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HOW TO RUIN A CAREER, ANGLOPHONE SECTION, vol. 5: Santana

(Derogation from the usual review of Italian talents, groups or solo artists. This time we’re going anglo-speaking, that is, shall we say it or not that it's not only in the Boot that musical careers are shamefully and disgracefully completed, which once paved the way for everyone?)

Friends, welcome to the tenth installment of a delightful little column that, I warn you, should be taken in small doses and on an empty stomach. Inspired by excellent DeBaserians with the hobby of sticking two fingers down their throats from time to time, here I am to propose a few selected listens concerning the disgusting side of the output of some anglo-speaking groups or solo artists who have truly made History of Music, once offering quality music with potentially international appeal, only to later fall into the shallows of a very low-quality discography, making them, for the most part, unrecognizable to the ears of their former fans.
Let’s give breath to the foul trumpets, let’s go…

There was a moment in the history of international music when saying "Santana" meant "Unkept promises" or, in some local Secoya dialects, even "Sold-out piece of crap."
But let’s not exaggerate; even though Carletto has done more than his namesake in France. Rather, let’s look among the most hidden and foul proofs of his wrongdoing.

Santana - Macumba in Budapest
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