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This is the best of the best, the one you can’t afford to ignore. Freedom Of Choice is a beautiful album, the likes of which they don’t make anymore. Give it a listen, love yourselves.
This is the best of the best, the one you can’t afford to ignore.
Freedom Of Choice is a beautiful album, the likes of which they don’t make anymore. Give it a listen, love yourselves.
Freedom Of Choice is a vibrant 1992 tribute album featuring 90s alternative bands covering iconic 80s hits. Produced by City Slang, the album supports women's rights and delivers energetic reinterpretations with notable performances by Sonic Youth, Redd Kross, and more. Despite minor hiccups, it’s a must-listen for fans of indie and alternative music nostalgia. Listen to Freedom Of Choice now and experience the best 80s hits reborn by 90s alternative legends!
"Electronic sequences divine themselves in the labyrinth of rhythm, mixing the direct rap of dance with technical artificiality." "The drive of the tracks is equal to that of the Prodigy, an unstoppable sequence of electro effects."
"Electronic sequences divine themselves in the labyrinth of rhythm, mixing the direct rap of dance with technical artificiality."
"The drive of the tracks is equal to that of the Prodigy, an unstoppable sequence of electro effects."
The review praises The KLF's 1991 album The White Room as a pivotal electronic work that fuses elements of techno, house, and ambient music. It highlights key tracks like 'What Time Is Love' and '3 A.M. Eternal' for their innovation and commercial success. The album balances rhythmic intensity with soothing interludes, showcasing the band's originality and strong vocal performances. The KLF are portrayed as both innovative and influential in the electronic music scene. Dive into The KLF's The White Room and experience the groundbreaking sounds that shaped 90s electronic music.
For me, it’s been years since I pogoed, danced, and laughed so much at a concert. The Bone Machine plays for forty minutes, then an encore, and off the stage to the bar to have a drink with the audience.
For me, it’s been years since I pogoed, danced, and laughed so much at a concert.
The Bone Machine plays for forty minutes, then an encore, and off the stage to the bar to have a drink with the audience.
The review captures the final night of Muso 2016, highlighting a thrilling rock ’n’ roll performance by The Bone Machine in Oriolo. While the opening punk band Il Branco was underwhelming, The Bone Machine’s energetic set created an unforgettable experience. The reviewer shares a personal and lively account of the night with a companion, celebrating the raw energy and authenticity of the music. The evening closes with a solid set by The Cyborgs, ending the festival on a high note. Dive into the wild rock ’n’ roll night of Muso 2016 and experience The Bone Machine’s explosive live energy now!
The graphite-etched cover adds mystery and captivating elegance, elements always present in the duo’s imagery. 'Panic' has a much more elaborate and complex structure compared to the version present in 'Scatology,' with continuous variations and oriental blows coexisting with occult ideals and sacredness.
The graphite-etched cover adds mystery and captivating elegance, elements always present in the duo’s imagery.
'Panic' has a much more elaborate and complex structure compared to the version present in 'Scatology,' with continuous variations and oriental blows coexisting with occult ideals and sacredness.
This review highlights Coil's 1985 single 'Panic / Tainted Love' as a complex and avant-garde work featuring elaborate arrangements and occult influences. The cover art adds mysterious elegance, complementing the duo's musical experimentation. 'Panic' evolves from previous versions with rich, original instrumentation, while 'Tainted Love' delivers a symphonic, emotional reinterpretation. The collaboration between Balance and Christopherson is praised for its originality and visionary sound. Dive into Coil’s avant-garde universe and experience the mysterious power of 'Panic / Tainted Love' today!
Filmation created a new style at the time it was active, easily recognizable within the offering of U.S. animated series. The artists filled the worlds of the Filmation series with women with scrumptious round buttocks like bowling balls, perched on top of very long legs.
Filmation created a new style at the time it was active, easily recognizable within the offering of U.S. animated series.
The artists filled the worlds of the Filmation series with women with scrumptious round buttocks like bowling balls, perched on top of very long legs.
This review offers a nostalgic reflection on Filmation, a studio known for low-cost animated series from the 60s to the 80s. While acknowledging the studio's less engaging stories and basic animation quality, the author finds charm in Filmation’s distinctive style, especially in character design and color choices. The impact of iconic shows like He-Man is highlighted as part of cultural memory. Ultimately, the review serves as a cue to revisit and recall vintage animation rather than a recommendation. Dive into the vintage world of Filmation and rediscover the nostalgic charm of classic animated series like He-Man!
