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Damn little frog fart, you are outdoing yourself and pulling out something not even Elly Schlein on acid. I can’t breathe, the sky is falling, my tongue is on fire...
Damn little frog fart, you are outdoing yourself and pulling out something not even Elly Schlein on acid.
I can’t breathe, the sky is falling, my tongue is on fire...
This review explores Made Out of Babies' album Trophy, focusing on the intense and chaotic energy driven by singer Julie Christmas. It highlights the poetic and rhetorical nature of the lyrics, comparing them to a unique 'butterfly alphabet' that obscures meaning yet washes over the listener emotionally. The reviewer also reflects on the artist's vulnerability beneath her powerful delivery, creating a deeply personal connection. Overall, the album is praised for its combination of chaos and harmony. Explore the raw power and poetic chaos of Made Out of Babies' Trophy—listen now and experience its intense emotion firsthand.
Rashomon becomes the most fascinating 'Rubik’s Cube' cinema has ever offered, capable of satisfying both the grandiose needs of the masses and the needs of the soul and intellectual acrobats. It is a quest for mystery through a series of different, even contradictory, testimonies that relativize to the point of deeply questioning the concept of truth.
Rashomon becomes the most fascinating 'Rubik’s Cube' cinema has ever offered, capable of satisfying both the grandiose needs of the masses and the needs of the soul and intellectual acrobats.
It is a quest for mystery through a series of different, even contradictory, testimonies that relativize to the point of deeply questioning the concept of truth.
Akira Kurosawa's Rashomon is a landmark film that revolutionized cinematic narrative by presenting contradictory perspectives on truth. Adapted from medieval stories by Ryunosuke Akutagawa, it showcases exceptional direction and acting, especially by Toshiro Mifune. The film's intricate storytelling and dynamic camera work create a complex mystery that has influenced generations of filmmakers. Its success launched Kurosawa’s international fame and opened Western audiences to Japanese cinema. Explore the timeless mystery and groundbreaking storytelling of Rashomon—watch this cinematic classic today!
"Night tree bark, knives born from rust whisper the names, the time, and the hearts." "Fresh as the oblivion poppy the mouth that kisses it."
"Night tree bark, knives born from rust whisper the names, the time, and the hearts."
"Fresh as the oblivion poppy the mouth that kisses it."
This review explores Paul Celan's poetry as a spectral and evocative work filled with themes of solitude and eternity. The reviewer highlights Celan’s vivid imagery and symbolic language, presenting Poesia as an art form that demands reflection. The review is concise and poetic, inviting thoughtful appreciation. Dive into Paul Celan's evocative poetry and uncover the haunting beauty of his timeless verses.
‘What kind of people are these... Humans, you say, what kind of primitive and incoherent people are they if they end up using kitchen means for... for...’ ‘And yet the effect is indescribably beautiful, I don’t even know why, but it’s... beautiful, here.’
‘What kind of people are these... Humans, you say, what kind of primitive and incoherent people are they if they end up using kitchen means for... for...’
‘And yet the effect is indescribably beautiful, I don’t even know why, but it’s... beautiful, here.’
This unique review of Giorgio Moroder’s album ‘From Here to Eternity’ uses a cosmic, surreal narrative to explore the impact of synthesizer music through the lens of alien beings. Mixing poetic references to Dante and imaginative sci-fi storytelling, it reflects both admiration and bemusement towards human creativity. The rating is moderate, emphasizing the beauty and strangeness of the music rather than straightforward critique. Dive into the cosmic world of Giorgio Moroder’s synth masterpiece — listen now and experience ‘From Here to Eternity’ like never before!
The improbable manifests itself with the simplicity of the everyday. The art of zoom to assert: "heard up close, everything is a world".
The improbable manifests itself with the simplicity of the everyday.
The art of zoom to assert: "heard up close, everything is a world".
Steve Roden and Machinefabriek's Lichtung is a richly textured ambient album that explores field recordings through a refined electroacoustic lens. The album balances episodic variety with intimate coherence, offering haunting and soothing sound narratives. Roden's circular, natural soundscapes contrast with Machinefabriek's more dramatic, tension-filled passages. Their collaboration highlights the art of close listening, revealing mysterious sonic worlds hidden in everyday sounds. Explore Lichtung and dive into the mesmerizing world of intimate ambient soundscapes by Steve Roden & Machinefabriek.
"Thought Gang is ultimately a Spiritual Commando that tends to isolationism and psychic communication." "In the chaos of noise are hidden all the potential sounds that can become music."
"Thought Gang is ultimately a Spiritual Commando that tends to isolationism and psychic communication."
