Neville Brothers
Brother's Keeper

There are musicians who at twenty have already said everything they could say. Then there are others who, at fifty, start saying the most important things of their lives. The case of the Neville brothers from New Orleans is particularly symptomatic of what is said above. The Brothers have quietly and with dignity climbed the ladder of fame, ardently and deservedly sought. The success of their second-to-last album, "Yellow Moon," is a testament to a faith in music that goes beyond trends or genres.

Among other things, they have the virtue of not being easily classified by genre. Their music has never been perfectly slotted into any of the many compartments into which American music is divided. It seems, in fact, that retailers never exactly know where to place their records. They have been found in the most inconceivable places: in the country section, in the gospel section... This confusion has undoubtedly harmed their radio promotion and more.

That "Brother's Keeper" is the continuation of "Yellow Moon" seems too obvious, and this nevertheless speaks in its favor. But perhaps it is an even more varied and beautiful album than the previous one. The Neville Brothers, know how to mix all their vast musical knowledge into a single sonic effort that includes R&B, rock, blues, jazz, gospel, funky, reggae, folk-rock, etc. The vocal prowess of Aaron, King Midas of the voice, intoxicates their expanded and rarefied sound. His deep African black singing creates a blood tie with Mother Africa.

The title "Brother's Keeper," encompasses the central theme of the album: each of us is our brother's keeper. The songs, through evocative "talking," speak of their beliefs (they are fervent disciples of the Baptist church), with a sunny reggae, they speak to us of freedom of expression. With almost epic atmospheres, they make it clear that each man must respect his brother, his expression of being, and what he wants to do with his life. Through a Caribbean sound, they sing about the importance of individual responsibility. Among ancient polyphonic sounds and a shrill Arab melody, they point out that apathy is destructive but that politics can often cloud the truth. With a solemn speech, they make it understood that the suffering of every oppressed man, woman, and child deeply touches each of our lives.

The Nevilles are concerned about all these things and want to help in any way possible. Music, in this case, can be a powerful force, a great source of help, of healing. Theirs is warm music, evocative. The sound penetrates deep within us, trying to reach that part not easily accessible, where feelings and emotions try to protect themselves from external agents, to avoid shocks, responsibilities, and live dormant in their oblivion.

This is an album that does not leave one indifferent, their lyrics and music manage to warm even the coldest hearts, for the joy of the mind, body, and being. This is their driving force, which makes them "great".

With this album, the Neville brothers have finally received the attention they deserve, the public has realized that it's not necessarily true that at forty, one is less courageous than at twenty.