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Piano and liquid atmospheres are "the base" of an album I easily define as a "masterpiece." The brutal honesty with which Sampha speaks about his mother who died of cancer... is particularly striking.
Piano and liquid atmospheres are "the base" of an album I easily define as a "masterpiece."
The brutal honesty with which Sampha speaks about his mother who died of cancer... is particularly striking.
Sampha’s debut album 'Process' is a meticulously produced blend of soul and electronic music. The album features soft vocals framed by piano and rich, ambient soundscapes. It explores deeply personal themes such as family loss and self-reflection with brutal honesty. Praised as a masterpiece, it showcases a unique evolution of soul that defies mainstream appeal in favor of artistic expression. Listen to Sampha's 'Process' now and experience a deeply emotional and sonic masterpiece.
Hymns for the Haunted marks the definitive embrace of theatricality, as well as a somewhat well-defined artistic identity. Jenssen’s vocal talent shines brilliantly: a dark tone that is at times delicate, at times dirty and scratchy.
Hymns for the Haunted marks the definitive embrace of theatricality, as well as a somewhat well-defined artistic identity.
Jenssen’s vocal talent shines brilliantly: a dark tone that is at times delicate, at times dirty and scratchy.
Amanda Jenssen’s third album, Hymns for the Haunted, marks a confident step into theatrical and dark musical territory, blending soul, rock, and jazz influences. The album’s authentic live feel and well-crafted songwriting showcase her growth beyond early pop sounds. Standout tracks such as “Illusionist,” “Michael’s Garden,” and “Dry My Soul” balance upbeat energy and moody ballads. Jenssen’s distinctive vocal tone and control shine throughout. This album solidifies her unique artistic identity and hints at her potential for international recognition. Listen to Amanda Jenssen’s dark and authentic Hymns for the Haunted and experience her unique vocal power and theatrical style today!
They find the new in an antique shop. Dusty, moldy, creased, but it’s new. If Jesu has the most beautiful covers in metal, they don’t. But they are not metal, even if they are doom.
They find the new in an antique shop. Dusty, moldy, creased, but it’s new.
If Jesu has the most beautiful covers in metal, they don’t. But they are not metal, even if they are doom.
The review reflects on Jesu's influence and struggles with repetition in doom music. Dead Swords, however, offer a fresh approach by blending shoegaze and doom, creating new and atmospheric sounds. Their album Broken Souls stands out for its creative energy despite not having the striking metal covers of Jesu. The review praises the band for finding new inspiration where it seemed scarce. Discover how Dead Swords refresh the doom and shoegaze fusion—listen to Broken Souls now!
"Every time I place ‘Next To Nothing’ on the turntable, I remember a magical time when a continent on the other side of the globe set its style, imposed its sound, and permanently captured our emotions." "Children of a bitter fate, Died Pretty fuel the ranks of the illustrious unknown, unjustly boycotted, especially in their homeland."
"Every time I place ‘Next To Nothing’ on the turntable, I remember a magical time when a continent on the other side of the globe set its style, imposed its sound, and permanently captured our emotions."
"Children of a bitter fate, Died Pretty fuel the ranks of the illustrious unknown, unjustly boycotted, especially in their homeland."
This review celebrates Died Pretty's 1985 EP Next to Nothing as a standout psychedelic rock record from Australia's vibrant 80s scene. It highlights the band's unique blend of melancholy and dreamlike soundscapes influenced by iconic sixties acts and the Paisley Underground movement. The EP serves as a nostalgic time capsule of Australia’s underground live music culture and bespoke craftsmanship. Despite limited recognition, the EP remains a timeless gem evoking powerful emotions. Discover the timeless psychedelic sounds of Died Pretty’s Next to Nothing – a hidden treasure of Australian rock history.
"Enrico Papi, that crazy cokehead who hosted Sarabanda!" "HIM, IN HIS 50s, ALL HAPPY SURROUNDED BY YOUNG WOMEN, YOU AT 25, LOOK LIKE HIS GRANDPA."
"Enrico Papi, that crazy cokehead who hosted Sarabanda!"
"HIM, IN HIS 50s, ALL HAPPY SURROUNDED BY YOUNG WOMEN, YOU AT 25, LOOK LIKE HIS GRANDPA."
This review of Enrico Papi's single MOOseca humorously reflects on the oddity of his comeback and its place in Italian pop culture. Using irony and nostalgia, it explores internet memes and social commentary around aging celebrities embracing modern trends. The reviewer mixes sharp wit with social satire, ultimately expressing amused disbelief rather than outright criticism. It's a cult, awkward moment in 2017's music scene. Discover the quirky side of Italian pop by watching Enrico Papi's MOOseca and read this witty review!
