Cover of Pink City Designing Women
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For fans of pink city, lovers of post-punk and industrial noise, and listeners who enjoy intense, experimental music.
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THE REVIEW

Ziocan©!

These guys are really scāry.

Ten cataclysms in the name of a chaotic para-noise, post-punk, pre-industrial catastrophist that dismembers the limbs and depletes the ears.

This is a roaring tungsten monolith in perpetual collision between the industrial apocalyptic nature of Godflesh, the ruthless clarity of Unsane, the absurd nebulosity of Crash Worship, and the rustic danceability of the primordial Cop Shoot Cop.

Some, amidst the pandemonium, even hear His Holiness Michael Gira: I don't really, but those are nuances. The literally "blown-out" recording further contributes to making the basaltic casting even more naive.

Album of the year.

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Summary by Bot

Pink City's album Designing Women delivers a harsh and chaotic mix of post-punk and industrial noise. The reviewer describes it as a powerful collision of influences, ranging from Godflesh to Cop Shoot Cop, creating an apocalyptic soundscape. Despite a rough, blown-out recording, it achieves a raw, primal energy. The album is hailed as a standout release deserving of recognition.

Pink City

Described in reviews as a chaotic para-noise, post-punk and pre-industrial act; critics compare the sound to Godflesh, Unsane, Crash Worship and Cop Shoot Cop.
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