Austere artisans of a silvery and calm psych-pop-rock, hazy and mellow, Mazzy Star manage to concoct sophisticated potions. 'Fade Into You' opens our hearts with a sweet nostalgia for the time that passes relentlessly.
Austere artisans of a silvery and calm psych-pop-rock, hazy and mellow, Mazzy Star manage to concoct sophisticated potions.
'Fade Into You' opens our hearts with a sweet nostalgia for the time that passes relentlessly.
Mazzy Star’s album 'So Tonight That I Might See' is celebrated as a masterpiece of psych-pop and folk fusion. Hope Sandoval’s distinctive, ethereal voice guides listeners through a nocturnal journey filled with melancholic ballads and psychedelic nuances. The album balances accessible radio hits like 'Fade Into You' with deeper, more experimental tracks. Rich in atmospheric imagery and refined musicality, it evokes a reflective, almost transcendental mood that lingers long after listening. Dive into Mazzy Star’s hypnotic soundscape and experience the timeless magic of 'So Tonight That I Might See'. Listen now!
It's like listening to "Fight Fire With Fire" by Metallica multiplied by two in terms of speed. They do not know the meaning of "slow down"!!!!
It's like listening to "Fight Fire With Fire" by Metallica multiplied by two in terms of speed.
They do not know the meaning of "slow down"!!!!
Ludichrist's Powertrip is a landmark 1988 album fusing hardcore punk, thrash metal, and metal funk with extraordinary speed and technical prowess. The review highlights standout tracks like the title song and Zad, praising the band’s relentless pace and musicianship. The album closes with an impressive instrumental cover showcasing their skills. Though brief, Ludichrist's influence continued through members' next band, Scatterbrain. Dive into Ludichrist's Powertrip and experience the raw energy and speed of 80s hardcore thrash metal!
The beauty is the immortal melody... the transition from the circus-like to an absolute of melancholy. “Sempre” is only Gabriella’s. And only hers is “Gracias a la vida.”
The beauty is the immortal melody... the transition from the circus-like to an absolute of melancholy.
“Sempre” is only Gabriella’s. And only hers is “Gracias a la vida.”
The review praises Gabriella Ferri's 'Sempre' for its vibrant orchestration and the emotional journey it offers. It highlights the song's ability to balance passion with melancholy, likening it to vivid life moments and timeless melodies. The reviewer emphasizes the uniqueness and intimate connection with the song, noting its lasting impact and subtle folk influences. 'Sempre' is celebrated as something deeply personal and magical, exclusive to Ferri's artistry. Discover Gabriella Ferri's 'Sempre' and immerse yourself in a timeless orchestral journey of passion and melancholy.
The beauty of Cabaret is that of imprisoning the listener, hurling the mind into dark places, with somber hues. The dub and innovative electronics, which even found approval in friend Ian Curtis, are historic achievements.
The beauty of Cabaret is that of imprisoning the listener, hurling the mind into dark places, with somber hues.
The dub and innovative electronics, which even found approval in friend Ian Curtis, are historic achievements.
The review praises Cabaret Voltaire's 'Seconds Too Late' for consolidating the band's influential 1980s sound with innovative dub and electronics. The single 'Seconds Too Late' and 'Control Addict' highlight the trio's maturity and depth. The album's dark, immersive atmosphere and experimental nature continue the band's exploration beyond early reggae-wave sounds toward a pioneering industrial-electronic fusion. It marks an important phase in their career appreciated by genre connoisseurs. Listen to Cabaret Voltaire's 'Seconds Too Late' and dive into the roots of dark electronic music innovation.
Chrome is a pyrotechnic spectacle of the Cosmos, in the Ultraworld, sunk in cells in space. 'The Strangers' and 'Insect Human' launch drones at full speed with divine and science fiction effects.
Chrome is a pyrotechnic spectacle of the Cosmos, in the Ultraworld, sunk in cells in space.
'The Strangers' and 'Insect Human' launch drones at full speed with divine and science fiction effects.
Chrome's 'Blood on the Moon' delivers a bold and innovative blend of space rock and experimental music. The album features tribal rhythms, drones, and sci-fi effects, marking a progression from their earlier works. Tracks like 'The Need' and 'Innervacum' showcase complex structures and vocal experimentation. Overall, it is praised as a significant and visionary work within the psychedelic and post-punk movements. Dive into the cosmic depths of Chrome's 'Blood on the Moon' and experience a space rock journey like no other!
