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ONEIDA: Each One Teach One. 2002

With the end of the twentieth century and the beginning of the 2000s, Brooklyn became the new mecca of the New York underground culture (which in our regions became famous with the twisted and Italianized name of "Broccolino").

The Italian, Russian, Chinese, Polish, Irish, and Jewish immigration was supplemented and replaced by African American and Hispanic-Caribbean immigration, and thanks to lower rents compared to Manhattan, the new "Greenwich Village" of artists would become Brooklyn.

Even now, Brooklyn is an atypical district buzzing with life, a mix of cosmopolitanism and alternative styles, including the emergence of different musical bands that shaped the new indie scene of Brooklyn at the turn of the millennium.

Oneida is one of the leading bands of the Brooklyn scene, and their name derives from one of the Native American tribes that inhabited the area that would become future Brooklyn: the Oneida, of Iroquois ethnicity.

The sound of Oneida is based on a melting pot reflecting a common denominator known as psychedelia, which incorporates space rock, garage rock, krautrock, trance, stoner, but also snippets of post-punk, electronics, and minimalism.

An album with its experiments featuring a sickly and stumbling rhythm, blending sick psychedelia and distorted post-punk; straddling the line between melody and noise in perpetual motion and gnente...

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