HOW TO RUIN A CAREER, ANGLOPHONE SECTION, vol. 3: Queen
(An exception to the usual review of Italic talents, groups, or soloists. This time we’re going Anglophone; let’s admit it, shall we? It’s not just in the Boot that musical careers, once shining, are brought to an ignoble and disgraceful end.)
Friends, welcome to the ninth installment of a delightful little column that I warn you should be taken in small doses and on an empty stomach. Inspired by some excellent DeBaser fans with a hobby of occasionally making themselves gag, here I am to offer you a few carefully chosen listens concerning the disgusting side of the output of some Anglophone groups or solo artists who have truly made History in Music, once providing quality music with potentially international appeal, only to then sink into the depths of a low-quality discography that renders them, for the most part, unrecognizable to their former fans.
Let’s blow into the foul trumpets, come on...
Today we highlight the crummy phases of another group that, unlike others, embraced a more pop and shamelessly commercial vein before many other contemporary bands did the same, showing, if nothing else, a certain commercial instinct. The fact that Mercury’s exceptional voice has salvaged often less than mediocre songs is a point we’ve already made, and we risk boring ourselves by repeating it.
Queen- Don't Lose Your Head
(An exception to the usual review of Italic talents, groups, or soloists. This time we’re going Anglophone; let’s admit it, shall we? It’s not just in the Boot that musical careers, once shining, are brought to an ignoble and disgraceful end.)
Friends, welcome to the ninth installment of a delightful little column that I warn you should be taken in small doses and on an empty stomach. Inspired by some excellent DeBaser fans with a hobby of occasionally making themselves gag, here I am to offer you a few carefully chosen listens concerning the disgusting side of the output of some Anglophone groups or solo artists who have truly made History in Music, once providing quality music with potentially international appeal, only to then sink into the depths of a low-quality discography that renders them, for the most part, unrecognizable to their former fans.
Let’s blow into the foul trumpets, come on...
Today we highlight the crummy phases of another group that, unlike others, embraced a more pop and shamelessly commercial vein before many other contemporary bands did the same, showing, if nothing else, a certain commercial instinct. The fact that Mercury’s exceptional voice has salvaged often less than mediocre songs is a point we’ve already made, and we risk boring ourselves by repeating it.
Queen- Don't Lose Your Head
Dislocation
7 aug 20
DeRank ™: 0,00
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