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Damn little frog fart, you are outdoing yourself and pulling out something not even Elly Schlein on acid. I can’t breathe, the sky is falling, my tongue is on fire...
Damn little frog fart, you are outdoing yourself and pulling out something not even Elly Schlein on acid.
I can’t breathe, the sky is falling, my tongue is on fire...
This review explores Made Out of Babies' album Trophy, focusing on the intense and chaotic energy driven by singer Julie Christmas. It highlights the poetic and rhetorical nature of the lyrics, comparing them to a unique 'butterfly alphabet' that obscures meaning yet washes over the listener emotionally. The reviewer also reflects on the artist's vulnerability beneath her powerful delivery, creating a deeply personal connection. Overall, the album is praised for its combination of chaos and harmony. Explore the raw power and poetic chaos of Made Out of Babies' Trophy—listen now and experience its intense emotion firsthand.
Rashomon becomes the most fascinating 'Rubik’s Cube' cinema has ever offered, capable of satisfying both the grandiose needs of the masses and the needs of the soul and intellectual acrobats. It is a quest for mystery through a series of different, even contradictory, testimonies that relativize to the point of deeply questioning the concept of truth.
Rashomon becomes the most fascinating 'Rubik’s Cube' cinema has ever offered, capable of satisfying both the grandiose needs of the masses and the needs of the soul and intellectual acrobats.
It is a quest for mystery through a series of different, even contradictory, testimonies that relativize to the point of deeply questioning the concept of truth.
Akira Kurosawa's Rashomon is a landmark film that revolutionized cinematic narrative by presenting contradictory perspectives on truth. Adapted from medieval stories by Ryunosuke Akutagawa, it showcases exceptional direction and acting, especially by Toshiro Mifune. The film's intricate storytelling and dynamic camera work create a complex mystery that has influenced generations of filmmakers. Its success launched Kurosawa’s international fame and opened Western audiences to Japanese cinema. Explore the timeless mystery and groundbreaking storytelling of Rashomon—watch this cinematic classic today!
"Night tree bark, knives born from rust whisper the names, the time, and the hearts." "Fresh as the oblivion poppy the mouth that kisses it."
"Night tree bark, knives born from rust whisper the names, the time, and the hearts."
"Fresh as the oblivion poppy the mouth that kisses it."
This review explores Paul Celan's poetry as a spectral and evocative work filled with themes of solitude and eternity. The reviewer highlights Celan’s vivid imagery and symbolic language, presenting Poesia as an art form that demands reflection. The review is concise and poetic, inviting thoughtful appreciation. Dive into Paul Celan's evocative poetry and uncover the haunting beauty of his timeless verses.
A sound does not refer to anything but itself. Indeed, a sound does not refer. A sound simply is. The programmatically ordered music of the second is the human attempt to harness and translate what was free and original in the first. And, simply, "does not work".
A sound does not refer to anything but itself. Indeed, a sound does not refer. A sound simply is.
The programmatically ordered music of the second is the human attempt to harness and translate what was free and original in the first. And, simply, "does not work".
Jason Lescalleet's 'Songs About Nothing' is a complex, two-disc album exploring abstract and fragmented sound art. The first disc features chaotic, lo-fi, glitch-rich electroacoustic textures, while the second presents a more structured yet elusive soundscape incorporating field recordings and a Depeche Mode fragment. The album challenges traditional music interpretation, emphasizing sound's existence beyond human mediation with philosophical undertones inspired by Nietzsche. Dive into the abstract world of Jason Lescalleet's 'Songs About Nothing'—experience avant-garde soundscapes that challenge perception.
Strange Dreams after a longer-than-usual night, confused memories, glasses of Dry Martini and lots of ice, an otherworldly beautiful nymph, dark-haired and ice-eyed. A resounding silence replied to this question. Obscured by reverbs of amber pop in the style of Deerhunter, by the minimal and artisanal sound of Califone.
Strange Dreams after a longer-than-usual night, confused memories, glasses of Dry Martini and lots of ice, an otherworldly beautiful nymph, dark-haired and ice-eyed.