A wild night of rock’n’roll can’t be stopped by a girlfriend’s rejection. Train To Roots are the Ramones of reggae; no breaks, just nonstop energy and pure joy.
A wild night of rock’n’roll can’t be stopped by a girlfriend’s rejection.
Train To Roots are the Ramones of reggae; no breaks, just nonstop energy and pure joy.
The reviewer shares a heartfelt and energetic account of Muso 2016 Seconda Serata, detailing three distinct performances ranging from epic folk to Italian rock and reggae. Despite initial reluctance and personal setbacks, the event’s vibrant atmosphere, passionate bands, and engaging crowd leave a strong positive impression. Highlights include Eventide’s epic folk with dynamic violin, Venus In Furs’ powerful rock presence, and Train To Roots’ infectious reggae set that got everyone dancing. The review balances vivid descriptions with personal reflections, capturing the essence of a memorable music night. Dive into this lively Muso 2016 review and discover the unforgettable performances that made the night truly electric!
Lucinda Williams and her latest album are the excuse with which I want to bind this microscopic and precious grain of life to memory. It’s an enjoyable album right from the start and yet it falls into the category of those that require several listens to fully appreciate.
Lucinda Williams and her latest album are the excuse with which I want to bind this microscopic and precious grain of life to memory.
It’s an enjoyable album right from the start and yet it falls into the category of those that require several listens to fully appreciate.
This review captures a deeply personal and emotional connection with Lucinda Williams’ album 'The Ghosts of Highway 20.' The writer emphasizes the album’s minimalist blues and folk sound as a perfect companion for reflective and peaceful moments. The live experience in Italy adds a memorable layer to the appreciation. Some critique is given to the album’s length, but overall it is praised for its quality and emotional impact. Discover the soulful depth of Lucinda Williams’ 'The Ghosts of Highway 20' and experience its emotional journey for yourself.
"At Muso you not only listen to music but you also eat and drink, and well: the music is free, the refreshments are not, but it’s to fund the cause so that there will be a three-day musona in 2017." "You just don’t do that [metal-like crescendo on ‘Hallelujah’]. I already feel an unbearable pain when I see all these talent show phenomena pounce on ‘Hallelujah’ and other immortal classics worse than Count Ugolino."
"At Muso you not only listen to music but you also eat and drink, and well: the music is free, the refreshments are not, but it’s to fund the cause so that there will be a three-day musona in 2017."
"You just don’t do that [metal-like crescendo on ‘Hallelujah’]. I already feel an unbearable pain when I see all these talent show phenomena pounce on ‘Hallelujah’ and other immortal classics worse than Count Ugolino."
The review captures the opening night of Muso 2016, a three-day music festival mixing local and national rock acts in Oriolo Romano. The author shares vivid festival experiences, including the music, food, and company, with candid opinions on performances. Though generally warm about the festival, some moments, such as the cover of Leonard Cohen’s ‘Hallelujah,’ drew criticism. Despite hiccups, the event atmosphere and music's spirit come through strongly. Discover the unique charm of Muso 2016—join the festival spirit and explore the vibrant local rock scene today!
David Toop is an exhibitionist of pure sound, a collector of sounds and definitions. He plays only for himself, magnificent sounds that rarely take shape.
David Toop is an exhibitionist of pure sound, a collector of sounds and definitions.
He plays only for himself, magnificent sounds that rarely take shape.
David Toop's Entities Inertias Faint Beings is an abstract, experimental album focusing on intricate soundscapes and complex melodic patterns. While the music is fascinating and polished, it avoids conventional structure and accessibility. The review suggests Toop plays primarily for himself, which may challenge casual listeners seeking familiarity or empathy. Overall, an intriguing but demanding sound experience. Dive into David Toop's challenging soundscape and explore the boundaries of experimental music.
The ten tracks all develop in a very similar way: a lazy, slow, narcoleptic beginning that almost induces drowsiness. A contemplative and mystical masterpiece.
The ten tracks all develop in a very similar way: a lazy, slow, narcoleptic beginning that almost induces drowsiness.
A contemplative and mystical masterpiece.
This review revisits Cell, a lesser-known 1990s New York band, through their album Slo-Blo. The album blends vigorous Post-Punk guitar work and melodic elements akin to Sonic Youth and Nirvana. Songs feature slow builds into powerful Psycho-Grunge crescendos, highlighted by evocative vocals reminiscent of Guy Kyser. The reviewer praises the contemplative and hypnotic qualities, especially in the track 'Stratosphere'. Explore the hypnotic depths of Cell's Slo-Blo and experience a unique blend of Post-Punk and Grunge today!