'I've devoted my life to using rock 'n' roll as a voice to express myself, so I am interested in a form of rock 'n' roll consciousness, as the album title suggests.' 'A record that, personally, I was looking forward to, and that did not disappoint expectations.'
'I've devoted my life to using rock 'n' roll as a voice to express myself, so I am interested in a form of rock 'n' roll consciousness, as the album title suggests.'
'A record that, personally, I was looking forward to, and that did not disappoint expectations.'
This review explores Thurston Moore's album Rock N Roll Consciousness, highlighting its blend of classic rock roots with experimental influences. The album features long, immersive tracks and reflects Moore's interest in spirituality without adopting formal ideology. The review appreciates the lineup of accomplished musicians and acknowledges the album's strong place in Moore's ongoing solo career. Discover the spiritual depths and rock power in Thurston Moore's Rock N Roll Consciousness—listen now!
"'Hegel' is the simple combination of the monstrosity of words borne aloft without rest but with enormous grace by Pasquale Panella and Battisti’s appropriate melodies, never so appropriate indeed." "'Hegel' is a magnificent mockery, the ultimate mockery, the disinterested farewell of Battisti. Electronics, heart, mind, and Panella."
"'Hegel' is the simple combination of the monstrosity of words borne aloft without rest but with enormous grace by Pasquale Panella and Battisti’s appropriate melodies, never so appropriate indeed."
"'Hegel' is a magnificent mockery, the ultimate mockery, the disinterested farewell of Battisti. Electronics, heart, mind, and Panella."
The review praises 'Hegel' as an overlooked masterpiece combining Pasquale Panella's complex and poetic lyrics with Lucio Battisti's perfectly fitting melodies. Marked by minimalistic production and electronic beats, the album is a sophisticated and unique farewell from Battisti. It challenges listeners to appreciate its depth beyond mainstream tastes and stands as an inspired blend of philosophy, rhythm, and emotion. Dive into Lucio Battisti's 'Hegel'—experience the unique blend of poetic lyrics and electronic melodies that define this timeless album.
Released in ’73, "Catch A Fire" was something new, different, explosive music that would sweep away the rock market. The reggae rhythm has the ability to give direction to the Wailers’ music, forcing them to push the limits of their own sound.
Released in ’73, "Catch A Fire" was something new, different, explosive music that would sweep away the rock market.
The reggae rhythm has the ability to give direction to the Wailers’ music, forcing them to push the limits of their own sound.
Catch A Fire, released in 1973 by Bob Marley & The Wailers, introduced a fresh, explosive sound to reggae and the global rock market. The album brought socially conscious lyrics and musical maturity that challenged the status quo. It combined hypnotic reggae rhythms with unique guitar work and Motown influences. This classic is a powerful and charismatic expression of rebellion and hope. Explore Bob Marley & The Wailers’ iconic Catch A Fire and experience the reggae album that changed the world.
Waters once again winks to the entire ’70s period of Pink Floyd and I would feel like saying, if the whole album were in line, that for the first time in his solo career he has freed himself from the cumbersome legacy of The Wall. The lyrics are in line with the quality, always extremely high, expressed by Waters over fifty years of career: This is the room where they make the explosives... Allusions not so vague to contemporary interpreters of preventive war.
Waters once again winks to the entire ’70s period of Pink Floyd and I would feel like saying, if the whole album were in line, that for the first time in his solo career he has freed himself from the cumbersome legacy of The Wall.
The lyrics are in line with the quality, always extremely high, expressed by Waters over fifty years of career: This is the room where they make the explosives... Allusions not so vague to contemporary interpreters of preventive war.
After nearly twenty-five years without new studio material, Roger Waters delivers 'Smell The Roses,' a track steeped in the classic sounds of 70s Pink Floyd. The song showcases Waters' signature political and poetic lyricism, combined with melodic motifs reminiscent of Animals and Dark Side of the Moon. Despite low digital streaming numbers and unlikely radio rotation, the track reinforces Waters’ mastery in album-oriented art rather than hit singles. Produced by Nigel Godrich, it offers fans a promising glimpse of his upcoming work. Listen to Roger Waters' 'Smell The Roses' and experience a timeless journey through classic Pink Floyd soundscapes and sharp political lyrics.
"The new work is packed with absolutely prestigious guests and, unlike the previous 'The Fall,' is an incredibly ambitious project." "Gorillaz confirms Damon Albarn’s skill and ability in managing projects of various origins, maintaining credibility and freshness in the various proposals."
"The new work is packed with absolutely prestigious guests and, unlike the previous 'The Fall,' is an incredibly ambitious project."
"Gorillaz confirms Damon Albarn’s skill and ability in managing projects of various origins, maintaining credibility and freshness in the various proposals."
