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Today we are diving headfirst into 1960s France, where everything seemed musically possible, yet there was still much to discover and invent. We present to you two listens that are quite different from each other, but both fit into the most accessible range of the experimental music of that era. The first is a brief soundtrack from the film “Maléfices” by Henry Decoin, composed by Pierre Henry and released on EP in 1962 for Philips. The second is a collection of two LPs by Paul Boisselet (“Le Robot” and “Symphonie Rouge, Symphonie Jaune”: his only works, as far as we know), both released in 1965 for SFP (Société Française de Production).