knows this is a heartland
Heartland...heartland
See the sun rise over her skin
She feels like water in my hand
Freeway like a river cuts through this land
Into the side of love
Like a burning spear
And the poison rain
Brings a flood of fear
Through the ghost-ranch hills
Death valley waters
In the towers of steel
Belief goes on and on
In this heartland
In this heartland soil
In this heartland
Heaven knows this is a heartland
Heartland...heaven knows this is a heartland
Heartland...heartland
Heartland...heaven's day here in the heartland
Heart...
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By firegas
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