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It's the excitement of a moment, maybe two. That’s why it works especially for a 45 RPM record, often with distorted titles and names on the master and the labels of the vinyl. A further confirmation of a carelessness that dominated all phases of the process. For many others, it won't work at all, stopping at the limited space and finances of a demo tape, a reel, a cassette.”
Merci, Reverendo (17)
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