End of the pleasant little column

《 N E R I N O N P E R C A S O》

Or the Beatles' tributes to black music......

In this delightful little column, Uncle Dislo has guided you by the hand, but at a distance (only DeBaseriani with very long arms, please...) along the well-trodden discography of the Fab Four in search of the influences of "black" music that often tinged it and the covers of tracks by American black artists, discovering, for example, their fondness for the repertoire of female black vocal groups.
At times we included original tracks but performed with decidedly black techniques, especially vocal, but also instrumental.
Enough chat, then, here’s the last listen........................ #maybe............................. #orperhaps .......

Dizzy Miss Lizzy (Remastered 2009)

From the repertoire of the semi-obscure Larry Williams, bluesman but above all rhythm'n'bluesman, the Four drew at least three songs all leaning more towards rock'n'roll, (this one plus "Bad Boy" and "Slowdown," ensuring him princely royalties that he regularly turned into heroin, coke, and alcohol, ending up "suicided" by the mob in '80...).
Typical procedure of the Bitols: chewing, digesting, and electrically reinterpreting, fast, tough, and powerful.... Timeless rock'n'roll written by blacks for whites thirsty for music and respectful of the Masters....