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In a remarkable period of “welcome back, wankers” – I admit I wasn’t feeling it anymore – I listened to and (re)discovered garage bands full of soul and blood, pulling from a wide range of influences from beat to punk, from psychedelia to R&B – from power pop to folk, from rockabilly to mod, even soul and hard rock. In short, the essence of rock and roll from true beasts to the wild scream of “screw your virtuosic and super-fast bullshit scales and your four-octave vocal range of crap.” Since 1990 onward, with a few returns of old relics, savansadir.
Dave Gibson wants them for his label Moxie Records, founded in honor of his dog and the obscure beat-punk bands from the sixties of which he was a fierce collector. Shelley Ganz is MUCH WORSE. A Buddhist monk who locks himself in his house to watch old films and listen to old records, with his collection of vintage Vox amps, writing letters dated 1966. Ganz is not one to play with the sixties. Ganz lives inside his own time machine, his cage… continues…
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DeBaser says
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