Cover of The Cure Burn
RinaldiACHTUNG

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For fans of the cure,lovers of gothic and alternative rock,listeners interested in film soundtracks,followers of 90s alternative music,readers and fans of the crow comic and film
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THE REVIEW

Burn is a limbo.
It plunges your head underwater, and when you realize you can breathe, you're stuck there.

Written and arranged in two days, mainly by Robert and Boris, for the soundtrack of the film/legend "The Crow" with Brandon Lee.
The accidental death of the latter on the set, who was to marry after filming, as many know, ended up guaranteeing the immortality of the film.

A film based on the namesake comic by James O'Barr, who, just like the protagonist Eric Draven, lost his partner and wrote to express this very sad story.

The song is disarmingly gloomy, typical of Smith, and wouldn’t have looked out of place on a The Cure album’s tracklist, INDEED.

Just like the plot of the work, you are hurled into an atmosphere of rain and flames. Redemption and condemnation run along your spine.
One of the first panels of the comic is quoted:

Don't look, don't look!

And the shadows breathing pull you away from your beloved, because the only truth is the inexorable end.
That guitar and those percussions have something tremendously magical and epic.

I consider it the Cure song that conveys the most anxiety, pain. A sense of bewilderment, inner defeat, and loss. You cannot escape.

They have never performed it live and, as in many cases, it remains a hidden gem, unjustly, in the opinion of the writer.

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Summary by Bot

The Cure's 'Burn' is a deeply emotional and gloomy song written quickly for The Crow soundtrack. It captures themes of loss, anxiety, and redemption with haunting intensity. Despite its quality, it remains a hidden gem never performed live. The song evokes the tragic story behind the film and comic, making it an unforgettable but underrated piece in The Cure's catalog.

Tracklist Lyrics Videos

02   Love Will Tear Us Apart (00:00)

The Cure

The Cure are an English rock band formed in Crawley and led by singer-songwriter Robert Smith. Since the late 1970s they have moved between post-punk, gothic atmospheres and pop-oriented experiments, producing widely admired albums such as Disintegration and Pornography.
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