"Now Is The Time!", Polysics.

Necessary ingredients:

  • About ten lysergic acids
  • Fake Ray-Ban sunglasses, strictly counterfeit
  • A large label with J-Pop written on it
  • Any edition of Super Mario or, alternatively, Pacman
  • At least five or six records from Devo
  • A guitar
  • A bass
  • A drum
  • A synthesizer adorned with sloppy graffiti
  • Salt and pepper
  • A blender

Go up to the attic, the one you filled a while ago with old childhood memories now worn and obsolete. Dig through the junk and pull out something useful: a cassette for Nintendo's Super Mario, for example... or, if you're allergic to the cheerful Italian/American plumber, opt for the yellow ghost-eater candy-monster-dot-pill of good old Pacman. Since you're there, rummage a bit through the old vinyls and come out with a few LPs of Devo, the cybernetic/American band you always made fun of, but secretly liked.

Now go down to the basement. Grab all the musical instruments you come across, without distinctions or preferences. Whatever you find, you find. Keep a special eye on the synthesizer: it should be strange, unusual, out of the ordinary.

You can now return to the kitchen. Take off those lousy fake Ray-Ban sunglasses, which you've been wearing until now. Quickly gather that pack of acids your drugged-up neighbor gave you a couple of days ago. As you grab the salt and pepper, remember that J-Pop sticker you bought earlier.

Now, you're ready. Throw all these ingredients in a state-of-the-art blender, hit the max speed and sit on a chair to admire the incredible spectacle coming out. Among flashes of light, more or less suspicious noises, and sudden accelerations, the final result takes shape at the bottom of the glowing contraption. It's nothing more than a regular music CD, with a cover featuring four Japanese guys dressed in a red apron, complete with stroboscopic glasses. Ladies and gentlemen, I present to you one of the most twisted bands in the recent Japanese scene: the Polysics!

It's simply about grasping the concept and, once understood, playing along with the joke. This "Now Is The Time!", the band's fourth album, released in 2006 under the Tofu label, is nothing more than a varied, grand, labyrinth-like virtual plaything, easy to get lost in, drown in, or even worse, become irretrievably disoriented in. It's a continuous diversion that, depending on your perspective, falls into the pretentious or rises to the mocking and irreverent.

It is nevertheless obvious to emphasize that it is certainly not an album for everyone, given the sharp and distinctive sound and the great wealth of musical influences (and often citations). In the noisy punk of the frenetic "Tei! Tei! Tei!" (Melt Banana style), with a little patience, you can find a Pacman of the 2000s, complete with a mohawk and studs, thrown randomly among a multitude of electronic connectors. Or again, the cybernetic geometry of the single "I My Me Mine," which from nonsense rhyme knows how to mold itself into a sort of crooked and distorted klezmer, thanks to a flute that magically appeared for some unknown reason. And how can we not mention the utterly deviant "Ah-Yeah!!", a dissonant psychedelic ride filled with gurgling noise, halfway between the serious and the playful?

The vast sonic field that shapes the acoustic features of Polysics is at times truly irritating and unbearable, almost unsustainable: this is the case with the constant default state of "Walky Talky," mixing cold and childish electronics with vocal lines recalling the best episodes of the Californian Locust, or the southern splashes that taint the -too- artificial "Toisu!". The strokes of brilliance do exist, undoubtedly: ranging from the military march, halfway between punk and ska, of "Boy's Head," a perfect transfiguration in the Far East of the Ramones, to the hallucinogenic screen, complete with glam metal solo, of "The Next World" (another strong reminder of Devo). Not to mention the gem of the entire work, "Wild One," a sonic ride à la Blondie, accompanied by a slow and cadenced singing that feels at home in front of a campfire. Made of pixels, of course.

But what could be a truly enjoyable CD, with some "extremism" -quotation marks mandatory- becoming, in a few moments, a decent CD with some excessive "extremism" and some truly needless, if not harmful, songs. The western/cartoon parody of "Oh! Monaliza" (there's even Heidi's yodel) does not achieve the desired humorous effect, and does nothing but mock the band's potential. But even the electrolyte hisses of "Baby Bias" and the energy of the prophetic "Skip It," when listened to together with their companions, prove to be ultimately self-serving.

