During the "The Joshua Tree Tour" (March – December 1987), U2 sketched out some tracks. Back home, they got back to work to transform the melodic ideas into musical ideas. The result is the excellent "Rattle & Hum," released in 1988, appreciated by the public (seven million copies) but condemned without real (musical) reasons by many critics.

"Rattle & Hum" can be seen as a sort of "The Joshua Tree, Part II", with its feelings of love-hate toward the United States and the even more direct exploration of American music that produced some results far surpassing several tracks from the acclaimed work of the previous year.

It starts with a stunning performance by Bono singing The Beatles' "Helter Skelter." Before the song, the singer says, "This is a song Charles Manson stole from The Beatles. We're stealing it back...", recalling Charles Manson, the troubled individual who claimed to have found inspiration from this song before committing the infamous Bel Air massacre in which Sharon Tate, the wife of director Roman Polanski, was killed. Critics were furious at Bono for this statement, which, according to them, implied U2's presumption of feeling equal to The Beatles. Hence, the origin of the absurd derogations the album suffered.

After the initial jolt, we sink into the peace of "Van Diemen's Land," where Edge sings – supported only by the sweet electric guitar without distortion, and the organ at the end. The lyrics tell, in the first person, the story of John Boyle O'Reilly, who fought for Ireland's independence and was exiled to Tasmania (an island in the Australian continent discovered by Van Diemen, hence the title) by the English government for twenty years.

The initial energy returns with "Desire," U2's attempt to make American rock-blues, where Bono ironically comments on the more controversial aspects of America ("She is the dollars; she is my protection; yes she is a promise in the year of election"), talking about the ease of getting weapons in the United States ("On the counter with a shotgun; soon everyone will have one"), and the evangelical preachers who dominate American television ("I’m like a preacher stealing hearts at a traveling show. For love or money, money... ?"). The song works quite well, but the version U2 played during the "Lovetown Tour" (1989/90) was far superior to the original and beloved by the public, with a surprising Edge using the right guitar and giving the song that blues flavor that is not so present in the recorded version. In this live version, Bono added a stanza and then left the stage to the guitarist, who abandoned his minimalist philosophy and let loose with the notes.

An organ introduces us to "Hawkmoon 269." The song was written when Bono was on tour and missing his wife. It is an electric and acoustic mix by Edge that unfolds in a slow crescendo. Toward the end of the piece, an exciting gospel choir completes the track. The number 269 indicates the number of mixes required before editing the song. Three weeks of hard work.

A beautiful live performance of "All Along the Watchtower" (a classic by the great Bob Dylan, recorded on November 11, 1987, in San Francisco at Justin Herman Plaza) leads us to the gospel version of "I Still Haven’t Found What I’m Looking For" (recorded with the gospel choir "The New Voices Of Freedom" from Harlem). Upon leaving the church where the recording took place, U2 encountered a street musician singing the song "Freedom for my People," which was decided to be included in the album.

We move to another live performance, with a blues structure, “Silver and Gold,” a B-side of “The Joshua Tree,” entirely written by Bono, who sings the story of a black man from Johannesburg (South Africa), and his rebellion against apartheid, perfectly paving the way to “Pride,” the beautiful celebration of another prophet of anti-racism, Martin Luther King.

We return to unreleased tracks with the classic "Angel of Harlem" (written and sketched during the "The Joshua Tree Tour"), dedicated to the famous jazz singer Billie Holiday (Lady Day), sublime angelic voice (hence the title), but fragile soul, who died at just 44 years old due to alcohol abuse. The sketched version can be found in the film "Rattle & Hum." In the remixed version of the album, the magnificent trumpets make the song one of the group's most memorable.

"Love Rescue Me" is one of the band's melodic gems, written by Bono with Bob Dylan towards the end of the "The Joshua Tree Tour." It's easy to imagine the greatness of the lyrics, written with the collaboration of the greatest poet of popular music. The text speaks of the redemptive power of love (human and divine), hence the title (love redeem me). The song talks about the passage from inner death ("I’m here without a name in the palace of my sin") to the new life and the hope that this new life brings with it ("I’ve defeated my past, the future is here, at last I stand at the entrance of a new world that I can see the ruins on my right will soon lose sight of me").

