Cover of The Velvet Underground The Velvet Underground & Nico
andysg0

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For fans of the velvet underground, lovers of classic rock, readers interested in music and personal stories of loss.
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THE REVIEW

I used to bring my aforementioned buttocks to any sort of civil gathering, whatever the nature of the latter.

It was, if I remember correctly, the second half of the elephantine-legs seventies: inapproachably dressed, accustomed to much more inappropriate distractions, I acquired and was acquired by the aforementioned.

A celebrated album, a bananed album (peel slowly and see!).

There was Gianni, known to the world as Gian-something, a guy who boasted about boasting and beyond, who was already praising the aforementioned back then. That's how I learned about the existence of the Stooges, the Velvet U., things I remembered until a few decades ago.

What could I say about the album that's new? Nothing, I believe.

I could say that back then, we knew nothing, and we discovered everything,

Then my cousin, I swiped it from my cousin, the album. He didn't even like it.

I remember three things about him: that he jokingly teased me for my astigmatism, that we never called each other by name, and that he died on April 14, 1978.

Of heroin, too young. Yes, stop the nonsense, I'm telling you.

Everyone knows, those who know me understand, that I have a knife stuck in my heart.

Associating this album with him, something I can't help but do, hurts.

Listening to it hurts. It means remembering.

But remembering, yes it hurts, but it's also good. When I no longer remember, it'll be even worse.

(I apologize to everyone for the outburst, if it weren't for anonymity I would never have had the courage)

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Summary by Bot

This review recounts a deeply personal connection to The Velvet Underground & Nico album, intertwined with memories of a lost cousin. The reviewer reflects on the album's cultural significance and the pain that comes with remembering. The emotions evoked by the music are both painful and treasured. Despite the personal sorrow, the review captures the timeless nature of this iconic record.

Tracklist Lyrics Videos

01   Sunday Morning (02:58)

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02   I'm Waiting for the Man (04:41)

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03   Femme Fatale (02:40)

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04   Venus in Furs (05:10)

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06   All Tomorrow's Parties (06:02)

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08   There She Goes Again (02:43)

09   I'll Be Your Mirror (02:16)

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10   The Black Angel's Death Song (03:13)

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11   European Son (07:46)

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The Velvet Underground

The Velvet Underground were an American rock band formed in New York City in 1964, known for their influential, experimental sound and association with Andy Warhol; core members included Lou Reed, John Cale, Sterling Morrison and Maureen Tucker.
49 Reviews

Other reviews

By 2+2=5

 Heroin, may you be my death. Heroin is my wife, it’s my life.

 I am content with man and his misery; with his soul and his pain; with his anger and his Art.


By miriamlovesrock1

 "An album that swallows you, an album that is an entire journey... a journey made of colors and feelings more or less pleasant."

 "This is my personal image of them... simply a 'charming band of lunatics'... ladies and gentlemen: Reed, Cale, Tucker, Sterling Morrison + the unruly genius and the icy beauty: Andy Warhol and Nico..."


By Dune Buggy

 "For the first time, the underworld is sung, for the first time the undergrounds are colored with violet music."

 "Heroin is death, a life companion, rather it is life — and only the silence of the soul remains, the chaos of the brain in almost epileptic convulsion."


By The Velvet Undergrou

 Reed’s tracks are therefore almost all fast, full of distortions, difficult, probably dominated as writing by the avant-gardist Cale.

 "European Son is the final delirium made up of noise and distortions that will see its masterpiece in Sister Ray the following year."


By joe strummer

 The music of Velvet Underground is like a big sadistic smile that mocks you for all this, delights in seeing you terrified and even tries to deliver the coup de grâce.

 I believe it is the best album ever made, certainly dependent on tastes, but it still remains among the most expressive, raw, and lucid musical works of the last century.


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