The musical group Queen is (or rather was) one of the few bands, capable of spanning different musical realms, not only in the scope of their career but, in my opinion, also within individual albums, offering diverse track lists that ranged from the typical early seventies rock to the burgeoning "Disco/Funky" trends of the late seventies (see "Jazz" on the ninth track "Fun It").

Indeed, the band could be classified in many ways, such as: Rock, Glam Rock, Hard Rock, Progressive Rock with tendencies toward classic British Metal; not to mention the various soundtracks they ventured into and performed for different films, by the British band and others: (B. May composed the soundtracks for the first two films in the "MAD MAX" trilogy on his own).

But let's get to the point, this remains, in my opinion, the album marking the first real turning point for Queen towards the rock that would truly make them famous. In fact, it's worth noting that this work departs significantly from the first four albums, where a truly somber, circus-like, monothematic atmosphere prevailed with syncopated, almost suffocating rhythms, closely tied to the introspective/religious journeys of the singer "Freddy Mercury"; not allowing much space, in my opinion, for the "artistic release" of the rest of the band members (This might be one of the band's very few flaws, given that the figure of the leader "F. Mercury" almost always overshadowed the other members of the British band until the end of their career. The pinnacle of this style can be found in the albums: "A Night At The Opera & A Day At The Races", where aside from a few masterpieces among these two albums, they won't be remembered for much else; the albums "Queen I & II" are far superior!).

"Sheer Heart Attack" is characterized by very powerful and melodic Hard Rock tracks at the same time, allowing them to be classified as precursors of future Heavy Metal; see "Brighton Rock & Stone Cold Crazy" (the latter, a track to which even Metallica dedicated a very powerful cover). The track "Killer Queen" remains one of the best-selling singles in the English music scene, the rest of the album is very particular and eccentric as a whole, also highlighting the track list "Bring Back That Leroy Brown"; which takes us back with its sounds to the legendary 20s/30s. Meanwhile, "She Makes Me" is a very emphasized and well-executed cover of a semi-unknown group; of which I unfortunately can't recall the name at the moment (but you can see for yourselves by purchasing the album and looking under the tracklist title; if you already own it, so much the better).

An entirely recommended album, then, for those seeking the more rocking and less sentimental or commercial side of "Queen"!

Tracklist Lyrics and Videos

01   Brighton Rock (05:11)

02   Killer Queen (03:01)

So sad her eyes
Smiling dark eyes
So sad her eyes
As it began

On such a breathless night as this
Upon my brow the lightest kiss
I walked alone
And all around the air did say
My lady soon will stir this way
In sorrow known
The White Queen walks and the night grows pale
Stars of lovingness in her hair

Needing - unheard
Pleading - one word
So sad my eyes
She cannot see

How did thee fare, what have thee seen
The mother of the willow green
I call her name
And 'neath her window have I stayed
I loved the footsteps that she made
And when…

My Goddess, hear my darkest fear
I speak too late
It's for evermore that I wait

Dear friend goodbye
No tears in my eyes
So sad it ends
As it began

03   Tenement Funster (02:47)

My new purple shoes
Bein' amazin' the people next door
And my rock'n'roll forty fives
Bein' enragin' the folks on the lower floor

I got a way with the girls on my block
Try my best to be a real individual
And when we go down to smokies and rock
They line up like it's some kind of ritual

Oh give me a good guitar
And you can say that my hair's a disgrace
Or just find me an open car
I'll make the speed of light outa this place

I like the good things in life
But most of the best things ain't free
It's the same situation just cuts like a knife
When you're young and you're poor and you're crazy
Young and you're crazy...

Oh give me a good guitar
And you can say that my hair's a disgrace
Or just find me an open car
I'll make the speed of light outa this place

04   Flick of the Wrist (03:18)

Dislocate your spine if you don't sign
He says I'll have you seeing double
Mesmerize you when he's tongue tied
Simply with those eyes ooh
Synchronize your minds and see
The beast within him rise

Don't look back don't look back
It's a rip off
Flick of the wrist and you're dead baby
Blow him a kiss and you're mad
Flick of the wrist he'll eat your heart out
A dig in the ribs and then a kick in the head
He's taken an arm and taken a leg
All this time honey baby you've been had

Intoxicate your brain with what I'm sayin'
If not you'll lie in knee deep trouble
Prostitute yourself he says
Castrate your human pride ooh
Sacrifice your leisure days
Let me squeeze you 'till you've dried

