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Claudio Lolli - Quelli come noi

A great antidepressant straight from the years of lead.
Those who, unfortunately, weren’t there cannot imagine how much fun it was to clash with various fascists and riot police; porphyry & Molotov like there was no tomorrow (we would later discover that, in fact, there wasn’t): an indescribable blast!
All seasoned with a soundtrack – stuff that makes you double over with laughter – ranging from this to the extraordinary Fausto' (which I know is beloved by some here) of "Suicidio".

Naturally, these amusements
were duly narrated by that mix of genius, anarcho-leftists – Andrea Pazienza above all – that was "Il Male"; a rag disguised as a newspaper that did things that millennials, and not only them, cannot even imagine could be done, innocently massified and slaughtered by the crass telemediatic conformism they are subjected to. Not everyone, of course, but we see what the majority is.

The fake front pages of major newspapers mixed with real ones with the complicity of many comrades running newsstands, for example, would be impossible today. News like "Tognazzi head of the BR" or "The third world war has broken out: the Japanese attack Pearl Harbor in the night," with the perfectly reproduced headlines of "Repubblica" and other major newspapers of the time, simply wouldn’t be understood in these dull times of continuous fake news, indistinguishable from the now non-existent "reality."

No revanchism, far from me: just history. The real one.
To greater things, and keep in mind... ALL BACKWARD!
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In Italy, there are perhaps two of the most shocking and controversial debuts ever witnessed or heard. One is cinematic: Marco Bellocchio's "I pugni in tasca" (the film that, in the '60s, shattered the ideology of the bourgeois family), and the other is "Aspettando Godot" by Claudio Lolli which … more
Track 06 - Quelli come noi