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Damn little frog fart, you are outdoing yourself and pulling out something not even Elly Schlein on acid. I can’t breathe, the sky is falling, my tongue is on fire...
Damn little frog fart, you are outdoing yourself and pulling out something not even Elly Schlein on acid.
I can’t breathe, the sky is falling, my tongue is on fire...
This review explores Made Out of Babies' album Trophy, focusing on the intense and chaotic energy driven by singer Julie Christmas. It highlights the poetic and rhetorical nature of the lyrics, comparing them to a unique 'butterfly alphabet' that obscures meaning yet washes over the listener emotionally. The reviewer also reflects on the artist's vulnerability beneath her powerful delivery, creating a deeply personal connection. Overall, the album is praised for its combination of chaos and harmony. Explore the raw power and poetic chaos of Made Out of Babies' Trophy—listen now and experience its intense emotion firsthand.
Rashomon becomes the most fascinating 'Rubik’s Cube' cinema has ever offered, capable of satisfying both the grandiose needs of the masses and the needs of the soul and intellectual acrobats. It is a quest for mystery through a series of different, even contradictory, testimonies that relativize to the point of deeply questioning the concept of truth.
Rashomon becomes the most fascinating 'Rubik’s Cube' cinema has ever offered, capable of satisfying both the grandiose needs of the masses and the needs of the soul and intellectual acrobats.
It is a quest for mystery through a series of different, even contradictory, testimonies that relativize to the point of deeply questioning the concept of truth.
Akira Kurosawa's Rashomon is a landmark film that revolutionized cinematic narrative by presenting contradictory perspectives on truth. Adapted from medieval stories by Ryunosuke Akutagawa, it showcases exceptional direction and acting, especially by Toshiro Mifune. The film's intricate storytelling and dynamic camera work create a complex mystery that has influenced generations of filmmakers. Its success launched Kurosawa’s international fame and opened Western audiences to Japanese cinema. Explore the timeless mystery and groundbreaking storytelling of Rashomon—watch this cinematic classic today!
"Night tree bark, knives born from rust whisper the names, the time, and the hearts." "Fresh as the oblivion poppy the mouth that kisses it."
"Night tree bark, knives born from rust whisper the names, the time, and the hearts."
"Fresh as the oblivion poppy the mouth that kisses it."
This review explores Paul Celan's poetry as a spectral and evocative work filled with themes of solitude and eternity. The reviewer highlights Celan’s vivid imagery and symbolic language, presenting Poesia as an art form that demands reflection. The review is concise and poetic, inviting thoughtful appreciation. Dive into Paul Celan's evocative poetry and uncover the haunting beauty of his timeless verses.
Jack is a saint who fits well in hell and the devils are all his friends. Singapore is the side effect of a dream. Port of an army of saints.
Jack is a saint who fits well in hell and the devils are all his friends.
Singapore is the side effect of a dream. Port of an army of saints.
Saint Jack, directed by Peter Bogdanovich, offers a poetic and gritty glimpse into 1970s Singapore’s nightlife and underworld. Centered on Jack Flowers, a complex American running a brothel, the film blends raw realism with elegiac storytelling. The review highlights the evocative atmosphere, social context, and Ben Gazzara’s unforgettable performance. A unique, nonconformist film bridging New Hollywood with an ethnographic narrative. Discover the haunting beauty and grime of 1970s Singapore through Saint Jack’s unforgettable story and atmosphere. Watch now!
A sound does not refer to anything but itself. Indeed, a sound does not refer. A sound simply is. The programmatically ordered music of the second is the human attempt to harness and translate what was free and original in the first. And, simply, "does not work".
A sound does not refer to anything but itself. Indeed, a sound does not refer. A sound simply is.
The programmatically ordered music of the second is the human attempt to harness and translate what was free and original in the first. And, simply, "does not work".
Jason Lescalleet's 'Songs About Nothing' is a complex, two-disc album exploring abstract and fragmented sound art. The first disc features chaotic, lo-fi, glitch-rich electroacoustic textures, while the second presents a more structured yet elusive soundscape incorporating field recordings and a Depeche Mode fragment. The album challenges traditional music interpretation, emphasizing sound's existence beyond human mediation with philosophical undertones inspired by Nietzsche. Dive into the abstract world of Jason Lescalleet's 'Songs About Nothing'—experience avant-garde soundscapes that challenge perception.
"Thought Gang is ultimately a Spiritual Commando that tends to isolationism and psychic communication." "In the chaos of noise are hidden all the potential sounds that can become music."
"Thought Gang is ultimately a Spiritual Commando that tends to isolationism and psychic communication."
"In the chaos of noise are hidden all the potential sounds that can become music."
Thought Gang's self-titled album offers a challenging but rewarding fusion of industrial noise, dissonant jazz, and spoken word. The music explores themes of destruction, chaos, and existential decay through experimental soundscapes and unconventional vocals. Drawing comparisons to Tom Waits and Naked City, the band embraces noise as a creative force while provoking listeners to rethink conventional beauty. This album is a deep dive into a darkly surreal world that demands focused listening. Dive into the dissonant world of Thought Gang—listen now and explore a unique sonic journey through noise and jazz.
