Cover of Siouxsie And The Banshees Nocturne
gigi sabani

• Rating:

For fans of siouxsie and the banshees, lovers of gothic rock, post-punk and new wave enthusiasts, and those interested in 1980s alternative music culture.
 Share

THE REVIEW

Hello dear ones, here I am with my fourth review, yet another Gothic concert, but this time an old VHS called Nocturne by Siouxsie and the Banshees.

Brief introduction to Siouxsie & co.: a band born during the very first Albion new wave, forging a sound that would then be called Gothic rock, a child of post-punk, new wave with horror movie keyboards, and an hallucinated voice. The band would then become less punk and more pop, partially following the fashion of the eighties.

The Banshees with Robert Smith of the Cure on guitar. They release their first live double album, a testament to the two concerts held at the Royal Albert Hall in London on September 30 and October 1, 1983.

A VHS was also released from this album, which is exactly what I will talk about.

Here's the concert setlist:

  • Israel - 6:45
  • Dear Prudence - 3:55
  • Paradise Place - 4:28
  • Melt! - 3:48
  • Cascade - 4:35
  • Pulled To Bits - 4:03
  • Night Shift - 6:27
  • Sin In My Heart - 3:31
  • Slowdive - 4:18
  • Painted Bird - 3:56
  • Happy House - 4:39
  • Switch - 6:35
  • Spellbound - 4:31
  • Helter Skelter - 3:42
  • Eve White/Eve Black - 2:48
  • Voodoo Dolly - 8:42
  • At the beginning of the VHS, you see fans entering the theater, and it warms my heart to see goths and ordinary people crowding the Albert Hall, considering the Gothic movement was already waning but the hardcore remained. The lights go out, and in comes our barefoot heroine, with heavy makeup and raven hair, moving through the concert like a tormented soul, like a damned in the infernal circles. It starts with Israel, and believe me, I have never heard a piece so bare (guitar, bass, drums) yet so suggestive and evocative. Robert Smith proves to be an excellent guitarist with his skeletal and abrasive riffs hitting the mark. Budgie's drumming is also very dry but precise, and Severin gives the bass an important role. Musically the VHS is this: guitar, bass, drums, and voice with an exploration of all the Gothic genres of the eighties (post-punk, pop, new wave, gothic).

    This concert, in my opinion, is the manifesto of Gothic. Siouxsie is its queen, and with her voice, she takes you into the vampiric heart of cold England of those years.

    In conclusion, an excellent musical manifesto and shivers under the skin for those orphaned from a context that other musical genres will wipe away,

    To be continued.......

    Loading comments  slowly

    Summary by Bot

    This review covers the 1983 live VHS 'Nocturne' by Siouxsie And The Banshees, capturing their seminal Gothic rock sound and atmosphere. Featuring Robert Smith on guitar, the concert at Royal Albert Hall is praised as a musical manifesto for the Goth movement. The reviewer emphasizes the raw, evocative performance and the band's influential role in the 80s music scene.

    Tracklist Lyrics Videos

    01   Intro: The Rite of Spring / Israel (06:48)

    02   Dear Prudence (04:01)

    Read lyrics

    03   Paradise Place (04:20)

    Read lyrics

    06   Pulled to Bits (03:51)

    Read lyrics

    08   Sin in My Heart (03:43)

    Read lyrics

    10   Painted Bird (04:17)

    Read lyrics

    14   Helter Skelter (03:41)

    Read lyrics

    15   Eve White/Eve Black (02:46)

    16   Voodoo Dolly (08:43)

    Read lyrics

    Siouxsie and the Banshees

    Siouxsie and the Banshees were a British band associated with punk’s aftermath and the rise of post-punk and gothic rock, fronted by Siouxsie Sioux. Reviews describe their early era as austere and alienated, later expanding into electronics, pop-leaning songwriting, and stylistic experimentation, while remaining influential for gothic iconography and sound.
    13 Reviews