A resounding silence replied to this question. Obscured by reverbs of amber pop in the style of Deerhunter, by the minimal and artisanal sound of Califone.
Alex Calder's Strange Dreams is an evocative indie pop album steeped in layered, atmospheric soundscapes inspired by Deerhunter, Califone, and 4AD’s darkest wave. The review paints a poetic picture of the album's haunting mood, filled with nostalgic illusions and cinematic reflections. It captures the listener's imagination through vivid metaphors and a dreamy emotional tone. Overall, the album is praised for its unique blend of melancholia and immersive sound design. Dive into Alex Calder's Strange Dreams and immerse yourself in a haunting indie pop journey filled with poetic nostalgia and dreamy soundscapes.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels. Like looking into a heart of darkness.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels.
Like looking into a heart of darkness.
Distorted Pony's Punishment Room delivers a vicious and immersive noise rock experience. Sharp, metallic guitars and overloaded rhythms create an intense atmosphere. The album balances harsh soundscapes with melodic hints and precise rhythms. Steve Albini's production enhances the raw brutality while maintaining clarity. The record stands out as a dark, emotional journey, reminiscent of the underground noise scene. Dive into Punishment Room and experience the searing noise rock crafted by Distorted Pony and Steve Albini today!
The mausoleum of the hero’s physical courage shatters in front of the chains of the will to power. Finally, justice applied to human flesh is necrosis where the amputation of the Divine arrives inevitably.
The mausoleum of the hero’s physical courage shatters in front of the chains of the will to power.
Finally, justice applied to human flesh is necrosis where the amputation of the Divine arrives inevitably.
This review offers a poetic and philosophical interpretation of Omero's Iliade, focusing on the complex nature of heroism, justice, and human frailty. It reflects on the iconic characters and tragic themes while acknowledging the enduring power of the epic. The language is metaphorical and thoughtful, engaging deeply with the text’s symbolic and cultural meanings. The reviewer rates the work modestly, appreciating its depth but highlighting its challenging nature. Dive into Omero's Iliade and uncover the timeless struggles of heroism and human nature through this profound epic.
The march that opens and closes the composition... is the first march ever written for a funeral. It sounds like something irrevocable, sudden. Like death, indeed.
The march that opens and closes the composition... is the first march ever written for a funeral.
It sounds like something irrevocable, sudden. Like death, indeed.
This review delves into Henry Purcell's Funeral Music for Queen Mary, highlighting its historic performance at Westminster Abbey. Purcell's composition, noted as possibly more profound than Mozart's funeral music, blends powerful brass and tender choral voices. The piece's groundbreaking funeral march and Purcell's unique baroque style are explored, alongside the emotional and atmospheric qualities tied to its gothic setting. Discover the haunting elegance of Purcell’s Funeral Music—listen and immerse yourself in this historic baroque masterpiece today.
Amanda, already the androgynous muse of Dalí’s art androgyny, with her perpetual Sphinx-like presence that continuously triggers the little question inside us. Tam-tam-produces a new situation in the landscape of easy-listening music, elevating everything towards cultured-wild shores where the rhythmic carnival of bunga-bunga is concrete.
Amanda, already the androgynous muse of Dalí’s art androgyny, with her perpetual Sphinx-like presence that continuously triggers the little question inside us.
Tam-tam-produces a new situation in the landscape of easy-listening music, elevating everything towards cultured-wild shores where the rhythmic carnival of bunga-bunga is concrete.
Amanda Lear’s Tam-Tam is celebrated as a Mediterranean masterpiece in the Italo disco genre, elevating 1980s disco with cultured and sensual rhythms. The review highlights Lear’s unique androgynous muse image and the album’s sophisticated synth-pop style. The work stands in contrast to Anglo-Saxon disco, emphasizing Italian creativity and cultural depth. Overall, the album is praised for its hypnotic allure and artistic boldness. Dive into Amanda Lear’s Tam-Tam and experience the hypnotic rhythms and timeless Italo disco charm today!
I can affirm with absolute certainty and without any margin of error that good old Fabbri... is really him: one of the heroes of my childhood: the missing Lurch from The Addams Family! I sat through these almost two hours of tangled proto-political-war-like discussions... solely to carry out an ongoing check on a fact that has been gnawing away at my mind for a long time now.