"When Love Comes to Town" is a simple but delightful mix of American blues (by the famous B.B. King) and Edge's sparkling blues. The text is a variant on the theme of love saving our lives, with a clear reference to Christ and his crucifixion. The town indicated in the title is none other than our soul, which is redeemed and changes when invaded by love.

And we move to the splendid "Heartland," a song that was sketched during the recordings of "The Unforgettable Fire" and was not completed at the time. Here we are in the presence of the magic of Edge's guitar sound and Bono's touching melody, supported by truly inspired background vocals. The heartland is none other than America. The song is a kind of travel diary along the famous Route 66, which "like a river runs through this land," and which, starting from Chicago, reaches directly to Los Angeles, passing from ghost towns to the desert of Death Valley.

"God, Part 2" is Bono listing everything he doesn't believe in and includes some stunning verses: "I don't believe in the devil and his book, but the truth wouldn't be the same without his lies. I don't believe in excess; success is in giving. I don't believe in those who tell me there's no remedy. I don't believe in cocaine." Then the singer goes beyond with the reckless truth: "I don't believe rock and roll can really change the world. I don't believe in the sixties, the golden era of pop. You glorify the past when the future dries up." The singer of the world's most famous rock band speaking against the sixties. It's obvious that critics in love with that decade began to spit venom against U2, completely forgetting the most important thing: the songs.

After the live version of "Bullet the Blue Sky," we move to the album's masterpiece: "All I Want is You." The acoustic guitar introduces us to the beautiful melody supported by an angelic organ, joined by the electric guitar with its very clean sound, supporting the song. All canonically structured, but the result is one of the best in the band's repertoire. The text is a splendid love song that seems to say that one can also fall into temptation, but if there is love, personal weaknesses cannot undermine it. The long two-minute violin finale perfectly closes the album.

Not a masterpiece, but certainly an excellent album, despite the debatable mix of unreleased and live tracks. An album of unreleased tracks and one of live tracks from the "The Joshua Tree Tour" (especially the extended version of "With or Without You") would have been much better.

With "Rattle & Hum," the story of U2 in the 80s ends, their most glorious page. Their adventure could have ended here if they had not called upon all their reactionary abilities to overcome the venomous and senseless criticisms they received after this album. But fortunately, for both us and them, they succeeded.

Tracklist Lyrics Samples and Videos

01   Helter Skelter (live) (03:08)

02   Van Diemen's Land (03:05)

Hold me now, oh hold me now
Till this hour has gone around
And I gone, on the rising tide
For to face Van Diemen's land.

It's a bitter pill I swallow here
To be rent from one so dear.
We fought for justice and not for gain
But the magistrate sent me away.

Now kings will rule and the poor will toil
And tear their hands as they tear the soil
But a day will come in this dawning age
When an honest man sees an honest wage.

Hold me now, oh hold me now
Till this hour has gone around
And I'm gone on the rising tide
For to face Van Diemen's Land.

03   Desire (02:59)

Yeah

Lover, I'm on the street
Gonna go where the bright lights
And the big city meet
With a red guitar...on fire
Desire

She's a candle burning in my room
Yeah I'm like the needle, needle and spoon
Over the counter with a shotgun
Pretty soon everybody got one
And the fever when I'm beside her
Desire, desire...

And the fever...getting higher
Desire, desire...burning, burning

She's the dollars
She's my protection
Yeah she's a promise
In the year of election
Oh sister, I can't let you go
Like a preacher stealing hearts
At a traveling show
For love or money money money
money money money money money
money money money
And the fever, getting higher
Desire, desire, desire, desire
Desire, desire

04   Hawkmoon 269 (06:23)

Like a desert needs rain
Like a town needs a name
I need your love

Like a drifter needs a room
Hawkmoon
I need your love
I need your love

Like a rhythm unbroken
Like drums in the night
Like sweet soul music
Like sunlight
I need your love