"Kill Fuck Die every time sounds like something that attracts us, binds us to us and never lets us go, alienating our mind and corrupting it, possessing us." "In 'My Tortured Eyes,' it feels like listening to a request in the throes of madness which explodes into a perfect solo, creating a frightening atmosphere."
"Kill Fuck Die every time sounds like something that attracts us, binds us to us and never lets us go, alienating our mind and corrupting it, possessing us."
"In 'My Tortured Eyes,' it feels like listening to a request in the throes of madness which explodes into a perfect solo, creating a frightening atmosphere."
W.A.S.P.'s 1997 album Kill Fuck Die marks a daring return to provocativeness and experimental industrial metal. The album combines heavy distortion, powerful vocals, and dark atmospheres, showcasing Blackie Lawless's artistic maturity. Despite mixed reception at release, it remains a compelling and intense piece in their catalog. The review highlights key tracks, thematic depth, and the band's legacy in heavy metal. Dive into W.A.S.P.'s intense industrial metal journey—listen to Kill Fuck Die and experience the raw power and dark artistry firsthand!
One of the darkest and most pessimistic episodes of Scorsese's long career. A disconnected picture emerges, full of half-things left somewhat unresolved.
One of the darkest and most pessimistic episodes of Scorsese's long career.
A disconnected picture emerges, full of half-things left somewhat unresolved.
The review appreciates Martin Scorsese's legacy and technical skill but finds Bringing Out the Dead a dark and somewhat disjointed film. It highlights the bleak depiction of New York and the troubled protagonist, while noting unresolved subplots and a lack of emotional engagement. Despite its formal qualities, the film is seen as one of Scorsese's less appreciated and less successful works. Discover the darker side of Scorsese’s filmography—watch Bringing Out the Dead and explore its gritty New York nights.
"Hosianna Mantra was a mystical hymn imbued with cosmic purity that marvelously united Christian and Eastern religiosity." "It is impossible to remain indifferent if you manage to enter into the pan-cultural mysticism of this record."
"Hosianna Mantra was a mystical hymn imbued with cosmic purity that marvelously united Christian and Eastern religiosity."
"It is impossible to remain indifferent if you manage to enter into the pan-cultural mysticism of this record."
Hosianna Mantra by Popol Vuh stands as a mystical and spiritual masterpiece that blends Christian and Eastern religious influences through acoustic purity. Fricke’s renouncement of electronics fosters a timeless mantric and avant-garde album, enriched by Djong Yun's ethereal vocals and Conny Veit's psychedelic guitar. The album’s two suites provide a transcendent listening experience characterized by healing and intense emotions. It remains a unique watershed in Fricke’s musical journey and the progressive music scene. Experience the transcendent fusion of spirituality and sound—listen to Popol Vuh's Hosianna Mantra today!
"Grave of the Fireflies is not a film for children." "This film did not achieve success, overshadowed by the release of My Neighbor Totoro in the same year."
"Grave of the Fireflies is not a film for children."
"This film did not achieve success, overshadowed by the release of My Neighbor Totoro in the same year."
This review highlights the emotional depth and realism of Isao Takahata's 'Grave of the Fireflies', focusing on its tragic portrayal of war's impact on siblings Seita and Setsuko. Despite being overshadowed by 'My Neighbor Totoro', it remains a masterpiece showcasing Takahata's memory of war and emotional storytelling. The film’s unflinching depiction of suffering and loss sets it apart as not suitable for children but essential viewing for understanding the human cost of conflict. Watch Grave of the Fireflies to experience a heartbreaking masterpiece of war and sibling love.
The director wisely opposes the extreme dynamism of clichés with maximum slowness. Fear is highly aestheticized, brought into focus with great aesthetic emphasis, perhaps also to compensate for a medium-low level narrative.
The director wisely opposes the extreme dynamism of clichés with maximum slowness.
Fear is highly aestheticized, brought into focus with great aesthetic emphasis, perhaps also to compensate for a medium-low level narrative.
The review appreciates It Follows for its unique stylistic approach and effective use of slow, haunting horror aided by Disasterpeace's soundtrack. However, it criticizes the film’s narrative for lacking depth, especially in moral and psychological explorations of the curse’s consequences. The curse's rules are seen as unclear and underdeveloped. Despite this, the film's final shot and some inventive sequences bring notable ambiguity and remain effective. Discover the chilling style and eerie soundtrack of It Follows—explore this unique horror film now!
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