Whoever had the luck not to lose their sanity during this short trip can thus give a final judgment on this "Now Is The Time!". The feeling is of having witnessed something relatively beautiful, objectively unique, but certainly, albeit slightly, not indispensable. Too much eagerness to overdo, too many mistakes, too much presumption? It's uncertain. The only sure thing is that the Polysics are out of their minds, they are perfectly aware of it, and they're proud of it. Without too many thoughts.

Tracklist Lyrics and Videos

01   Tei! Tei! Tei! (02:35)

1.2.3.go! TOTTE TOTTE
1.2.3.BO! NOTTE NOTTE
How do you say How do you TEI
Sotokara hajimari Tsunagaru TEI

Warhead(Tei!)
Moment(Tei!)
Pick Up(Tei!)
I don't know why(Tei!)
Motion(Tei!)
Contortion(Tei!)
3.2.1.say YO Tei! Tei! Tei!

1.2.3.shoot! YOTTE YOTTE
1.2.3.new! NOTTE NOTTE
What do you say What do you TEI
Don't worry round about UZUMAKU TEI

1.2.3.rock! SOTTE SOTTE
1.2.3.rock! SONDE SONDE
HAKKYO SURU TEI TAIKAN SURU TEI
SOKOKARA HAJIMARI UNAGASU TEI

Tei! Tei! Tei!

02   シーラカンス イズ アンドロイド (02:48)

03   I My Me Mine (03:14)

I my me mine, I my me mine...
You your you yours, You your you yours...
He his him his, He his him his...
She her her her, She her her hers...

I my me mine, I my me mine...
They their them theirs, They their them theirs...
People people people...
We our we our us, We our we our us...

ヘイヘイロックンロールマニュアル
レッスンレッスンマニュアル
コマーシャルアルバム
ザッツメローゥヘイ!!

04   Ah-Yeah!! (03:09)

サンセットカラスストリートの方を右に曲がって左
大使館を越えた辺りで無効の角を東
区学長理想と違うセゾン
律動回転浮かぶセゾン

ギッ・ギッ・ギッ・ギッ(ギッ・ギッ・ギッ・ギッ)
リツ・リツ・リツ・リツ(リツ・リツ・リツ・リツ)
再現アダージョひとつとこよいはリタルダント
回転しながら登場しますとバレエ

Ah-Yeah! Uh-Yeah! Oh-Yeah!!

ゲンズブール氏からそう峠を越えたら南
大気圏のそのまた向こうに大声出して左
クラクション・デポットながりメソッド
フィクション改定本当うらむメソッド

ギッ・ギッ・ギッ・ギッ(ギッ・ギッ・ギッ・ギッ)
ギス・ギス・ギス・ギス(ギス・ギス・ギス・ギス)
毎年バンジョーひとつを5人でリトル・テンポ
婚約してから上京しますとマネー

Ah-Yeah! Uh-Yeah! Oh-Yeah!!

WestGatePark from I・KE・BU・KU・RO
I can not fly Can you fly? Yes!
ヒュールーリラらールルルールールー
エレクトロニックのサーカス

Go!!

05   Walky Talky (03:08)

情報みづらい Wave sensor
Talk Talk しづらい 愛嬌ですかな?

盗聴しづらい Talk censor
Talk talk言いづらい 愛情ですかな?

80 mile is twice the world
but 10 feet tall
10 feet tall
front of house
how far? how long?
better hurry
I'm gonna! I'm gonna! WALKY TALKY! WALKY TALKY!
WALKY TALKY! WALKY TALKY!

状況みづらい フォーク(ソング)ナンバー
ジョークジョークしづらい 胎教ですかな?

80 mile is twice the world
but 10 feet tall
10 feet tall
black crow
in the house
better hurry
I'm gonna! I'm gonna! WALKY TALKY! WALKY TALKY!
WALKY TALKY! WALKY TALKY!

