First off, I'm pissed, so I'll review an angry album.
Rummaging through the shelves, I come across this work by RATM; let me reiterate, I don't give a damn if it's already been reviewed. I'll do a live review. Once again, I don't remember anything about this CD.
Here I am, inserting the CD pressing the play button:
- TESTIFY: "the usual RATM, powerful sound, dizzying riffs but nothing new."
- GUERRILLA RADIO: "well... Morello's riff surprises me, enjoyable, funk-inspired guitar tone... Zack in great form as angry as ever... cool."
- CLAM LIKE A BOMB (my track): "nice bass intro, Morello performs his usual 'absurd' but unreachable guitar sound... whatchya say watchya say whaaa!!"
- MIC CHECK: "oh god... I'm speechless... is this RATM? great great song! Gut-wrenching bass, they sound like they're playing wrapped in plastic in some department store's condom section! Wait... love these sounds... it's them yes the BEST!!"
- SLEEP NOW IN THE FIRE: "Here we go again with the hefty riff and the bass behind, oh my what drum hits... here Zack is even angrier... but they're so great, I like them too much... THE NINA, THE PINTA, THE SANTA MARIAAA!!"
- BORN OF A BROKEN MAN: "Ohh finally after the noise a bit of calm... oh no... nevermind, here we go again with the slams, but this time they seem really heavy, and I imagine Tom's smirk playing yet another big riff... lower lip tucked under the lower teeth... and his little guitar played at sternum height (how the hell does he do it??) another gem."
- BORN AS GHOSTS: "I like the title, so far the most 'acid' track but not the best... but it's really building up... especially the bass that seems to be screaming because it wants to get out of something, I don't know what it is...".
- MARIA: "What's this siren?... oh Tom's guitar, right I forgot for a moment that he makes his guitar do everything except what it was born for... this one is nice too."
- VOICE OF THE VOICELESS: "It seems like I'm listening to a band from the legendary and unrepeatable 70s... this riff drives me crazy, but I get angrier and angrier so I stop."
The last three tracks I can't listen to because I risk violently throwing something against the wall.
Ultimately a great album, with the only question mark being the last three tracks which... who knows... maybe they're the best ones... but I don't care.
Now I'm super angry, but RATM are still my favorite band in the genre... how can I deny it?
Let me read it again; bleah... what the hell did I write?? Nani publish it anyway!!
"With this mic device i spit nonfiction. Who got tha power this be my question. Tha mass of tha few in this torn nation? Tha priest tha book or tha congregation?"
Tracklist Lyrics and Videos
01 Clear the Lane (03:49)
Hey yo!
Let me be front
This is real and not a stunt
I'm comin' to the forefront
Shovel for the rapper and clear the lane
'Cos this jam is like a tomahawk chop
Teach ya I'll never stop droppin' topics
Vocal power?
(a)yes I got it
On central but their trying to clamp it down
Flag was waving the wrong way so I shot it...down!
Get down, and at the same time...
Come up...down!
This is a crime that shut us up
I don't give a fuck
'Cos the words and the thoughts still hit
And like I said
It's not a skit
Jump another hit
Yeah
Ya know I don't need a drum kit
Make 'em say awwww shit!
The rebellion is true and legit
Down! Get down!...and clear the lane
Down! Get down!...and clear the lane
Down! Get down!...and clear the land
Down! Get down!...yeah!
The rebel
You'll never disable
Defiance
With the cards upon the table
Pulling cards
Keep the governements in check
Yo!
I think we need a new deck
Never could trust a phillabusta'
The mic is like a fist and it'll bust ya
With words cold hittin' with the underground
And now you're checkin' out the new sound
Live hit
A live pop
Live rock
And ya don't stop
It goes on and on and on
Who's a threat?
C'mon, the war is on!
Down! Get down!...and clear the lane
Down! Get down!...and clear the lane
Down! Get down!...and clear the lane
Down! Get down!...and clear the lane
(guitar solo)
Start droppin'
Our words are never safe
Fighting myself
'Till I'm where I gotta be
I challange, don't sweat it
Now don't you forget it
Check me? What? Wait
You better slow down!
Realize I can't confine my rhyme to a beat
I need cash so when I'm cool I'm never ever weak
Places are fluid and diluted and complete
Check me once, calm down and take a seat
Strip the chains the freedom's there but then it's gone!
Ugh...clear the lane
Ugh...clear the lane
Ugh...clear the lane
Ugh...clear the lane
Defiance
Rippin' up the south set
Every time I'm grippin' the mic it is a sound threat
Resist against the suckers that bring the bass in
Timmy C
Bring that bass in!
Ugh...clear the lane
Ugh...clear the lane
Ugh...clear the lane
Ugh...clear the lane
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By puntiniCAZpuntini
This was the most commercially political accurate move in music history, let's say a 'Trojan horse' for the Billboard (in a good sense).
With this last work... my admiration for Zack has increased... Zack has always said that RATM is not a band, they are the RAGE AGAINST THE MACHINE, and the music is secondary.