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#iladri
Could the most famous Brazilian song be the spoils of a robbery?
Sure, the owner has never filed a complaint, as far as we know. The fact is that very little is known about the recifense José Prates, who embarked on a folkloric tetral adventure around the world to oversee its musical aspect, all summarized in a meager cultural page of a bank. The point is that in '58 he recorded this excellent album, where he dresses the soul music of candomblé (a rich source that is still drawn from abundantly today) with the elegance of brass and voices, and where it is clearly recognizable that one of the tracks contained within bears a strong resemblance to Mais Que Nada, which would be published four years later. Of course, in defense, we could also argue that everything is drawn from the popular, it's public domain. In the end, Jorge Ben is quite likable.
No one has the challenging verdict.
Everyone is invited to listen to the album.
José Prates - Nanã Imborô
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