Summer of 1984.
At that time, to make ends meet, I worked as a dishwasher in a sleazy restaurant in Milan, and my nights seemed endless.
Milan was a fetid sardine in sauce, and Piazza Duomo was an immense pool. At night, not everyone knows, there were quite a few people wandering around in swimsuits or regulation long johns. Water parks hadn't been invented yet, and no one ever cared about a sense of modesty. Every now and then, a love would be born out of the fog.
After finishing my work shift, I dragged myself through the streets until morning in the company of my ghosts. The only ones willing to still believe in my bullshit.
Sometimes I would stop at the usual bar for a whiskey or two.
I must have been on my third glass and it must have been shortly after seven in the morning when Giulia re-entered my life for a few minutes. The impact was violent: a single glance from her took me back at least seven years. She smiled and hugged me tightly. And for a long time.
Feeling dumbstruck, I flashed the usual small-talk questions and kept it vague when answering hers: I wasn't married, didn't have a girlfriend, nor had I become a brilliant mathematician, yes, I lived alone in a miserable studio apartment rented from some obese landlord, I didn't see anyone from the old days, and I had thrown my guitar somewhere because I would never make it big. I was happy to see her. I had never stopped loving her from the first moment I had caught her gaze.
But even this time, I told her nothing. She hugged me again, turned around, and with the same violence with which she had entered, a few minutes earlier, into my life, she left. Perhaps forever.
At the fourth glass, I paid the bill and told off the usual Milan fan. Beccalossi had joined Sampdoria, and I was very pissed off. I found myself in the street, in the morning, in a sunlit and never so desperate city. I was surrounded by decomposing corpses: a fetid can of sardines years old. That was Milan that summer of 1984. Anyway, I was out of time. I had to go home.
I climbed the stairs without haste, trying not to make noise, like a thief. I opened the door, tossed away my shabby, smelly rags, pulled out a glass, dirty, the usual bottle of Johnnie Walker, and a dusty "Let It Bleed". The turntable started to spin as I lit a cigarette. I lay down on the cold floor. I had never stopped bleeding.
At least that damn record still sounded like it used to.
Let It Bleed lays the groundwork for that indestructible pillar that never seems to fade.
If you really want a starting point for the Stones that you are used to hearing, you have no choice but to start here.
"Let It Bleed pierces your heart and shreds your brain."
"The four frenzied Brits shatter, in one fell swoop, the certainties and fantasies of mid 20th century."
"Gimmie Shelter is one of the greatest Rock tracks of the '60s, absolutely epic and full of vitality."
The album marked an era for the Stones and for Rock, possibly their most successful alongside Exile on Main Street.