Beatles-like album? Up to a point...
Paul McCartney returns in 2005 with "Chaos And Creation In The Backyard", an album characterized by Macca's return to complete composition and performance of the tracks. It's not full of masterpieces though, rather it's a collection of good tracks, except for two or three that truly leave something to be desired. But let's go in order...
The CD opens with "Fine Line", the first single released, which seems to be over forty years old, as it genuinely sounds like a new Beatles song in both duration (just over three minutes) and rhythm. "How Kind Of You" has nothing to do with the opening track. A piece that forms very slowly, it ends up being repetitive and at times boring. In "Jenny Wren", the melodies change radically: McCartney disconnects all the instruments from the power and begins an Unplugged style, creating a sense of autumnal sadness, perfect for this time, an atmosphere that won't change in "At The Mercy", one of the most beautiful tracks on this record, capable of involving you to the core.
"Friends To Go" seems like another song by the Fab Four, while "English Tea" is almost a minuet.
"Too Much Rain" is an autumnal piece, with which he picks up the melancholy left on the road previously and doesn’t abandon it in "A Certain Softness". "Riding To Vanity Fair" is the worst track on the album, repetitive and boring, which doesn’t align with the rest of the CD. "Follow Me" is a good track, while "Promise To You Girl" picks up the more cheerful and carefree sounds of "Fine Line", abandoned in "This Never Happened Before", another excellent piece for rainy evenings. "Anyway" is the classic final track played on the piano that takes shape as seconds pass and still somewhat recalls the Beatles of "The Long And Winding Road". The best, however, might still be yet to come... the Ghost Track best mixes Blues, Rock, and Songwriting with a crescendo finale, then stops and leaves you suspended in the cold air that characterizes these early autumn days... days in which summer seems a distant, unforgettable memory.
Paul McCartney is the greatest living songwriter. His 'sense of song' is incredible.
This is the pure singer-songwriter album of a great author who happens to be one of the inventors of pop songs in the latter half of the twentieth century.
A flow of more or less pleasant songs, neither good nor bad, which most of the specialized press has praised as yet another masterpiece.
Much to the chagrin of those waiting for Lennon/McCartney-like tunes, unaware that that era has been dead, buried, and decrepit for ages.
This album is amazing.
Chaos And Creation In The Backyard is a fresh, inspired, and enjoyable album from the first to the last note.