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Truly incredible and practically indescribable music, unless one considers plausible the idea of a meeting in a third-rate club in the most opium-laden New York between Eric Dolphy and the Karate, that bastard Mingus accompanied by enlightened Morphine on the road to Damascus of a jazz metamorphosing into funk, bringing Gil Scott-Heron along. Discover the review
Truly incredible and practically indescribable music, unless one considers plausible the idea of a meeting in a third-rate club in the most opium-laden New York between Eric Dolphy and the Karate, that bastard Mingus accompanied by enlightened Morphine on the road to Damascus of a jazz metamorphosing into funk, bringing Gil Scott-Heron along.
Mike Doughty defined his group’s music with three words: "deep slacker jazz." Discover the review
Mike Doughty defined his group’s music with three words: "deep slacker jazz."
A perfect album, which I fell in love with from the first listen, and practically unreproducible live: it’s not surprising that soon after, they would break up, unable to follow up on such kaleidoscopic magnificence. Discover the review
A perfect album, which I fell in love with from the first listen, and practically unreproducible live: it’s not surprising that soon after, they would break up, unable to follow up on such kaleidoscopic magnificence.
Irresistible Bliss is their second effort, and compared to the '94 debut (the masterpieceRuby Vroom), it shows a band trying to experiment in reverse: a slightly straightened sound, normalized according to a more pop standard. Discover the review
Irresistible Bliss is their second effort, and compared to the '94 debut (the masterpieceRuby Vroom), it shows a band trying to experiment in reverse: a slightly straightened sound, normalized according to a more pop standard.
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