06   Wild One (03:11)

I'm a red-hot fox. I can take the knocks
I'm a hammer from hell. Honey, can't you tell?
I'm the wild one. Yes, I'm the wild one
I'm a touched-up freak on a winning streak
I'm gonna own this town. You can't hold me down
I'm the wild one. Yes, I'm the wild one

Well it ain't no use. Turn me loose
More...more...I can't keep score

I've got my head screwed on, and the days are gone
When you kept me down, and you pushed me 'round
I'm the wild one. Yes, I'm the wild one

I'm a blue-eyed bitch and I wanna get rich
Get out of my way 'cause I'm here to stay
I'm the wild one. Yes, I'm the wild one
Well it ain't no use. Turn me loose
More...more...I can't keep score...YEAH!
Well it ain't no use. Turn me loose
More...more...I can't keep score

I'm a red-hot fox. I can take the knocks
I'm a hammer from hell. Honey, can't you tell?
I'm the wild one. Yes, I'm the wild one
I'm a touched-up freak on a winning streak
I'm gonna own this town. You can't hold me down
I'm the wild one. Yes, I'm the wild one

07   Rack Rack (02:21)

08   Toisu! (02:13)

09   Boy's Head (03:09)

My Father igai to Bob Marie
Warau New Feeling, ya-ya-ya-ya-ya-ya
Sazukatta midori no Copy Machine
Yowatteru, atama itai sou

Karukatta igai to Funky Magic
Tomaru You Like Music, ma-ma-ma-ma-ma-ma
Hamukatta midori no Copy Machine
Optimism, Future, Starry Bright

Whatever, Whenever, What Is In The Boy's Head
He Comes, He Goes, No Matter What I Say
Whatever, Whenever, Please Don't Touch The Boy's Head
What's Wrong? Come on!

Hashiga igai to Rosemary
Sakebu nyuuinhi, da-da-da-da-da-da
Marumatta hitori no kojinmari
Dou natteru, atama hiya sou

Kounatta igai wa Talking Magic
Somaru jyuunin, fuu~
Yagate jidai wa kotesaki
Optimism, Future, Starry Bright

Whatever, Whenever, What Is In The Boy's Head
He Comes, He Goes, No Matter What I Say
Whatever, Whenever, Please Don't Touch The Boy's Head
What's Wrong? Come on!

My Father igai to...

10   Oh! Monaliza (03:02)

11   Jhout (02:50)

12   The Next World (02:58)

13   Skip It (03:48)

waiting... for a good thing
meaning... to talk with you
waiting... for a good thing
trying... to make sense

I'm saying a little too loudly
just now, I've changed my mind

I don't care 'bout much
always on the go
you are gonna go all the way
for days too long
always on the go
you are gonna go all the way

waiting... for a good thing
meaning... to talk with you
waiting... for a good thing
trying... to make sense

I just don't get it,
right now I've changed my mind

I don't care 'bout much
always on the go
you are gonna go all the way
for days too long
no never say slow
your limits never here to stay

skip it

14   Baby BIAS (02:54)

One Two Three Four!

Boku no Supiikaa Waido
Omake ni moratta Rajio
Matataku Suicchion Awaseru Sutaato
Hashigo de utatte Taimingu

Yusurarete tatakarete
Mainasudoraibaa Docchigade
Boku no Supiikaa Waido
Tataite Yoroshiku ne

Beibii Baiasu Beibii Baiasu
Beibii Baiasu Beibii Baiasu

Kousou Biru kara Ochiruyo!

Bokura no Suriipointo kurashi Netto
Okage de yuzutta Marion
Kagayaku Supiidoon Tsukareru Sumaato
Hanabi ni utsutta Aajion

Yusurarete tatakarete
Mainasudoraibaa docchigade
Bokura no Suriipointo kurashi Netto
Tataite moratte ne

Beibii Baiasu Beibii Baiasu
Beibii Baiasu Beibii Baiasu

Housoukyoku kara Ochiruyo!

Beibii Baiasu Beibii Baiasu
Beibii Baiasu Beibii Baiasu

Kousou Biru kara

Kousou Biru kara Ochiruyo!

Bokura no Supiikaa Waido
Omake ni moratta Rajio
Matataku Suicchion awaseru Sutaato
Hashigo de utatte Taimingu

15   Bye-Bye-Bye (02:41)

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