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The extremization of the concept of free improvisation, the almost metaphysical violence of inaudible sounds devoid of any harmonization and any aesthetics of beauty, everything in these grooves sounds ugly and for this damnably fascinating, the goal of this collective seems to be to push desperately beyond the boundaries of antimusicality, a proposal that throws the listener into the mazes of a sonic holocaust made up of strangled winds, violated pianos, devoured guitars and annihilated percussions. Discover the review
The extremization of the concept of free improvisation, the almost metaphysical violence of inaudible sounds devoid of any harmonization and any aesthetics of beauty, everything in these grooves sounds ugly and for this damnably fascinating, the goal of this collective seems to be to push desperately beyond the boundaries of antimusicality, a proposal that throws the listener into the mazes of a sonic holocaust made up of strangled winds, violated pianos, devoured guitars and annihilated percussions.
Peter Brotzmann, active for more than forty years in the field of the most chaotic and dissonant free jazz, has not lost his characteristic style that has made him one of the leading exponents of the European movement. Discover the review
Peter Brotzmann, active for more than forty years in the field of the most chaotic and dissonant free jazz, has not lost his characteristic style that has made him one of the leading exponents of the European movement.
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