I can affirm with absolute certainty and without any margin of error that good old Fabbri... is really him: one of the heroes of my childhood: the missing Lurch from The Addams Family!
I sat through these almost two hours of tangled proto-political-war-like discussions... solely to carry out an ongoing check on a fact that has been gnawing away at my mind for a long time now.
The review humorously recounts the author's attendance at Dario Fabbri's challenging geopolitics lecture. Despite initial confusion about the topic, the author appreciates Fabbri's vast knowledge, sharp irony, and engaging delivery. Booking early secured a front-row seat, enhancing the experience. Ultimately, Fabbri's personality and expertise stood out, earning the author's admiration. Discover Dario Fabbri's captivating geopolitics lecture—read the full review and dive into world affairs with wit and knowledge!
The end is not a defeat. You don’t cry, just smile. The monster dies but it dies still hungry—it's had its fill of lives.
The end is not a defeat. You don’t cry, just smile.
The monster dies but it dies still hungry—it's had its fill of lives.
This review reflects on the poetic and contemplative nature of Alessandro Aronadio's Era Ora, focusing on themes of finality and acceptance. The film is described as ending with bittersweet emotions, urging not to cry but to smile at the close. The review appreciates the subtle emotions conveyed, though it remains measured in overall enthusiasm. Discover the poetic closure of Era Ora—explore this emotional journey today.
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road." "I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road."
"I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
This review offers a raw and unvarnished perspective on Valentino Zeichen's poetry collection 'Poesie (1963-2014),' revealing frustration and distrust towards the poetic form. The reviewer expresses a complex relationship with poetry, feeling deceived by the poet's style yet deeply engaged by the experience. Zeichen is portrayed as a mysterious figure whose work challenges traditional expectations. Overall, the review communicates a personal and conflicted response rather than objective praise. Discover the raw emotions behind Valentino Zeichen's poetry—read the review and experience the tension yourself.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable. ‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable.
‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
This review recounts the memorable yet infamous 1993 Sanremo Festival performance by Maria Grazia Impero with her rock song 'Tu con la mia amica.' The review highlights the clash between her raw rock style and the traditional Italian festival atmosphere, resulting in an awkward and controversial moment. Despite the song’s flaws and bizarre presentation, her effort is noted as an unforgettable piece of Sanremo history. The context also outlines the festival’s atmosphere and key personalities of the era. Discover the unforgettable and quirky side of Sanremo history—read about Maria Grazia Impero’s legendary 1993 performance now!
The garage is the only 'genre' that doesn’t need novelties... it would be complete heresy. Basic garage, just three of them making wonderful chaos, solid rhythm section more than right and the guitar sound willingly venturing vs Stoner alla Monster Magnet.
The garage is the only 'genre' that doesn’t need novelties... it would be complete heresy.
Basic garage, just three of them making wonderful chaos, solid rhythm section more than right and the guitar sound willingly venturing vs Stoner alla Monster Magnet.
The Maggots' debut album Get Hooked! is praised for its raw and spontaneous garage rock sound. The reviewer finds it a perfect escape from daily struggles, full of catchy choruses and wild energy. The album channels classic punk vibes with a modern twist and solid musicianship. Despite its 2001 release, it sounds fresh and engaging. Highly recommended for fans of garage and punk music looking for authentic, lively music. Listen to The Maggots' Get Hooked! and dive into a wild garage rock ride now!
Thanks to Last.fm, however, a great tool that tracks listening habits and provides interesting statistics, it’s possible to create a general—not just musical—overview. Caught them by sheer luck this summer in Bari. You know the concert that becomes an occasion to delve deeply into discographies and the post-live euphoria effect?
Thanks to Last.fm, however, a great tool that tracks listening habits and provides interesting statistics, it’s possible to create a general—not just musical—overview.
Caught them by sheer luck this summer in Bari. You know the concert that becomes an occasion to delve deeply into discographies and the post-live euphoria effect?
