After the worldwide success of the first beat singles, after the joints smoked in the Queen's bathrooms, after the nonsense poems in John Lennon's books, and after the acid trips taken at breakfast out of boredom, here comes a revolutionary LP that anticipates the times to come by a year. Before Barrett's bucolic psychedelia, before the hallucinogenic experiments of Californian bands and the global explosion of the Hippy phenomenon, the Liverpool quartet releases an LP destined to make history. The leap in quality and especially the stylistic difference proposed within just one year from the previous "Rubber Soul" suggests that perhaps the Beatles are truly aliens. It's not for everyone to create for four years (fabulous!) beat songs and then transition without warning (or almost...) to composing mini-operas like For No One or perhaps surreal and hypnotic tracks like the spacey Tomorrow Never Knows.
The Beatles were partly aware of the impact of the record they had just produced, so much so that the tracks were sent to the radios one at a time as previews, leaving the more extravagant compositions for last...they wanted to prepare the general public, educate their ears. What strikes about "Revolver" is the sonic ambiguity that permeates every song on the album and gently overwhelms the virgin ear of the listener with sitars, reversed tapes, doubled vocals - with the new (patented by EMI) ADT technique - guitar solos made by recording tapes and then splicing them randomly into the track, string arrangements that harken back to the English parlour music of the previous century, brass and winds, hallucinated visions and little poems about the daily life of a London becoming colorful. The Beatles have started to play with kaleidoscopes and LSD, and have discovered (especially Lennon and Harrison) a fairy-tale and mystical world with an oriental flavor made of incense and poems, mantras and velvet, colorful jackets and extravagant outfits, mysticism and madness.
Lennon produces the lysergic I'm Only Sleeping, Doctor Robert, She Said She Said and Tomorrow Never Knows while the more orthodox McCartney tackles more metric and conventional tracks that will set the standard in the decades to come especially in England: Eleanor Rigby, For No One and Here There and Everywhere.
If before this LP the artistic abilities of the Beatles could have been questioned, with this milestone of pop-rock the Fab Four assert their dominance over the global artistic scene.
A must-have album for every respectable music collection: a Brunello di Montalcino of music!!
Tracklist Lyrics Samples and Videos
01 Taxman (02:41)
Let me tell you how it will be
There's one for you, nineteen for me
'Cause I'm the taxman,
Yeah, I'm the taxman
Should five percent appear too small
Be thankful I don't take it all
'Cause I'm the taxman,
Yeah, I'm the taxman
If you drive a car, I'll tax the street
If you try to sit, I'll tax your seat
If you get too cold, I'll tax the heat
If you take a walk, I'll tax your feet
Taxman
'Cause I'm the taxman,
Yeah, I'm the taxman
Don't ask me what I want it for (ha ha Mr. Wilson)
If you don't want to pay some more (ha ha Mr. Heath)
'Cause I'm the taxman,
Yeah, I'm the taxman
Now my advice for those who die (Taxman)
Declare the pennies on your eyes (Taxman)
'Cause I'm the taxman,
Yeah, I'm the taxman
And you're working for no one but me (Taxman)
02 Eleanor Rigby (02:10)
Ah, look at all the lonely people
Ah, look at all the lonely people
Eleanor Rigby
Picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window
Wearing the face that she keeps in a jar by the door
Who is it for
All the lonely people
Where do they all come from
All the lonely people
Where do they all belong
Father McKenzie,
Writing the words of a sermon that no one will hear
No one comes near
Look at him working
Darning his socks in the night when there's nobody there
What does he care
All the lonely people
Where do they all come from
All the lonely people
Where do they all belong
Ah, look at all the lonely people
Ah, look at all the lonely people
Eleanor Rigby,
Died in the church and was buried along with her name
Nobody came
Father McKenzie
Wiping the dirt from his hands as he walks from the grave
No one was saved
All the lonely people (Ah, look at all the lonely people)
Where do they all come from
All the lonely people (Ah, look at all the lonely people)
Where do they all belong
05 Here, There and Everywhere (02:28)
To lead a better life,
I need my love to be here.
