[Note: This review refers to music tracks downloaded (illegally?) from the net that may not correspond to those that will be released with the album]
Here I am with my first review stemming from an initial listen to the 14 tracks of "Hail To The Thief," the new work by Radiohead.
In a word, the album seems simply FANTASTIC to me (perhaps because of the anticipation?); it seems they have abandoned the somewhat overly experimental sounds of Kid A and Amnesiac, to return to the sounds of Ok Computer (in some pieces, I even seemed to hear even more distant echoes, like "The Bends").
Some tracks struck me more than others, and among these I cite "2+2=5", "Sit Down Stand Up" an excellent crescendo, "Sail To The Moon" (tearjerker), "Where I End And You Begin" (great rhythmic backdrop and exceptional voice), "We Suck Young Blood", "There There" (among their best songs ever), "A Wolf At The Door".
To close, I would just like to emphasize how I liked this CD on the first listen, unlike the previous ones, for which I had to wait 1000 plays to fully appreciate them: I hope this greater "immediacy" does not then translate into less depth. In any case, as an avid fan that I am, I can only be extremely satisfied with their work.
Have you ever woken up with the absolute conviction that you had a beautiful dream?
This is Music. ...don’t come to talk to me about intellectualism for its own sake or excessive experimentation, because the dream is mine.
When I listen to 2+2=5 (The Lukewarm) I feel Radiohead’s hysteria rewritten in a way I couldn’t have imagined.
A Wolf At The Door ... the most beautiful song of the album, if not of their history, in my humble opinion.
"It's incredible how in a three-and-a-half-minute track like 2+2=5, the band manages to incorporate three radical tempo changes without clashing."
"The lyrics, even if incomprehensible in parts, show Thom’s talent as a writer, depicting a world that seems a symbiosis of our own and Orwellian dystopia."
"The album blends the psychedelic and expansive atmospheres of 'OK Computer' with the less linear and more electronic ones of 'Kid A'."
"I’m faced with a complete work, rich in emotions, ideas, implications, and capable of provoking thoughts and reflections."
A meeting point between the anguished melody of 'Ok Computer' and the 'cryptic' experimentalism of 'Kid A'.
A resolute and utopian rebellion against the current state of affairs, against the mystification of reality operated by politicians and mass media.