The review reflects on a personal journey through the most played songs of 2022, highlighting tracks from various genres like indie rock, punk, and electronic music. Using tools like Last.fm, the author connects memories and emotions to each song and artist. Notable mentions include Suede, Chemical Brothers, Pennywise, and Keane among others, with personal anecdotes enriching the experience. The album serves as a diverse snapshot of meaningful music throughout the year. Explore these top tracks of 2022 and rediscover the sounds that shaped the year’s musical landscape!
Bobby Joe Long’s Friendship Party are a narcissistic personality disorder, they are a ghost band with dark and raw, repetitive, hypnotic nursery rhymes, and live they manifest like ectoplasms. Straight to hell on the Capitoline night. I come from nothing and towards nothing I swiftly journey, darkness is my cradle, the dress code of the pervert.
Bobby Joe Long’s Friendship Party are a narcissistic personality disorder, they are a ghost band with dark and raw, repetitive, hypnotic nursery rhymes, and live they manifest like ectoplasms.
Straight to hell on the Capitoline night. I come from nothing and towards nothing I swiftly journey, darkness is my cradle, the dress code of the pervert.
Bobby Joe Long's Friendship Party delivers a dark, hypnotic blend of synthpunk and gothic-inspired electronic music rooted in the gritty atmosphere of Rome East. The album interweaves themes of alienation, crime, and surreal storytelling with complex musical references spanning punk to synthwave. Its raw, repetitive, and eerie style captures both discomfort and sentimentality. Richly textured and evocative, it channels an unsettling yet compelling mood for listeners craving exploratory and underground sounds. Dive into the dark, haunting world of Bobby Joe Long's Friendship Party and experience Rome East's raw synthpunk at its best!
Miles hits hard too, but in a silent way. This album from '71 is tough and hot, raw, awkward, and frayed, like a long electric sweat.
Miles hits hard too, but in a silent way.
This album from '71 is tough and hot, raw, awkward, and frayed, like a long electric sweat.
This review draws parallels between Jack Johnson's historic boxing career and Miles Davis' powerful 1971 album. The music is described as raw, tough, and full of electric energy, blending jazz and rock elements. It highlights the album's intense and frayed sound, showcasing Davis' unique and quiet genius. Dive into Miles Davis' electrifying tribute—listen now and experience raw jazz fusion genius!
The album pushes the subject to cross unmoved sonic boundaries with a rough heart, intolerant to the most backward indulgences. A clear feeling of space-time estrangement, almost as if witnessing a show from the second decade of the last half of the past century, clashing complementarily with truly synthetic sounds.
The album pushes the subject to cross unmoved sonic boundaries with a rough heart, intolerant to the most backward indulgences.
A clear feeling of space-time estrangement, almost as if witnessing a show from the second decade of the last half of the past century, clashing complementarily with truly synthetic sounds.
This review analyzes Depeche Mode's Songs of Faith and Devotion as a layered and complex work combining electronic execution with traditional compositional forms. It highlights the album's ability to push sonic boundaries while reflecting on artistic challenges and audience reception. Despite its challenging nature, the work is praised for its postmodern approach and deep emotional textures. The review conveys a deep appreciation for the creative risks and the nuanced musical synthesis presented. Dive into the rich and complex soundscape of Depeche Mode's Songs of Faith and Devotion and experience its timeless artistic depth.
Bleach is a masterpiece because it has a punk attitude, but it’s heavier, hits the right spot at the right time without style. The hatred Kurt screamed I internalized, idealized, scrutinized like a lover, and in the end, I had almost forgotten how much it represented for me.
Bleach is a masterpiece because it has a punk attitude, but it’s heavier, hits the right spot at the right time without style.
The hatred Kurt screamed I internalized, idealized, scrutinized like a lover, and in the end, I had almost forgotten how much it represented for me.
The review reflects a deep emotional connection to Nirvana's Bleach, emphasizing its raw, unpolished sound and punk spirit. It highlights Kurt Cobain's vulnerability and the album's themes of rage and self-destruction. Despite its roughness, Bleach is praised as a crucial, liberating grunge record. The author reconnects with the album's powerful impact after many years, validating its lasting legacy. Dive into the raw power of Nirvana's Bleach and feel the gritty emotion of grunge's defining early sound.
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