Like coming home
And you don't know where you've been
Like black coffee
Like nicotine
I need your love (I need your love)
I need your love (I need your love)
I need your love (I need your love)

When the night has no end
And the day yet to begin
As the room spins around
I need your love
I need your love

Like a Phoenix rising needs a holy tree
Like the sweet revenge of a bitter enemy
I need your love

Like the hot needs the sun
Like honey on her tongue
Like the muzzle of a gun
Like oxygen
I need your love (I need your love)
I need your love (I need your love)
I need your love (I need your love)

When the night has no end
And the day yet to begin
As the room spins around
I need your love

I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love

Like thunder needs rain
Like a preacher needs pain
Like tongues of flame
Like a sheet stained
I need your love
I need your love

Like a needle in a vein
Like someone to blame
Like a thought unchained
Like a runaway train
I need your love

I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love

Like faith needs a doubt
Like a freeway out
I need your love

Like powder needs a spark
Like lies need the dark
I need your love

In the heart of the heat of the love
In the heart of the heat of the love...

05   All Along the Watchtower (live) (04:24)

06   I Still Haven't Found What I'm Looking For (live) (05:55)

07   Freedom for My People (00:36)

08   Silver and Gold (live) (05:50)

09   Pride (In the Name of Love) (live) (04:27)

10   Angel of Harlem (03:49)

It was a cold and wet December day
When we touched the ground at JFK
Snow was melting on the ground
On BLS I heard the sound
Of an angel

New York, like a Christmas tree
Tonight this city belongs to me
Angel

Soul love...this love won't let me go
So long...angel of Harlem

Birdland on fifty-three
The street sounds like a symphony
We got John Coltrane and a love supreme
Miles, and she's got to be an angel

Lady Day got diamond eyes
She sees the truth behind the lies
Angel

Soul love...this love won't let me go
So long...angel of Harlem
Angel of Harlem

She says it's heart...heart and soul...
Yeah yeah...(yeah)
Yeah yeah...(right now)

Blue light on the avenue
God knows they got to you
An empty glass, the lady sings
Eyes swollen like a bee sting
Blinded you lost your way
Through the side streets and the alleyway
Like a star exploding in the night
Falling to the city in broad daylight
An angel in Devil's shoes
Salvation in the blues
You never looked like an angel
Yeah yeah...angel of Harlem

Angel...angel of Harlem...

11   Love Rescue Me (06:25)

12   When Love Comes to Town (04:16)

13   Heartland (05:03)

See the sun rise over her skin
Don't change it
See the sun rise over her skin
Dawn changes everything
Everything
And the delta sun
Burns bright and violet

Mississippi and the cotton wool heat
Sixty-six a highway speaks
Of deserts dry
Of cool green valleys
Gold and silver veins
Of the shining cities

In this heartland
In this heartland soil
In this heartland
Heaven knows this is a heartland
Heartland...heartland

See the sun rise over her skin
She feels like water in my hand
Freeway like a river cuts through this land
Into the side of love
Like a burning spear
And the poison rain
Brings a flood of fear
Through the ghost-ranch hills
Death valley waters
In the towers of steel
Belief goes on and on

In this heartland
In this heartland soil
In this heartland
Heaven knows this is a heartland
Heartland...heaven knows this is a heartland
Heartland...heartland
Heartland...heaven's day here in the heartland
Heart...

14   God, Part II (03:16)

15   The Star Spangled Banner (00:43)

16   Bullet the Blue Sky (live) (05:37)

17   All I Want Is You (06:30)

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By firegas

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By senior86

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 "It feels like being there with them, whether it be arenas, studios, streets, bridges, or the Mississippi... we’re there laughing, crying, and becoming emotional."


By Alevox

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By Rax

 The cowardice of not presenting a true follow-up to Joshua Tree, diluting it in a 'fake live', the greed to ride the market demand, the pretentiousness of posing as expert disseminators of the American musical tradition about which, in reality, they knew almost nothing.

 During the Zoo Tour, Bono candidly admitted: 'Making ‘Rattle and Hum’ was a screw-up.' True words.