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After Lobotomizer, Killer makes way for Gebhardt, a creative multi-instrumentalist drummer and house banjo boy. To get warmed up a bit, they release two mini records that are gathered in their second long release (although not an "official new album"). Rough and raw, but a little less so. Although Bent's great melodic talents are still hidden beneath several layers of chaos, there is a sense of evolution. In these cases, it's called transitional work, and here it hits the nail on the head. The guys, amidst beastly screams and some experimentation, find a way to cover the Mamas and Papas, giving a taste of their prodigious versatility. Thus, once Geb is integrated, the classic lineup (the most... beautiful) releases these 8 songs for Rut and soon after experiences an explosion of creativity that will place them at the top of the independent rock scene, at least in Europe, for about fifteen years. California Dreamin' The Wait
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