At the time, the Carmine neighborhood felt like the set of a Fellini and Tinto Brass film: provincial caricatures, street vendors, small-time criminals, three adult cinemas, and prostitutes everywhere. In this Amarcord with a Brescia twist, private matters became public affairs. It was a microcosm unto itself, out of time and the moral standards of the era. Enzo Jannacci - L'Armando (1965) #bresciafaschifo Dimenticate la "cattolicissima" Brescia, negli anni ‘70 era il paradiso dei travestiti - Linkiesta.it 
iside
14 feb 21
DeRank ™: 24,76
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