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This CD by Paul Hindemith (1895-1963) is recommended for lovers of solo piano, a composer with a strong personality who paid for his independence from the Nazi regime with exile, and who musically faced hostility from his peers for not conforming to the prevailing trends of his time: on one side the twelve-tone dictates imposed by Schoenberg, and on the other the neoclassical counter-reformation championed by Stravinsky. Discover the review
This CD by Paul Hindemith (1895-1963) is recommended for lovers of solo piano, a composer with a strong personality who paid for his independence from the Nazi regime with exile, and who musically faced hostility from his peers for not conforming to the prevailing trends of his time: on one side the twelve-tone dictates imposed by Schoenberg, and on the other the neoclassical counter-reformation championed by Stravinsky.
Rhythmic vivacity and instrumental verve are just two of the characteristics of the "Kammermusik" cycle by Paul Hindemith: seven compositions written in the 1920s, along with a piece for wind quintet, the "Kleine Kammermusik," which is also typically included in the cycle. Discover the review
Rhythmic vivacity and instrumental verve are just two of the characteristics of the "Kammermusik" cycle by Paul Hindemith: seven compositions written in the 1920s, along with a piece for wind quintet, the "Kleine Kammermusik," which is also typically included in the cycle.
Joseph Goebbels publicly called Hindemith a "vile atonal noisemaker," and his work began to be viewed in a different light. Discover the review
Joseph Goebbels publicly called Hindemith a "vile atonal noisemaker," and his work began to be viewed in a different light.
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