You are not logged in
The ones that come after a huge screwing: unpleasant sense of violation, disgust, grave disappointment leading to anger. Villains is a pop album, even well-packaged... the pathetic attempts at self-convincing by an old fool who doesn't want to resign himself to the idea that one of his favorite bands has produced yet another well-packaged crap.
The ones that come after a huge screwing: unpleasant sense of violation, disgust, grave disappointment leading to anger.
Villains is a pop album, even well-packaged... the pathetic attempts at self-convincing by an old fool who doesn't want to resign himself to the idea that one of his favorite bands has produced yet another well-packaged crap.
Read the full review to discover why Villains might not live up to Queens of the Stone Age’s legendary reputation.
Villains is intelligently brief, sonically very compact and is perhaps the band’s most focused album since Songs For The Deaf. "The Evil Has Landed" is by far the best track of the album: a mini-suite journey through hard rock, pop, and psychedelia.
Villains is intelligently brief, sonically very compact and is perhaps the band’s most focused album since Songs For The Deaf.
"The Evil Has Landed" is by far the best track of the album: a mini-suite journey through hard rock, pop, and psychedelia.
Dive into Villains and experience Queens of the Stone Age’s vibrant blend of alt-rock and funk—listen now and explore their finest work since Songs For The Deaf!
Ohibò! Quest’opera non è in nessuna classifica. Perchè non usare l’apposito pulsante qui sotto?
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.
