First half of the eighties.
The Hard’n’Heavy world (and in a certain sense all “hard” music) is going through one of its most important evolutionary phases. The teachings of the genre's founding fathers (Led Zeppelin, Deep Purple, Black Sabbath, Blue Oyster Cult, Motorhead etc...) are being reviewed, revisited, reinterpreted, and, in part, disrupted by what will become the most influential bands in developing certain sounds: the New Wave Of British Heavy Metal from England introduces elements of speed and “stadium involvement” with new bands and old guards rooted in the seventies (Judas Priest, Iron Maiden, Daimond Head, Saxon etc...), managing to rework and reinvigorate already existing “sabbath” and “oyster” sounds (even Black Sabbath themselves in those years partly detached from the Doom sounds of their beginnings in favor of a more “broad-based” Metal).
In San Francisco, the Bay Area, with bands like Exodus, Metallica, Slayer, etc..., gathering and in a certain sense uniting, the Hard Rock of the previous decade, the street extremism of Motorhead and the aggressive and destructive post-Punk attitude to a speed and technical conviction innovative (for the time), they give life to what will be called: the Thrash Metal movement (which was also emerging in those years in the New York area with bands like Anthrax and Overkill or in Germany with the trio Kreator-Destrutcion-Sodom), from which then will be developed, almost simultaneously, Death and Black metal (and subgenres) that will enhance and unite some Thrash matrices with dark and claustrophobic sounds and themes of pre-Thrash bands like the legendary Venom (which also influence the early thrash).
Almost at the same time, always in America (Manowar, Warlord, Virgin Steel, Cirith Ungol, Savatage etc...) and in Germany (Running Wild, Grave Digger etc...), the Epic and Power Metal movement is born... It also takes inspiration from seventies bands and sounds, but changes it with sought-after pathos and majesty, with themes ranging from mythological fantasy to “road-motorcyclist”. But in those years, there is not only a desire for total development and, in a certain sense, evolutionary detachment from seventies music... Indeed, in America, many bands (born at the very end of the seventies) attempt (successfully) to revitalize and give new splendor to the Hard Rock’n’Roll of the previous decade, leading it to be contaminated, but only in part, by more Heavy sounds born, once again, at the end of the seventies… Bands like W.A.S.P., Kiss, Poison, TNT, Riot, and Twisted Sister develop and create an incredible and monstrous Hard & Heavy “hybrid” that is fed by excess, extravagance, and nightmares, assimilates fears and beliefs from the streets and turns them into music and feeling... This “hybrid” is deliberately much more tied to seventies Hard Rock (almost like it is its most direct heir) compared to the previously mentioned genres (Thrash, NWOBHM, Power that will only draw inspiration from Hard Rock for their creation), and is by some called Street Glam Hard Rock, or more commonly Glam Metal (even though it will have only a few points of contact with Metal in a broad sense). The characteristics of this type of music are to be found in the aggression of the guitar riffs, in the simple but gritty rhythm section, in the interpretation and the “vocal feeling”, in the rebellious and accusatory themes often used in the lyrics, and especially in the nihilistic, excessive, and heavily-made-up image often exhibited by the various band members (the horrid taste in dressing, makeup put on with a trowel, and cottoned and frizzy hairstyles will be the major aesthetic characteristics of Glam).
One of the principal (and in my opinion best) bands of this new (old) musical movement are, without a shadow of a doubt, the exhilarating and daring Twisted Sister... The band was actually formed in 1974 by guitarist Jay Jay French, but it was only in 1976 that the member who would characterize the image and music of the “Twisted Sister” joined the band: singer Dee Snider, an incredible and charismatic stage animal with a stage presence and a vocal ability that, at the time, had few rivals. The group consists of highly cohesive musicians like guitarist Eddie “Fingers” Ojeda, bassist Mark “The Animal” Mendoza, and the fiercely energetic drummer A.J. Pero. From their very first steps, the band makes a mark domestically with their ability to compose, more than just simple songs, true anthems of rebellion, combining it all with an excessive and “repulsive” image. This is the case with their first single from 1981: “Bad Boys Of Rock & Roll.”
Then the first two official albums: “Under The Blade” from 1982 and “You Can’t Stop Rock And Roll” from 1983, which establish them as the unchallenged and worthy heirs of the great Alice Cooper (one of the most important personalities for the very creation of Glam). But it is in 1984 that the group churns out (and some might say “vomits”) their most important, successful, and malevolent work: The incredible “Stay Hungry.” The album presents the band at its peak splendor and cohesion, and everyone (but especially Dee Snider) is more inspired than ever, both in instrumental performance and songwriting... And it is an immediate success.
