5th: IVANGARAGE
After a more commercial and less inspired period, Ivan decides in 1989 to rise up in grand style with a spicy, gritty, and inspired album like none he had created since the 80s. Ivangarage is an album that returns to rock; in fact, one could say that Ivangarage attempts the path of hard rock: it features tracks like Prudenza mai, a true manifesto of intent and style, Ora et labora, about the life of monks, Psychedelico, a pure blend of madness, Un uomo, where Ivan makes it clear that he is not finished yet; these 4 are the most extreme tracks ever produced by Ivan, where the guitar is played in a dirty and raw manner, even more so than on certain tracks from Agnese dolce Agnese (Fame, Veleno all'autogrill, Dottor Jeckill and Mister Hyde, Fuoco sulla collina). But Ivangarage is not just healthy and dirty rock: there are wonderful ballads like Guagliò guagliò and Radici nel vento, a sweet dedication to a deceased friend in Noi non moriremo mai, and I metallari, a piece that from its title hints at guitar riffs left and right but is actually a ballad that seeks to dismantle the figure of the metalhead. Additionally, we also have the new dark story Jhonny non c'entra, a (half) true story of a 7-year-old boy who kills his father, and the concluding and ironic E mò che vuoi, with lyrics that start off angry and turn romantic (a curious way to end an album...). What can be said in conclusion of this Ivangarage? An album that retrieves Ivan's pure vein, divided between sardonic and gritty rock and beautiful ballads, where the very limit of Italian rock is surpassed, creating hard rock episodes that are more reminiscent of British/American rock than made-in-Italy rock; in short, from any perspective one looks at it, Ivangarage will remain a unique case in our artist's discography and one of Ivan's episodes, alongside the 4 albums released between '77 and '80.
The gem: Prudenza mai
After a more commercial and less inspired period, Ivan decides in 1989 to rise up in grand style with a spicy, gritty, and inspired album like none he had created since the 80s. Ivangarage is an album that returns to rock; in fact, one could say that Ivangarage attempts the path of hard rock: it features tracks like Prudenza mai, a true manifesto of intent and style, Ora et labora, about the life of monks, Psychedelico, a pure blend of madness, Un uomo, where Ivan makes it clear that he is not finished yet; these 4 are the most extreme tracks ever produced by Ivan, where the guitar is played in a dirty and raw manner, even more so than on certain tracks from Agnese dolce Agnese (Fame, Veleno all'autogrill, Dottor Jeckill and Mister Hyde, Fuoco sulla collina). But Ivangarage is not just healthy and dirty rock: there are wonderful ballads like Guagliò guagliò and Radici nel vento, a sweet dedication to a deceased friend in Noi non moriremo mai, and I metallari, a piece that from its title hints at guitar riffs left and right but is actually a ballad that seeks to dismantle the figure of the metalhead. Additionally, we also have the new dark story Jhonny non c'entra, a (half) true story of a 7-year-old boy who kills his father, and the concluding and ironic E mò che vuoi, with lyrics that start off angry and turn romantic (a curious way to end an album...). What can be said in conclusion of this Ivangarage? An album that retrieves Ivan's pure vein, divided between sardonic and gritty rock and beautiful ballads, where the very limit of Italian rock is surpassed, creating hard rock episodes that are more reminiscent of British/American rock than made-in-Italy rock; in short, from any perspective one looks at it, Ivangarage will remain a unique case in our artist's discography and one of Ivan's episodes, alongside the 4 albums released between '77 and '80.
The gem: Prudenza mai
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