Cover of Siouxsie & the Banshees A Kiss In The Dreamhouse
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For fans of siouxsie & the banshees, lovers of post-punk and dark wave genres, enthusiasts of 1980s alternative and gothic rock music
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THE REVIEW

It's 1982 when this "A Kiss in the Dreamhouse" is released in all stores. The press of the time didn't take it very well and it was harshly criticized, an announced downfall of the world's most famous dark lady, who thus reached her sixth effort without any more ammunition to fire. I don't think so, that's clear! Otherwise, I wouldn't waste my time reviewing an album from 23 years ago.

Let's start right away with what's positive in this shrill piece of work consisting of 9 songs where everything sounds very muffled, claustrophobic, from the rhythm to the guitars, from the synths to Sioux's voice, creating a unique atmosphere, with a strong sense of the past. The dark-punk of the beginnings seems now a distant memory, although the Dark somewhat remains while the Punk has definitively left giving way to melodies that in some cases are more pop and catchy.
The songs that are worth the ticket price are certainly "Cascade" and "Melt", the former is the one that sets the tone for the entire album leaving you with a dramatic inner nostalgia. This passage is beautiful:

"my breath melted my words
into strange alphabets
tormenting my tongue
pouting, shouting
oh love - like liquid falling
falling in cascades
oh love-lorn victims
laughing in cascades"

The latter is instead a true masterpiece, a testament of absolute skill, a slow song where the foreground voice combined with the opposing one creates a heavenly atmosphere. Then comes "Obsession" in order, a sort of sung funeral, or better yet spoken, where the notes are forgotten, and Sioux's voice, accompanied by shrill bass insertions and walls of synths, creates a hypnotic and funeral atmosphere. The same goes for "Circle", perhaps more hypnotic than the former, and on this wave, I would also include "Green Finger" with an additional melodic bass line very Joy Division.

Last but not least, the album's most negative part, although not in an absolute way, represented by the single "Slowdive" very seductive and useless even though it reminds of early New Order, by "Cocoon" with a Jazz-theatrical arrangement, and by "She's a Carnival" which is the only one of the three I save, a very pop-rock-wave song with a Saturday night dance-floor rhythm and a communion organ finale!
A sincere album, which acts as a bridge between two distinct periods of the band and deserves to be listened to. A piece of advice? Listen to it on very rainy days!

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Summary by Bot

Released in 1982, 'A Kiss in the Dreamhouse' initially faced harsh criticism but now stands as a sincere and atmospheric work from Siouxsie & The Banshees. The album marks a shift from punk to more melodic, dark wave sounds with standout tracks like 'Cascade' and 'Melt' showcasing haunting beauty. While some songs feel less essential, the album serves as a nostalgic bridge in the band's evolution and rewards listeners seeking a unique and moody experience.

Siouxsie and the Banshees

Siouxsie and the Banshees were a British band associated with punk’s aftermath and the rise of post-punk and gothic rock, fronted by Siouxsie Sioux. Reviews describe their early era as austere and alienated, later expanding into electronics, pop-leaning songwriting, and stylistic experimentation, while remaining influential for gothic iconography and sound.
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