Cover of The Who Live at Leeds
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For fans of the who,classic rock enthusiasts,rock music lovers,listeners of live albums,vintage rock collectors,music history readers
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LA RECENSIONE

Rock as many of us know it (starting from the 'violent' sounds of the early Stones like '(I can't get no) Satisfaction') has started to reach middle age (between 50 and 60 years), losing that attention and attraction from the younger generations, in my opinion, under 30 years.

In short... it no longer seems 'contemporary' in its appeal compared to even 20 years ago, and at most 10.

This year, it has been 50 years since 1970, when great figures of the scene like Jimi Hendrix and Janis Joplin passed away.

If this is the case (at least given how little the genre is talked about on TV - except for Rai 5 with documentaries - and the TV channels of the major Italian radio stations), Rock seems to be becoming an Institution, perhaps doomed to become like classical music: of interest to enthusiasts - correct me if I'm wrong.

And yet it's unfair: the music closest to ordinary people has left us a respectable heritage that should not be set aside, especially in a time where there is no longer great variety, as the phase of creating deeply original styles is long over (Britpop was one of the last in this regard).

'Live At Leeds' is the LANDMARK in this sense, the SUBVERSIVE energy of the Who live: the prominently featured drums of Keith Moon, Pete Townshend's magical guitar, and Roger Daltrey's robust voice.

The whole album keeps you glued to listening, with the feeling of never ending. My favorite tracks are: 'I Can't Explain', 'Happy Jack', 'Substitute', 'Tattoo', and 'Summertime Blues' by a not very popularly known Rock and Roll singer, Eddie Cochran.

'Tattoo' has such a perfect music and vocal structure that it cannot fail to engage (the original version on 'The Who Sell Out' from three years earlier is attractive to the ear, but very soft compared to this one).

So 'Live At Leeds' remains one of the few historic live albums to sound fresh and engaging, even after 50 years.

And when the current generations, our parents', and ours, are no more, will the Who and others be treated like Mozart and Beethoven, meaning 'ancient' and 'not current'?

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Summary by Bot

The review highlights the enduring power and freshness of The Who's 1970 live album Live at Leeds. Despite rock music's decline in mainstream popularity among younger audiences, this album stands as a subversive and exciting landmark in rock history. Praised are the energetic performances of Keith Moon, Pete Townshend, and Roger Daltrey, along with standout tracks like 'Tattoo' and 'Summertime Blues.' It argues the album remains vital even after 50 years, bridging past and present rock legacy.

Tracklist Videos

01   Young Man Blues (04:51)

02   Substitute (02:21)

03   Summertime Blues (03:29)

04   Shakin' All Over (04:30)

05   My Generation (14:34)

06   Magic Bus (07:54)

The Who

The Who are an English rock band formed in 1964. Core classic lineup included Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. They are known for powerful live shows and landmark concept albums such as Tommy and Quadrophenia.
53 Reviews

Other reviews

By Antonino91

 Simply one of the most historic live performances in history.

 Live At Leeds is the highest point reached by The Who.


By Viva Lì

 "Everything You Didn’t Know and Shouldn’t Have Known Told by Someone Who Doesn’t Know and Pretends to Know"

 "To hell with the review and to hell with the Who too."


By jack daniel's

 Less than forty minutes, but an actual punch in the stomach, a pure distillation of that thing that someone called Rock and which instead I like to call Rock.

 This performance of My Generation extended to a quarter of an hour is a true infernal cauldron where various quotes find space... Shocking, epic, majestic.


By JonnyORiley87

 "Live at Leeds quickly became a genuine benchmark for upcoming Hard Rock bands."

 "'My Generation' transforms into an irresistible and unbridled hard rock suite lasting almost 15 minutes."