Prima di continuare su YouTube The dirtiest, foulest, and most misogynistic blues alternates with rural country infused with folk veins, as Robert Johnson seems to meet Hank Williams and the established Dylan star to create one of the greatest examples of white blues that history remembers, all seasoned by the notorious wayward existence of the Rolling Stones in their "Aftermath" from the far-off '66, divided between alcohol, drugs, and sex.

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