Gorillaz marks a strong comeback with 'Humanz,' an ambitious concept album centered around an end-of-the-world party. Featuring a variety of musical styles—from club beats to hip-hop and rock—and top-tier collaborators, the album contrasts with their previous work 'The Fall.' While not surpassing the classic 'Demon Days,' it showcases Damon Albarn's masterful project management and musical creativity. Highlights include 'We Got The Power' and 'Busted And Blue.' Discover Gorillaz's eclectic 'Humanz' and experience the thrilling party at the end of the world—listen now!
The second album by the Romans Skymall Solution starts by confusing your ideas, with almost dreamlike sounds and lead guitar riffs that crush any thought attempting to rise outside of listening. If you like bands like Linkin Park or Tool, you absolutely need to get this album and take this beautiful journey.
The second album by the Romans Skymall Solution starts by confusing your ideas, with almost dreamlike sounds and lead guitar riffs that crush any thought attempting to rise outside of listening.
If you like bands like Linkin Park or Tool, you absolutely need to get this album and take this beautiful journey.
Skymall Solution's second album delivers a compelling mix of heavy guitar riffs and ethereal synths, creating a dreamlike sonic experience. With skillful transitions and diverse vocal techniques, the album invites listeners on a meditative journey. The reviewer highly recommends it especially for fans of Linkin Park and Tool. The full impact of the sound is best appreciated with high volume listening. Listen to Skymall Solution’s second album now and experience a unique blend of heavy riffs and meditative synths!
They kick the ass of 101% of the sonic extremism of the new millennium. Brujeria has always been a congregation of madmen; they enjoy mocking anyone who falls under their claws...
They kick the ass of 101% of the sonic extremism of the new millennium.
Brujeria has always been a congregation of madmen; they enjoy mocking anyone who falls under their claws...
Brujeria's album 'Pocho Aztlan' marks their powerful return after 16 years without recordings. The band maintains their aggressive death metal and grindcore style while delivering politically charged and satirical lyrics. The album is a furious and addictive sonic assault that criticizes governments and religions. Their cover of Dead Kennedys' 'California Uber Aztlan' closes the album with twisted irony. Dive into Brujeria's fierce 'Pocho Aztlan' and experience relentless metal power infused with bold political satire.
This album marks a boundary: before there were the Hi-Tech groups that attempted a destabilizing, catastrophic, and apocalyptic approach, then there's this album that wants to return to earth and regenerate as alien. Electronic music with reassembled rave sounds, almost operatic singing in gender Spanish.
This album marks a boundary: before there were the Hi-Tech groups that attempted a destabilizing, catastrophic, and apocalyptic approach, then there's this album that wants to return to earth and regenerate as alien.
Electronic music with reassembled rave sounds, almost operatic singing in gender Spanish.
Arca's 2017 self-titled album stands as a defining boundary in electronic music. It merges reassembled rave elements with operatic singing in gender Spanish, delivering an alien yet grounded sonic experience. The album contrasts with apocalyptic Hi-Tech styles by offering a regenerative and unique approach. Comparable to artists like OPN and Holly Herndon, this work highlights Arca's innovative vision. Explore Arca's self-titled album now for a unique fusion of rave and operatic electronic soundscapes!
This album, or rather, this book of sound poems emanates the sensation of wind lashing the dry face, words eaten by the air. Death that is almost never absent seems to sew itself excellently with the sharp force of the wind.
This album, or rather, this book of sound poems emanates the sensation of wind lashing the dry face, words eaten by the air.
Death that is almost never absent seems to sew itself excellently with the sharp force of the wind.
Murubutu’s album 'L'uomo che viaggiava nel vento e altri racconti di brezze e correnti' is a profound collection of sound poems. The album thematically centers on wind and its metaphorical ties to emotions, life, and death. With vivid imagery and historical references, the work evokes a haunting yet lively atmosphere. It stands out as an artful blend of storytelling and music. The reviewer highly recommends immersing yourself in this unique auditory experience. Listen now and let Murubutu's poetic winds carry your imagination and emotions.
Daydream Nation is an album that must be strictly listened to (preferably with a good pair of headphones or an excellent audio system). The real strength of Daydream Nation lies in the fact that every sound is studied to the smallest details.
Daydream Nation is an album that must be strictly listened to (preferably with a good pair of headphones or an excellent audio system).
The real strength of Daydream Nation lies in the fact that every sound is studied to the smallest details.
This review explores Sonic Youth's 1988 album Daydream Nation, highlighting its roots in Glenn Branca's experimental work. Praised for its careful composition, unique guitar tunings, and innovative noise rock, the album represents the band's artistic peak. Key tracks like the ending 'Trilogy' showcase the band's mastery of chaotic yet harmonious sound, making the album a milestone in rock history. Dive into Sonic Youth's Daydream Nation and experience a rock album masterpiece that shaped alternative music forever.
