The Red House Painters are Mark Kozelek. Mark Kozelek is a modest anti-star poet who, in the prevailing era of grunge and the return to hard rock, performs an artistic operation of immeasurable value. Following the path opened by Catheads and American Music Club, Kozelek brings attention to the San Francisco scene, doing so while ignoring the frills or clichés of rock that were rampant in the Grunge era.
Basically, this album tells the story of a man irreparably scarred by drugs, loneliness, and depression—a man who cannot even scream, spit, or get angry, and thus he drags himself along, mumbling words and painting his sighs. Down Colorful Hill marks the stride of a new artistic dimension forgotten since the days of Nick Drake, a dimension that rediscovers the dignity of suffering seen from within the human soul. The songs thus become a pretext, not the end, of his work. The lyrics leave no room for a comeback, slipping into the depths of eternal defeat accompanied by few yet incredibly intense guitar notes. A magnificent and precise drumbeat accentuates Kozelek's lament, now destroyed and resigned in his soft chords that stretch for minutes without ever breaking the rhythm.
"24", "Medicine Bottle", "Down Colorful Hill", "Japanese To English", "Lord Kill The Pain", and "Michael" are six magnificent tracks.
I admit this album has bewitched me.
Kozelek pours all his existential pain into his chords and lyrics.
One realizes what a masterpiece it is once its taste is fully savored.
"Mark Kozelek wouldn’t downsize music; he offers humility and well-done music... Down Colorful Hill represents this."
"The album speaks for itself, with a fluid stream of consciousness that lives within the listener well beyond the last note."