The fierce and animalistic image of a hungry Dee Snider, ready to viciously devour a large bloody bone, greets us immediately on the album cover and gives us a taste of what we'll find inside: tight and incredibly catchy songs... Songs that are never too technical but precise and powerful with the (aforementioned) feeling that makes you shake and jump, sing and scream... In short, incredibly engaging and energetic music that does something (unfortunately) only a few can: trigger the adrenaline of the listener (and excuse me if that's not much).
Inside, we find real outbursts of anger and emotion like the roaring and barbaric title track where Snider’s edgy and powerful voice is the absolute protagonist, as always, along with the beautiful and melodic solos of the French-Ojeda duo... We continue with what is considered the masterpiece of Twisted Sister, namely “We’re Not Gonna Take It”... This track is magnificent in its simplicity and can be considered a true “playful and overwhelming” anthem (the track deviates slightly from the rest, making it stand out even more, and there will also be a fun video made for it).
Dusk falls, and the atmosphere becomes dark and sulfuric... Enter “Burn In Hell”... The piece starts influenced by sounds beloved by early Black Sabbath, only to turn into an unstoppable gallop towards the depths of the underworld, with fast and powerful riffs and choral double vocals that characterize all the pieces (especially in the choruses). We move on to the little suite “Horror-Teria,” which in turn is divided into “A) Captain Howdy” and “B) Street Justice...” It also picks up the dark sounds of the previous one, managing to be, somehow, even more original, especially in the second part, with a square guitar work like never before. The light returns with what is the most famous and engaging song of the Twisted Sister… An anthem that rushes like a runaway train, to be sung at the top of your lungs, and more direct it could not be: I'm talking about the legendary “I Wanna Rock.” The song was incredibly successful at the time with the video constantly broadcast and the song playing on all the radios… Fantastic in its mischievous and assured step, with lyrics that are almost a tongue-twisting nursery rhyme.
“The Price” is the ballad of the album... that kind of song which in many works lowers the overall average due to its predictable “sweetness”... But in this case it fits perfectly and is one of the most successful pieces... Dee Snider’s voice is surprisingly capable of traveling far from his usual aggressive and sharp shores in favor of an unexpected “sweetness” (nothing too sugary anyway).
“Don’t Let Me Down” picks up the rhythms and atmospheres of the Title-track with an incredibly catchy and fast chorus that will get stamped in your head after the first listen and an enraged duet of solos.
Almost at the end comes the most theatrical and epic piece of the album: “The Beast.” The title says it all about the song’s content: malevolent, dark, and heavy just right with Sabbathian sounds partially joining an atmosphere almost bordering on early eighties Epic Metal.
“Stay Hungry” concludes with the angry and square “S.M.F.” and couldn’t do so in a better way: catchy melodies, perfect solos, an exceptional rhythm section, and loads of energy.
Unfortunately, they will never again propose themselves at these levels in subsequent albums which, although good, won’t reach the charge and reckless “malignant cheerfulness” of “Stay Hungry”... A union of melodies that captivate at first listen and a rage and rebellion, somewhat playful, that oozes from every note.
An album to listen to over and over again, a masterpiece of Hard Glam Rock which, though not technical or innovative, has a characteristic few (master)works possess: a palpable conviction and an incredible charge that makes you sing and jump and that never, but never, touches boredom or repetitiveness. In short... Listen to it... You’ll find it difficult not to move and shout.
PLAY IT LOUD, MUTHAAAAA!
Tracklist Lyrics and Videos
02 We're Not Gonna Take It (03:40)
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
We've got the right to choose and
there aint no way we're losin
This is our life-
this is our song.
We'll fight the powers that be just
don't pick our destiny cuz-
You dont know us, you don't belong.
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
Oh youre so condesending,
your gall is never ending,
we dont want nothing- not a thing from you
Your life is trife and jaded- boring and confiscated.
If thats your best- your best won't do
o-o-o o-o-o we're right
[yeah]
we're free
[yeah]
we'll fight
[yeah]
you'll see
[yeah]
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
NO way!
o-o-o
o-o-o
we're right
[yeah]
we're free
[yeah]
we'll fight
[yeah]
you'll see
[yeah]
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
just you try and make us!
We're not gonna take it- (C'mon!) no we aint gonna take it!
(You're all worthless and weak!) We're not gonna take it ---anymore.
now drop and give me 20!
We're not gonna take it- no we aint gonna take it!
We're not gonna take it ---anymore.