Strange Dreams after a longer-than-usual night, confused memories, glasses of Dry Martini and lots of ice, an otherworldly beautiful nymph, dark-haired and ice-eyed. A resounding silence replied to this question. Obscured by reverbs of amber pop in the style of Deerhunter, by the minimal and artisanal sound of Califone.
Strange Dreams after a longer-than-usual night, confused memories, glasses of Dry Martini and lots of ice, an otherworldly beautiful nymph, dark-haired and ice-eyed.
A resounding silence replied to this question. Obscured by reverbs of amber pop in the style of Deerhunter, by the minimal and artisanal sound of Califone.
Alex Calder's Strange Dreams is an evocative indie pop album steeped in layered, atmospheric soundscapes inspired by Deerhunter, Califone, and 4AD’s darkest wave. The review paints a poetic picture of the album's haunting mood, filled with nostalgic illusions and cinematic reflections. It captures the listener's imagination through vivid metaphors and a dreamy emotional tone. Overall, the album is praised for its unique blend of melancholia and immersive sound design. Dive into Alex Calder's Strange Dreams and immerse yourself in a haunting indie pop journey filled with poetic nostalgia and dreamy soundscapes.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels. Like looking into a heart of darkness.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels.
Like looking into a heart of darkness.
Distorted Pony's Punishment Room delivers a vicious and immersive noise rock experience. Sharp, metallic guitars and overloaded rhythms create an intense atmosphere. The album balances harsh soundscapes with melodic hints and precise rhythms. Steve Albini's production enhances the raw brutality while maintaining clarity. The record stands out as a dark, emotional journey, reminiscent of the underground noise scene. Dive into Punishment Room and experience the searing noise rock crafted by Distorted Pony and Steve Albini today!
The world is a computer. I am a number. My body? Do I still have a body? Am I still my body? It’s the end of the world, let’s get comfortable, relax, and enjoy its death.
The world is a computer. I am a number. My body? Do I still have a body? Am I still my body?
It’s the end of the world, let’s get comfortable, relax, and enjoy its death.
The review presents Kraftwerk's Electric Cafe as a neo-futuristic, minimalist electronic album featuring nonstop technopop rhythms and industrial sounds. It explores themes of human and machine hybridization, existentialism, and the mechanization of society. The tone is reflective and philosophical, highlighting music as both a political and artistic flow. While stylistically evocative, the review offers a balanced view with a mid-level rating. Dive into Kraftwerk's Electric Cafe and experience the future of electronic music today.
The mausoleum of the hero’s physical courage shatters in front of the chains of the will to power. Finally, justice applied to human flesh is necrosis where the amputation of the Divine arrives inevitably.
The mausoleum of the hero’s physical courage shatters in front of the chains of the will to power.
Finally, justice applied to human flesh is necrosis where the amputation of the Divine arrives inevitably.
This review offers a poetic and philosophical interpretation of Omero's Iliade, focusing on the complex nature of heroism, justice, and human frailty. It reflects on the iconic characters and tragic themes while acknowledging the enduring power of the epic. The language is metaphorical and thoughtful, engaging deeply with the text’s symbolic and cultural meanings. The reviewer rates the work modestly, appreciating its depth but highlighting its challenging nature. Dive into Omero's Iliade and uncover the timeless struggles of heroism and human nature through this profound epic.
The march that opens and closes the composition... is the first march ever written for a funeral. It sounds like something irrevocable, sudden. Like death, indeed.
The march that opens and closes the composition... is the first march ever written for a funeral.
It sounds like something irrevocable, sudden. Like death, indeed.
This review delves into Henry Purcell's Funeral Music for Queen Mary, highlighting its historic performance at Westminster Abbey. Purcell's composition, noted as possibly more profound than Mozart's funeral music, blends powerful brass and tender choral voices. The piece's groundbreaking funeral march and Purcell's unique baroque style are explored, alongside the emotional and atmospheric qualities tied to its gothic setting. Discover the haunting elegance of Purcell’s Funeral Music—listen and immerse yourself in this historic baroque masterpiece today.
The album is a masterpiece of inestimable and indescribable value. No artist will ever be so clear in describing the feelings and sensations experienced throughout life.
The album is a masterpiece of inestimable and indescribable value.
No artist will ever be so clear in describing the feelings and sensations experienced throughout life.
This review praises Suorah's second studio album 'Only Me' as a diverse and emotionally powerful work. It highlights standout tracks that mix reggaeton, dance, and EDM while exploring themes of fame, media scrutiny, and female empowerment. The reviewer expresses strong admiration for Suorah's talent and personal storytelling. The album is described as a groundbreaking and underappreciated masterpiece. Listen to Suorah's 'Only Me' and experience a fresh take on pop with emotional depth and irresistible beats!