"In the chaos of noise are hidden all the potential sounds that can become music."
Thought Gang's self-titled album offers a challenging but rewarding fusion of industrial noise, dissonant jazz, and spoken word. The music explores themes of destruction, chaos, and existential decay through experimental soundscapes and unconventional vocals. Drawing comparisons to Tom Waits and Naked City, the band embraces noise as a creative force while provoking listeners to rethink conventional beauty. This album is a deep dive into a darkly surreal world that demands focused listening. Dive into the dissonant world of Thought Gang—listen now and explore a unique sonic journey through noise and jazz.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels. Like looking into a heart of darkness.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels.
Like looking into a heart of darkness.
Distorted Pony's Punishment Room delivers a vicious and immersive noise rock experience. Sharp, metallic guitars and overloaded rhythms create an intense atmosphere. The album balances harsh soundscapes with melodic hints and precise rhythms. Steve Albini's production enhances the raw brutality while maintaining clarity. The record stands out as a dark, emotional journey, reminiscent of the underground noise scene. Dive into Punishment Room and experience the searing noise rock crafted by Distorted Pony and Steve Albini today!
The world is a computer. I am a number. My body? Do I still have a body? Am I still my body? It’s the end of the world, let’s get comfortable, relax, and enjoy its death.
The world is a computer. I am a number. My body? Do I still have a body? Am I still my body?
It’s the end of the world, let’s get comfortable, relax, and enjoy its death.
The review presents Kraftwerk's Electric Cafe as a neo-futuristic, minimalist electronic album featuring nonstop technopop rhythms and industrial sounds. It explores themes of human and machine hybridization, existentialism, and the mechanization of society. The tone is reflective and philosophical, highlighting music as both a political and artistic flow. While stylistically evocative, the review offers a balanced view with a mid-level rating. Dive into Kraftwerk's Electric Cafe and experience the future of electronic music today.
No one but Eric Clapton could confer class upon the assault without sacrificing its anger and fury. It’s the only document of its era that allows people to hear what a true club 'crave up' sounded like at the time.
No one but Eric Clapton could confer class upon the assault without sacrificing its anger and fury.
It’s the only document of its era that allows people to hear what a true club 'crave up' sounded like at the time.
This review delves into the 1975 Yardbirds compilation featuring Eric Clapton during his tenure with the band. It highlights the band's vibrant live performances in the 1960s London club scene, their energetic blues and R&B covers, and Clapton’s early guitar style. The reviewer appreciates the historic importance of the recordings despite imperfect sound quality, emphasizing the album’s role in documenting a raw and formative period of British blues rock. The review also places the band and album firmly within the cultural and social dynamics of 1960s Britain. Discover the roots of British blues rock — listen to the Eric Clapton & The Yardbirds collection now!
The march that opens and closes the composition... is the first march ever written for a funeral. It sounds like something irrevocable, sudden. Like death, indeed.
The march that opens and closes the composition... is the first march ever written for a funeral.
It sounds like something irrevocable, sudden. Like death, indeed.
This review delves into Henry Purcell's Funeral Music for Queen Mary, highlighting its historic performance at Westminster Abbey. Purcell's composition, noted as possibly more profound than Mozart's funeral music, blends powerful brass and tender choral voices. The piece's groundbreaking funeral march and Purcell's unique baroque style are explored, alongside the emotional and atmospheric qualities tied to its gothic setting. Discover the haunting elegance of Purcell’s Funeral Music—listen and immerse yourself in this historic baroque masterpiece today.
Behind the vaguely "Smithsian" cover lies a treasure chest of gems that reveal unexpected loves. "Unless" is a kind of bossa nova, leaden and suspended, with the trumpet epically in the background.
Behind the vaguely "Smithsian" cover lies a treasure chest of gems that reveal unexpected loves.
"Unless" is a kind of bossa nova, leaden and suspended, with the trumpet epically in the background.
Pale Fountains' debut album Pacific Street, released in 1984, is praised for its beautiful blend of 60s pop influences and ethereal, unique melodies. Despite receiving critical acclaim, the album did not achieve commercial success. The review highlights the talent of frontman Michael Head and the band's connection to notable influences like Burt Bacharach and Arthur Lee. The band’s later struggles and evolution into Shack are also briefly noted. Listen to Pale Fountains' Pacific Street and uncover the timeless charm of this overlooked classic.
"Which band on their first record could host David Sylvian and Steve Howe and start an album with a rhythmic and hypnotic song, using Poe’s ‘Dream Within a Dream’ as lyrics? These guys aren’t normal, they’ll become huge!" "Now the cassette is yours, you are my sister and you my brother, even if you are Genoese..."