'The Splendour of Fear is much more than an album; it’s a vividly painted canvas where dreams and desires for redemption fight against the frustrations of daily life.' 'The stagnant pool, like a drowned coffin, still as a deceased heart, haunting the ghost of the noble crusader...'
'The Splendour of Fear is much more than an album; it’s a vividly painted canvas where dreams and desires for redemption fight against the frustrations of daily life.'
'The stagnant pool, like a drowned coffin, still as a deceased heart, haunting the ghost of the noble crusader...'
Felt's 'The Splendour Of Fear' captures the spirit of 1980s industrial Birmingham through a jangle-pop lens. Driven by Lawrence Hayward's ambitious vision and Maurice Deebank's masterful guitar, the album reflects social struggles and artistic hopes. Its intricate instrumentation and evocative lyrics create a haunting yet compelling atmosphere. Despite critical respect, the band never achieved widespread commercial success. Explore Felt's hauntingly beautiful 'The Splendour Of Fear' and immerse yourself in 80s British indie art rock today!
True Romance is the right meeting point between the overwhelming energy of Quentin’s stories and the dynamism of Tony’s films. Gary Oldman excellently plays the pimp, a fascinating character (scarred face, glass eye, dreadlocks, and Jamaican accent).
True Romance is the right meeting point between the overwhelming energy of Quentin’s stories and the dynamism of Tony’s films.
Gary Oldman excellently plays the pimp, a fascinating character (scarred face, glass eye, dreadlocks, and Jamaican accent).
True Romance, directed by Tony Scott and written by Quentin Tarantino, delivers a dynamic blend of pulp crime elements and vibrant character portrayals. The film’s story of love, violence, and escape benefits greatly from Tarantino’s screenplay and Scott’s energetic directing style. The notable ensemble cast enhances the film’s appeal. Although Scott’s handling is somewhat less refined than Tarantino’s script demands, the final product remains a fresh and compelling classic. Dive into the thrilling world of True Romance—watch the film and experience the unforgettable blend of Tarantino’s writing and Tony Scott’s direction!
"What Equals Love" is stunningly catchy and fresh, perhaps their best track in ten years. ‘Risk To Exist’ is by no means an essential comeback, but at least it allows Smith and company to regain a little vitality.
"What Equals Love" is stunningly catchy and fresh, perhaps their best track in ten years.
‘Risk To Exist’ is by no means an essential comeback, but at least it allows Smith and company to regain a little vitality.
Maxïmo Park's sixth album 'Risk To Exist' marks a partial return to quality after a few disappointing releases. Produced by Tom Schick, it features some strong, catchy tracks reminiscent of their early work. While the album starts promisingly with energetic songs like 'What Did We Do to You to Deserve This?' and 'What Equals Love,' it falters mid-way with several forgettable tracks. Despite the unevenness, moments like 'My Hero' and 'The Reason I Am Here' revive interest, offering hope for the band's future. Discover the highs and lows of Maxïmo Park's 'Risk To Exist'—listen now and judge if it's their best comeback yet!
The clones were created for this purpose, and they know it from birth. Despite the highly dramatic premise, it never falls into sentimentality, never overemphasizes the spectacle of pain.
The clones were created for this purpose, and they know it from birth.
Despite the highly dramatic premise, it never falls into sentimentality, never overemphasizes the spectacle of pain.
Never Let Me Go is a deeply emotional and intense sci-fi drama directed by Mark Romanek. It explores the lives of human clones raised to become organ donors, focusing on themes of love, sacrifice, and resignation. The film is faithful to Kazuo Ishiguro’s novel, highlighting delicate human emotions without excessive sentimentality. Stellar performances and atmospheric production make this a must-watch film. Discover the poignant tale of 'Never Let Me Go'—watch the film and experience its emotional depth today!
"The Only Fun In Town is an absolute masterpiece of the post-punk strand, with characteristics that transcend the genre." "The band builds their banner on decorum and composure, a trademark founded on the most extreme puritanism."
"The Only Fun In Town is an absolute masterpiece of the post-punk strand, with characteristics that transcend the genre."
"The band builds their banner on decorum and composure, a trademark founded on the most extreme puritanism."
Josef K's 1981 album The Only Fun In Town is a seminal post-punk work rooted in minimalism and melodic intensity. Drawing from literary and musical influences, the band created a unique sound that defied genre norms. Tracks like "Fun ‘N’ Frenzy" and "It’s Kinda Funny" showcase their signature nervous guitar and composure. The album stands as a beacon for future post-punk musicians and highlights the band's aversion to mainstream market logic. It captures a golden moment in the brief but influential Postcard Records era. Dive into Josef K's The Only Fun In Town and experience a post-punk classic that still inspires generations.
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