03 Burn in Hell (04:43)
Welcome to the abandoned land
Come on in, child, take my hand
Here there's no work or play
Only one bill to pay
There's just five words to say
As you go down, down, down
You're gonna burn in hell
Oh, burn in hell
You can't believe all the things I've done wrong in my life
Without even trying I've lived on the edge of a knife
Well, I've played with fire, but I don't want to get myself burned
To thine own self be true, so I think that it's time for a change
Before I burn in hell
Oh, burn in hell
Take a good look in your heart, tell me what do you see?
It's black and it's dark, now is that how you want it to be?
It's up to you, what you do will decide your own fate
Make your choice now for tomorrow may be far too late
Hear no evil, don't you
See no evil, don't you
Lay no evil down on me
Speak no evil, don't you
Think no evil don't you
Play with evil, 'cause I'm free
And then you'll burn in hell
You're gonna burn in hell
Oh, burn in hell
05 I Wanna Rock (03:03)
I wanna rock, ROCK
I wanna rock, ROCK
I want to rock, ROCK
I wanna rock, ROCK
Turn it down you say,
Well all I gotta say to you is
Time and time again i say no
No no no no no
Tell me not to play
Well all I gotta say to
When you tell me not to play
Is say no
No no no no no
So if you ask me
Why I like the way I play it
There's only one thing
I can say to you
I wanna rock, ROCK
I wanna rock, ROCK
I want to rock, ROCK
I wanna rock, ROCK
There's a feeling that
I get from nothing else
And there aint nothing
In the world that
Makes me go, GO
Go go go go go
Turn the power up
I've waited for so long
So I can hear
My favorite song
So lets go, GO
Go go go go go
When it's not this
I feel the music shooting
Through me
There's nothing else
That I would rather do
I wanna rock, ROCK
I wanna rock, ROCK
I want to rock, ROCK
I wanna rock, ROCK
I wanna rock, ROCK
I wanna rock, ROCK
I want to rock, ROCK
I wanna rock, ROCK
06 The Price (03:49)
How long I have wanted
This dream to come true
And as it approaches
I can't believe I'm through
I've tried,
Oh, How I've tried for a life,
Yes a life I thought I knew
(Chorus)
Oh it's the price we gotta pay
And all the games we gotta play
Makes me wonder if it's worth it to carry on
'Cause it's a game we gotta lose,
Though it's a life we gotta choose
And the price is our own life until it's done
Time seems to be frozen,
But the mind can be fooled
As the days pass I discover
Destiny just can't be ruled
Hard times, Oh hard times,
For the prize, Yes the prize,
I thought I knew
Oh it's the price we gotta pay
And all the games we gotta play
Makes me wonder if it's worth it to carry on
'Cause it's a game we gotta lose,
Though it's a life we gotta choose
And the price is our own life until it's done
(Repeat Chorus x 2)
08 The Beast (03:29)
you can hear the thunder
long before the storm,
but you can't hear the lion when he stalks his prey
he's moving like a shadow
creeping up on you
and like a siren's call he's gonna have his way
you'd better run, forget your pride
don't make a stand, just step aside
if you don't have what it takes
don't try to play you'll lose your stakes
remember this at least
it's the nature of the beast
it's the nature of the beast
you won't hear a footstep
comin' up on you
movin' like a snake he's in complete control
this killer knows his business
he is the predator
you are his only target, you're his only goal
what will you say what will you do?
your wildest nightmare's comin' true
there is nothing you can say
no way to change, he won't delay
this cain will have his feast
it's the nature of the beast
it's the nature of the beast
if you play you're bound to lose
don't roll the dice, don't turn the screws
just listen to the priest
it's the nature of the beast
it's the nature of the beast
it's the nature of the beast
it's the nature of the beast
09 S.M.F. (03:00)
Black sheep of the family
Nothing like the rest
Separate from the others
Failing all their tests
Can't they see you're different?
So hungry and so lean
You're a walking wonder
You're a metal machine
Look and you'll see
You're a lot like me
Chorus:
You're an S.M.F.
You're an S.M.F.
You're an S.M.F.
You're an S.-M.-F.
Caught up in their worries
And tomorrow's dream
Missing all the living
Milk without the cream
They think you're so foolish
Living for today
Caring just what you think
Not what others say
Join with us
Oh, how they'll scream and fuss
Repeat Chorus
All right, all right
Guitar solo - Jay Jay French
We're the ones that live it
We're all really free
And if they think that we're sick
Then sick is what we'll be
Scream it loud
Know what you are, be proud
Repeat Chorus
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Other reviews
By marko75
"We’re Not Gonna Take It" became a true anthem for the youth of the time.
"The Price" is one of the most direct metal-style ballads I have ever heard, to be listened to at least 200 times in a row.