Cover of Theo Angelopoulos Chacun son cinéma ou Ce petit coup au cœur quand la lumière s'éteint et que le film commence
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For fans of theo angelopoulos, cinephiles, lovers of international cinema, film festival enthusiasts, viewers who appreciate artistic and poetic films
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LA RECENSIONE

In reality, the directors are 36.

Here they are in alphabetical order: Theo Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Yusuf Shahin, Chen Kaige, Michael Cimino, Joel and Ethan Coen, David Cronenberg, Jean-Pierre and Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Alejandro González Iñárritu, Hou Hsiao-hsien, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrei Konchalovsky, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polański, Raúl Ruiz, Walter Salles, Elia Suleiman, Tsai Ming-liang, Gus Van Sant, Lars von Trier, Wim Wenders, Wong Kar-wai, Zhang Yimou.

With 34 films of about 3 minutes each, we are transported into a phantasmagoria of sensations where everyone can relive subjective moments, sometimes dreamlike, also linked to personal memories of entering and sitting in front of the big screen. It's not a commercial film; it's a tribute to directors, actors, and above all, to the audience. And nothing... or rather, it's to celebrate the sixtieth anniversary of the Cannes Film Festival that the film “To Each His Own Cinema” was made. It's a film about cinema, for those who love cinema, for those who know cinema, and for those who do not know cinema.

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Summary by Bot

The film 'To Each His Own Cinema,' featuring 36 directors including Theo Angelopoulos, is a collection of 34 short films celebrating cinema. It transports viewers through personal and dreamlike moments tied to the experience of watching films. Created to honor the 60th anniversary of the Cannes Film Festival, it pays tribute to directors, actors, and audiences alike. This work is a heartfelt celebration of cinema for both fans and newcomers.

Theo Angelopoulos

Greek film director (1935–2012) known for long takes, elegiac pacing and politically inflected, art-house films.
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