Here, making each day of the year
Changing my life with a wave of her hand
Nobody can deny that there's something there.
There, running my hands through her hair
Both of us thinking how good it can be
Someone is speaking but she doesn't know he's there.
I want her everywhere
And if she's beside me I know I need never care.
But to love her is to need her
Everywhere, knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I'm always there.
I want her everywhere
And if she's beside me I know I need never care.
But to love her is to need her
Everywhere, knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I'm always there.
I will be there, and everywhere.
Here, there and everywhere.
06 Yellow Submarine (02:42)
In the town where I was born
Lived a man who sailed to sea
And he told us of his life
In the land of submarines
So we sailed up to the sun
'Till we found a sea of green
And we lived beneath the waves
In our yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
And our friends are all aboard
Many more of them live next door
And the band begins to play
We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
(Full speed ahead Mr. Boatswain, full speed ahead
Full speed ahead it is, Sgt.
Cut the cable, drop the cable
Aye, Sir, aye
Captain, captain)
As we live a life of ease
Every one of us has all we need
Sky of blue and sea of green
In our yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
11 Doctor Robert (02:17)
Ring, my friend I said you'd call
Doctor Robert
Day or night he'll be there any time at all
Doctor Robert
Doctor Robert
You're a new and better man
He helps you to understand
He does everything he can
Doctor Robert
If you're down he'll pick you up
Doctor Robert
Take a drink from his special cup
Doctor Robert
Doctor Robert
He's a man you must believe
Helping anyone in need
No one can succeed like
Doctor Robert
Well, well, well, you're feeling fine
Well, well, well, he'll make you
Doctor Robert
My friend works for the National Health
Doctor Robert
Don't pay money just to see yourself
Doctor Robert
Doctor Robert
You're a new and better man
He helps you to understand
He does everything he can
Doctor Robert
Well, well, well, you're feeling fine
Well, well, well, he'll make you
Doctor Robert
Ring, my friend I said you'd call
Doctor Robert
Doctor Robert
12 I Want to Tell You (02:32)
I want to tell you,
My head is filled with things to say,
When you're here,
All those words,
They seem to slip away.
When I get near you,
The games begin to drag me down,
It's alright,
I'll make you make me next time around.
But if I seem to act unkind,
It's only me,
It's not my mind,
That is the confusing thing.
I want to tell you,
I feel hung up,
But I don't know why,
I don't mind,
I could wait forever,
I've got time.
Sometimes I wish I knew you well,
Then I could speak my mind and tell you,
Maybe you'd understand.
I want to tell you,
I feel hung up,
But I don't know why,
I don't mind,
I could wait forever,
I've got time.
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Other reviews
By R2061478
With Revolver, they start to get really serious.
Tomorrow Never Knows sounds modern even today, a cross between the Chemical Brothers and the minimalist electronics of Radiohead.
By DanteCruciani
"The Beatles are the greatest band of all time, it seems obvious to me."
"I could never explicitly say how much I loved the Beatles because it wouldn’t be appropriate for a serious music critic... In the Beatles, there was something mystical, AND I love them."
By sausalito
"Revolver is emblematic ... the weakest record in the band's mature discography."
"A record where the disparity between fame and actual value is evident."
By JohnWinston
"Revolver is tinged with psychedelia, ballads, rhythm & blues, nursery rhymes... everything contributes a bit to the creation of this timeless masterpiece."
"Tomorrow Never Knows is the masterpiece within the masterpiece, a drumbeat that hypnotizes the subconscious and leads the psychedelic explosion of 1967."
By miraggio2
With Revolver, they really started to get serious.
Tomorrow Never Knows still sounds modern today, a cross between the Chemical Brothers and the minimalist electronics of Radiohead.