You are not logged in
The lineup, devoid of Massimo Zamboni, now proposes a sort of world music that takes on sounds and rhythms entirely unusual for the band and its audience. Ferretti’s hieratic voice no longer finds the counterpoint of the guitarist’s abrasive, unbalanced, and improvised sound, but only keyboards, keyboards, keyboards.
The lineup, devoid of Massimo Zamboni, now proposes a sort of world music that takes on sounds and rhythms entirely unusual for the band and its audience.
Ferretti’s hieratic voice no longer finds the counterpoint of the guitarist’s abrasive, unbalanced, and improvised sound, but only keyboards, keyboards, keyboards.
Discover the full review and explore P.G.R.'s challenging evolution in this live album.
Ohibò! Quest’opera non è in nessuna classifica. Perchè non usare l’apposito pulsante qui sotto?
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.