Amanda, already the androgynous muse of Dalí’s art androgyny, with her perpetual Sphinx-like presence that continuously triggers the little question inside us. Tam-tam-produces a new situation in the landscape of easy-listening music, elevating everything towards cultured-wild shores where the rhythmic carnival of bunga-bunga is concrete.
Amanda, already the androgynous muse of Dalí’s art androgyny, with her perpetual Sphinx-like presence that continuously triggers the little question inside us.
Tam-tam-produces a new situation in the landscape of easy-listening music, elevating everything towards cultured-wild shores where the rhythmic carnival of bunga-bunga is concrete.
Amanda Lear’s Tam-Tam is celebrated as a Mediterranean masterpiece in the Italo disco genre, elevating 1980s disco with cultured and sensual rhythms. The review highlights Lear’s unique androgynous muse image and the album’s sophisticated synth-pop style. The work stands in contrast to Anglo-Saxon disco, emphasizing Italian creativity and cultural depth. Overall, the album is praised for its hypnotic allure and artistic boldness. Dive into Amanda Lear’s Tam-Tam and experience the hypnotic rhythms and timeless Italo disco charm today!
Music Terminal, although with the same improvisation-based process, proves to be more polished, thoughtful, and mature, touching upon results that are visionary. An irrepressible expressive will free from constraints in conjunction with an innate originality and a strong personality, for an anti-self-indulgent album with neither head nor tail.
Music Terminal, although with the same improvisation-based process, proves to be more polished, thoughtful, and mature, touching upon results that are visionary.
An irrepressible expressive will free from constraints in conjunction with an innate originality and a strong personality, for an anti-self-indulgent album with neither head nor tail.
Music Terminal by Francesco "G" is a mature and visionary avant-garde album that refines his previous work with introspective and extrospective tones. It combines free-folk, electronic, and psychedelic elements with clever post-production effects, such as reversed recordings, to create a unique hypnotic atmosphere. Though sometimes raw and unpolished, the album grows in appeal with each listen, showcasing a bold artistic personality and original musical expression. Discover Francesco "G"’s Music Terminal – a daring, hypnotic blend of folk, electronics, and psychedelia that rewards repeated listens.
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The review text for Romance's album FADE INTO YOU is not provided. The available rating is an average 3 out of 5 stars. Please check back later for a full review. Check back soon for the full review of Romance's FADE INTO YOU album!
I can affirm with absolute certainty and without any margin of error that good old Fabbri... is really him: one of the heroes of my childhood: the missing Lurch from The Addams Family! I sat through these almost two hours of tangled proto-political-war-like discussions... solely to carry out an ongoing check on a fact that has been gnawing away at my mind for a long time now.
I can affirm with absolute certainty and without any margin of error that good old Fabbri... is really him: one of the heroes of my childhood: the missing Lurch from The Addams Family!
I sat through these almost two hours of tangled proto-political-war-like discussions... solely to carry out an ongoing check on a fact that has been gnawing away at my mind for a long time now.
The review humorously recounts the author's attendance at Dario Fabbri's challenging geopolitics lecture. Despite initial confusion about the topic, the author appreciates Fabbri's vast knowledge, sharp irony, and engaging delivery. Booking early secured a front-row seat, enhancing the experience. Ultimately, Fabbri's personality and expertise stood out, earning the author's admiration. Discover Dario Fabbri's captivating geopolitics lecture—read the full review and dive into world affairs with wit and knowledge!
The end is not a defeat. You don’t cry, just smile. The monster dies but it dies still hungry—it's had its fill of lives.
The end is not a defeat. You don’t cry, just smile.
The monster dies but it dies still hungry—it's had its fill of lives.
This review reflects on the poetic and contemplative nature of Alessandro Aronadio's Era Ora, focusing on themes of finality and acceptance. The film is described as ending with bittersweet emotions, urging not to cry but to smile at the close. The review appreciates the subtle emotions conveyed, though it remains measured in overall enthusiasm. Discover the poetic closure of Era Ora—explore this emotional journey today.
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road." "I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road."
"I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
This review offers a raw and unvarnished perspective on Valentino Zeichen's poetry collection 'Poesie (1963-2014),' revealing frustration and distrust towards the poetic form. The reviewer expresses a complex relationship with poetry, feeling deceived by the poet's style yet deeply engaged by the experience. Zeichen is portrayed as a mysterious figure whose work challenges traditional expectations. Overall, the review communicates a personal and conflicted response rather than objective praise. Discover the raw emotions behind Valentino Zeichen's poetry—read the review and experience the tension yourself.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable. ‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable.
‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
This review recounts the memorable yet infamous 1993 Sanremo Festival performance by Maria Grazia Impero with her rock song 'Tu con la mia amica.' The review highlights the clash between her raw rock style and the traditional Italian festival atmosphere, resulting in an awkward and controversial moment. Despite the song’s flaws and bizarre presentation, her effort is noted as an unforgettable piece of Sanremo history. The context also outlines the festival’s atmosphere and key personalities of the era. Discover the unforgettable and quirky side of Sanremo history—read about Maria Grazia Impero’s legendary 1993 performance now!
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