Don't look back don't look back
It's a rip off

Work my fingers to my bones
I scream with pain I still make no impression
Seduce you with his money make machine
Cross collateralise big time money money
Reduce you to a muzak fake machine
Then the last goodbye

Flick of the wrist and you're dead baby
Blow him a kiss and you're mad
Flick of the wrist he'll eat your heart out
A dig in the ribs and then a kick in the head
He's taken an arm and taken a leg
All this time honey baby you've been had

05   Lily of the Valley (01:45)

Words and music by Freddie Mercury

I am forever searching high and low
But why does everybody tell me no
Neptune of the seas an answer for me please
The lily of the valley doesn't know

I lie in wait with open eyes
I carry on thru' stormy skies
I follow ev'ry course my kingdom for a horse
But each time I grow old
Serpent of the Nile relieve me for a while
And cast me from your spell and let me go

Messenger from seven seas has flown
To tell the king of Rhye he's lost his throne
Wars will never cease
Is there time enough for peace?
The lily of the valley doesn't know

06   Now I'm Here (04:15)

07   In the Lap of the Gods (03:23)

08   Stone Cold Crazy (02:17)

09   Dear Friends (01:09)

10   Misfire (01:50)

Words and music by John Deacon

Don't you misfire fill me up
With the desire to carry on
Don't you know honey that love's a game
It's always a hit or miss
So take your aim
Got to hold on tight
Shoot me out of sight
Don't you misfire fill me up
With the desire to carry on

Don't you misfire fill me up
With the desire to carry on
Your gun is loaded
And pointing my way
There's only one bullet
So don't delay
Got to time it right
Fire me through the night
Come on take a shot
Fire me higher
Don't you miss this time
Please don't misfire
Misfire

11   Bring Back That Leroy Brown (02:16)

Words and music by Freddie Mercury

Bring back bring back bring back that Leroy Brown Yeah!
Bring back bring back gotta ring that Leroy Brown Yeah!

Bet your bottom dollar bill you're a playboy Yeah Yeah!
Daddy cool with a ninety dollar smile (ooh Yeah)
Took my money out of gratitude
And he git right out of town
Well I gotta getty up steady up shoot him down
Gotta hit that latitude babe

Bring back bring back bring back that Leroy Brown Yeah!
Bring back bring back gotta ring that Leroy Brown Yeah!

Big bad Leroy Brown he got no common sense
No no he got no brains but he sure gotta lotta style
Can't stand no more in this here jail
I gotta rid myself of this sentence
Gotta get out of the heat step into the shade
Gotta get me there dead or alive babe

Wooh wooh big bad Leroy
Wooh wooh wooh wooh
Big bad Leroy Brown

Bring back bring back bring back that Leroy Brown Yeah!
Bring back bring back gotta bring back Leroy Brown Yeah!

Big mama Lulu Belle she had a nervous breakdown
She had a nervous breakdown
Leroy's taken her honey chile away
But she met him down at the station Oohoo
Put a shotgun to his head and unless I be mistaken
This is what she said

Big bad big boy big bad Leroy Brown
I'm gonna get that cutie pie
Bring back bring back bring back that Leroy Brown Yeah!
Big bad caused a mighty fine sensation Yeah Yeah!
Gone and got himself elected President
We want Leroy for President

Next time you gotta hit a bitty baddy weather
This time like a shimmy shammy leather
He's a big boy bad boy Leroy
I don't care where you get him from
Bring that big bad Leroy back
Want him back

12   She Makes Me (Stormtrooper in Stilettos) (04:10)

13   In the Lap of the Gods... Revisited (03:46)

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Other reviews

By francis

 "Sheer Heart Attack takes me back to my 14 years, entering high school, my first awkward attempts with girls, the first youthful identity crises."

 "If there's an example to best describe what rock'n'roll was in 1974 and what was happening in London in those years, nothing works better than Sheer Heart Attack."


By Tony Montana

 Queen decisively change direction with 'Sheer Heart Attack', laying the foundations of rock and the Queen style that would make the group famous worldwide!

 Brian May’s solo prowess— in this case superb—offering a thrilling performance, where the Red Special seems to converse with itself.


By Walterstarman1

 "Sheer Heart Attack remains nevertheless a beautiful album that... relies on its 'team player,' that is 'Killer Queen' and its assist-man 'Now I'm Here.'"

 "It's a somewhat controversial album... made of high peaks but hallucinating style slides."


By Workhorse

 Live at the Rainbow ’74 is a powerful double album that collects two concerts by the early Queen at London’s Rainbow Theatre.

 Fans of early Queen or seventies hard rock in general will find a treat for their ears.