"Which band on their first record could host David Sylvian and Steve Howe and start an album with a rhythmic and hypnotic song, using Poe’s ‘Dream Within a Dream’ as lyrics? These guys aren’t normal, they’ll become huge!"
"Now the cassette is yours, you are my sister and you my brother, even if you are Genoese..."
This review of Propaganda's 1985 album A Secret Wish blends a passionate account of the band's innovative synthpop sound with a deeply personal narrative involving friendship, trauma, and resilience. The author recalls characters from youth, reflecting on their struggles, while highlighting the album's artistic impact. Claudia Brücken's distinctive voice and the presence of notable guests like David Sylvian and Steve Howe underscore the album's uniqueness. Ultimately, the review connects music to vivid memories and emotional healing. Dive into Propaganda's A Secret Wish — listen, feel the 80s synthwave magic, and discover the unforgettable story behind the music.
The end is not a defeat. You don’t cry, just smile. The monster dies but it dies still hungry—it's had its fill of lives.
The end is not a defeat. You don’t cry, just smile.
The monster dies but it dies still hungry—it's had its fill of lives.
This review reflects on the poetic and contemplative nature of Alessandro Aronadio's Era Ora, focusing on themes of finality and acceptance. The film is described as ending with bittersweet emotions, urging not to cry but to smile at the close. The review appreciates the subtle emotions conveyed, though it remains measured in overall enthusiasm. Discover the poetic closure of Era Ora—explore this emotional journey today.
Space is just noise as much as the time of 'SpaceisOnlyNoise' is marked only by sounds. A kind of nebulous ambient-pop hovers, a controlled, oblique, remote melancholy where even brief minimalist sketches are fundamental pieces of the narrative continuum.
Space is just noise as much as the time of 'SpaceisOnlyNoise' is marked only by sounds.
A kind of nebulous ambient-pop hovers, a controlled, oblique, remote melancholy where even brief minimalist sketches are fundamental pieces of the narrative continuum.
Nicolas Jaar's debut album 'Space Is Only Noise' is praised for its intricate blend of ambient, downtempo, and indie-pop sounds, creating a hypnotic and melancholic atmosphere. The review highlights the album's cohesion, experimental nature, and emotional resonance, comparing its narrative to an enchanting cityscape or cinematic experience. Jaar's artistry is celebrated as transformative and unique, making this album a standout in electronic music. Dive into the hypnotic world of Nicolas Jaar's 'Space Is Only Noise'—listen now for an unforgettable ambient experience.
Vladislav Delay has the gift of being able to tell stories based solely on the environmental details of makeshift urban cross-sections. The four long sketches of Entain speak of just as many Dubliners in frantic search of epiphanies after sunset has activated a certain sixth sense in them.
Vladislav Delay has the gift of being able to tell stories based solely on the environmental details of makeshift urban cross-sections.
The four long sketches of Entain speak of just as many Dubliners in frantic search of epiphanies after sunset has activated a certain sixth sense in them.
The review praises Vladislav Delay’s Entain for its evocative, nocturnal soundscapes painted with pure electronic elements. It highlights the album's narrative depth and calls it a masterful representation of urban environments after dark. The reviewer relates the music to tangible, sensory experiences and compares its style favorably with other experimental artists. Despite a complex and reflective tone, the album is celebrated as an exquisite electronic work worth exploring. Dive into Vladislav Delay’s Entain and experience the captivating stories woven through pure electronic soundscapes after dark.
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road." "I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road."
"I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
This review offers a raw and unvarnished perspective on Valentino Zeichen's poetry collection 'Poesie (1963-2014),' revealing frustration and distrust towards the poetic form. The reviewer expresses a complex relationship with poetry, feeling deceived by the poet's style yet deeply engaged by the experience. Zeichen is portrayed as a mysterious figure whose work challenges traditional expectations. Overall, the review communicates a personal and conflicted response rather than objective praise. Discover the raw emotions behind Valentino Zeichen's poetry—read the review and experience the tension yourself.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable. ‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable.
‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
This review recounts the memorable yet infamous 1993 Sanremo Festival performance by Maria Grazia Impero with her rock song 'Tu con la mia amica.' The review highlights the clash between her raw rock style and the traditional Italian festival atmosphere, resulting in an awkward and controversial moment. Despite the song’s flaws and bizarre presentation, her effort is noted as an unforgettable piece of Sanremo history. The context also outlines the festival’s atmosphere and key personalities of the era. Discover the unforgettable and quirky side of Sanremo history—read about Maria Grazia Impero’s legendary 1993 performance now!
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